6,160 Free Artworks of Elisha

the elisha whittelsey collection metropolitan museum of art prints in the metropolitan museum of art etching print engraving etching prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)renaissance antonio tempesta antonio tempesta - the war of the romans against the batavians

Young Saint John the Baptist kneeling before the infant Christ who caresses his face, the Virgin and Joseph in the background at right, Guido Reni, circa 1600–1640

prints by guido reni baroque

The Bear Seeks Justice from the Lion Against Renard from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75

prints by allaert van everdingen the elisha whittelsey collection

The Bear Calls Renard to Appear Before the Council of the Animals from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75

prints by allaert van everdingen the elisha whittelsey collection

The holy trinity with Saint Michael vanquishing a six-headed dragon, frontispiece to 'Missale Romanum ex decreto sacrosancti Concilii tridentini restitutum', Pietro da Cortona, circa 1662

works by pietro da cortona baroque

The Holy Family seated together in front of a collonade, Saint Joseph reading and the young Christ grasping the Virgin's drapery, Guido Reni, circa 1590–1610

prints after guido reni in the metropolitan museum of art baroque

The Lion Takes the Advice of the Other Animals for Renard's Punishment from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75

prints by allaert van everdingen the elisha whittelsey collection

The Lion Allows a Fight Between the Wolf and Renard from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75

prints by allaert van everdingen the elisha whittelsey collection

The Lion Delays Renard's Execution for a Final Interrogation from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75

prints by allaert van everdingen the elisha whittelsey collection

Tom Jones Refused Admittance by the Nobleman's Porter, from "The History of Tom Jones, a Foundling" by Henry Fielding, Thomas Rowlandson, 1792

henry fielding romanticism

The Story of the Horse Who Wants Revenge on the Stag from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75

prints by allaert van everdingen the elisha whittelsey collection

Plate 9: Aulus Vitellius with his head turned slightly to the left, from 'The Twelve Caesars', Raffaello Schiaminossi, circa 1610–40

prints by raffaello schiaminossi the elisha whittelsey collection

The Wolf Accuses Renard of Eating the Fish that He Stole from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75

prints by allaert van everdingen the elisha whittelsey collection

Angel Holding a Palm and a Crown, Jean-Honoré Fragonard, circa 1764

prints by jean-honoré fragonard rococo

The Bear's Snout and Paws Are Caught in the Trunk of a Tree from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75

prints by allaert van everdingen the elisha whittelsey collection

Illustration for a Book: Two Monks Kneeling before a Doge and an Emperor (Doge Ziani and Emperor Barbarossa?), Giovanni Battista Tiepolo, between 1696 and 1770

drawings by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

The Cat Calls Renard to Appear before the Tribunal from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75

prints by allaert van everdingen the elisha whittelsey collection

The Egyptians Crossing the Red Sea from Johann Geiler von Keisersberg, Das Buch Granatapfel im Latein Genant Malogranatus, Hans Baldung Grien, 1510

the elisha whittelsey collection german renaissance

The Rooster Accuses Renard of Murdering his Chicken from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75

prints by allaert van everdingen the elisha whittelsey collection

drawings by parmigianino in the metropolitan museum of art high renaissance,mannerism

drawings by parmigianino in the metropolitan museum of art high renaissance,mannerism

drawings by parmigianino in the metropolitan museum of art high renaissance,mannerism

Francesco I d'Este Receiving the Affection of the People, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659

prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection

Francesco I d'Este Dissolved the Seige of Reggio, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659

prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection

Francesco I d'Este Dissolved the Seige of Reggio, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659

prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection

Francesco I d'Este Sentencing the Guilty with Great Difficulty, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659

prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection

Francesco I d'Este Sentencing the Guilty with Great Difficulty, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659

prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection

Francesco I d'Este is Generous in Pardoning the Offenders, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659

prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection

Francesco I d'Este Builds the Palazzo di Sassuolo, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659

prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection

Francesco I d'Este is Generous in Pardoning the Offenders, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659

prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection

Francesco I d'Este Receiving the Affection of the People, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659

prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection

The Duke and his troops at Casalmaggiore, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659

prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection

The Duke and his troops at Casalmaggiore, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659

prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection

Nocturnal Landscape with Two Figures (design for an engraved book illustration), Henry Corbould, 1807–44

the elisha whittelsey collection henry corbould

Abraham Lincoln and constitutional government (1921) (14804748673), Gilbert Stuart, 1921

abraham lincoln and constitutional government (1921)neoclassicism

Title page to THE FUNERAL OF AGOSTIN CARRACCIO CARRIED OUT IN BOLOGNA, HIS HOMELAND, BY THE INCAMINATI Academicians of Drawing; title inside a cartouche with a globe and stars at top and a grotesque mask at bottom, Ludovico Carracci, 1603

francesco brizio baroque

Title page to THE FUNERAL OF AGOSTIN CARRACCIO CARRIED OUT IN BOLOGNA, HIS HOMELAND, BY THE INCAMINATI Academicians of Drawing; title inside a cartouche with a globe and stars at top and a grotesque mask at bottom, Ludovico Carracci, 1603

francesco brizio baroque

Title page to THE FUNERAL OF AGOSTIN CARRACCIO CARRIED OUT IN BOLOGNA, HIS HOMELAND, BY THE INCAMINATI Academicians of Drawing; title inside a cartouche with a globe and stars at top and a grotesque mask at bottom, Ludovico Carracci, 1603

francesco brizio baroque

Lo Stregozzo: a female witch riding on an animal skeleton, preceded by two men and a boy on a goat blowing on a horn, another naked man behind carrying two bones, Agostino Veneziano, circa 1515–25

prints by agostino veneziano in the metropolitan museum of art the elisha whittelsey collection

An apostle seen from behind and turning to the right, holding an open book, in an oval frame, from Christ, the Virgin, and Thirteen Apostles, Guido Reni, between 1600 and 1640

prints after guido reni in the metropolitan museum of art baroque

View of the dining room of th Hofburg (Part of the Album offered in 1826 to Princess Marie d'Orlèans, Mademoiselle de Valois, daughter of the then Duke of Orlèans, Louis-Philippe (Future King of the French)), Johann Stephan Decker

department of drawings and prints, metropolitan museum of art johann stephan decker

Avanzi del Tempio detto di Apollo nella Villa Adriana vicino a Tivoli (Hadrian's Villa. Remains of the Smaller Palace [Formerly called the Temple of Apollo]), Giovanni Battista Piranesi, circa 1768

etchings by giovanni battista piranesi neoclassicism

Apollo, Pan, and a putto blowing a horn, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s

school of fontainebleau,mantuan school,mannerism giorgio ghisi

Saint Anthony of Padua standing, lillies in his raised right hand, a book in his left, from the series 'Piccoli Santi' (Small Saints), Marcantonio Raimondi, circa 1500–1527

engravings by marcantonio raimondi in the metropolitan museum of art religious engravings in the metropolitan museum of art

anonymous 17th-century artworks baroque

Saint Peter seen from behind, turning to face outwards and holding a key, in an oval frame, from Christ, the Virgin, and Thirteen Apostles, Guido Reni, between 1600 and 1640

anonymous 17th-century artworks baroque

Renard Promises the Bear to Take Him to a Place Where He Will Find Honey from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75

prints by allaert van everdingen bears eating honey

A magician, a soldier and three figures watching a burning skull from the Scherzi di Fantasia, Giovanni Battista Tiepolo, circa 1743–50

prints by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

Broadsheet with two different love songs, woman wearing an evening gown sitting on the edge of her seat and another woman holding a cup, José Guadalupe Posada

works by josé guadalupe posada antonio vanegas arroyo

Broadsheet with two love ballads about desirable women, woman wearing a shawl and a skirt with her hands placed on her hips, José Guadalupe Posada, 1916 (published)

works by josé guadalupe posada antonio vanegas arroyo

Broadsheet with three ballads about love, a woman wearing a dress and hat placing one hand to her chest and the other behind her back, José Guadalupe Posada

works by josé guadalupe posada antonio vanegas arroyo

Broadside relating to a news story about the destruction following a volcanic eruption, volcano erupting while animals and men on horseback flee, José Guadalupe Posada, circa 1900–1913

works by josé guadalupe posada antonio vanegas arroyo

Broadsheet relating to seven men executed by a firing squad on account of their murder on July 9 of the entire household of Sr Remmett in Toluca, a corrida in the bottom section, José Guadalupe Posada, 1902

works by josé guadalupe posada antonio vanegas arroyo

Broadsheet relating to the death of Juan Dimio, crowd of people gathered around a gazebo while a man wearing a top hat stares out at viewer, José Guadalupe Posada, 1918 (published)

works by josé guadalupe posada antonio vanegas arroyo

Broadsheet relating to the sensational trial of Jesus Negrete 'El tigre de Santa Julia' on account of a shootout with police in 1906, description in the bottom section, José Guadalupe Posada, 1908

works by josé guadalupe posada antonio vanegas arroyo

Broadsheet relating to seven men being executed by a firing squad on 19 November 1902 on account of their murder on July 9 of the entire household of Sr Remmett in Toluca, José Guadalupe Posada

works by josé guadalupe posada antonio vanegas arroyo

News story about the sighting of a skeleton inside a holy temple, a man lying on the floor while a skeleton returns to a chamber and a cloaked figure exits to the right, José Guadalupe Posada, 1903

works by josé guadalupe posada antonio vanegas arroyo

Noah’s Sacrifice - *Biblical Altar and Animal Offering*, Marco Dente, circa 1515–27

prints by marco dente in the metropolitan museum of art the elisha whittelsey collection

Noah’s Sacrifice - *Biblical Altar and Animal Offering*, Marco Dente, circa 1515–27

prints by marco dente in the metropolitan museum of art the elisha whittelsey collection

Christ standing at left indicating to a flock of sheep, before him kneels St. Peter holding the keys to the church, behind him to the left stand the Apostles, Master of the Die, 1530–60

prints by master of the die prints by raffaello sanzio

Hudibras Beats Sidrophel and His Man Wacum (Plate 8: Illustrations to Samuel Butler's Hudibras), William Hogarth, 1725–30 (?)

hudibras (hogarth)realism

Nude woman viewed from behind holding fabric which blows behind her, looking at male nude standing in contrapposto in front of her., Marcantonio Raimondi, circa 1500–1534

engravings by marcantonio raimondi in the metropolitan museum of art prints by raffaello sanzio in the metropolitan museum of art

Cover for 'Los Sueños y Las Pesadillas', a man and woman arguing while another figure peers out from behind a curtain, José Guadalupe Posada, circa 1880–1910

works by josé guadalupe posada antonio vanegas arroyo

Hercules, Bacchus, Pan, and Saturn, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s

school of fontainebleau,mantuan school,mannerism giorgio ghisi

prints by stefano della bella in the metropolitan museum of art baroque

Cover for 'Las Nueves Jornadas de los Santos Peregrinos', Mary on horseback and Joseph being guided through Egypt by an angel, José Guadalupe Posada, circa 1880

works by josé guadalupe posada antonio vanegas arroyo

Frontispiece for Catalogue of the second portion of the important collection of modern etchings, engravings, and lithographs, to property of Monsieur Philippe Burty, of Paris (London, June 1878), Félix Bracquemond

félix bracquemond philippe burty

Frontispiece for Catalogue of the second portion of the important collection of modern etchings, engravings, and lithographs, to property of Monsieur Philippe Burty, of Paris (London, June 1878), Félix Bracquemond

félix bracquemond philippe burty

Fraternization in Grand Cairo, or The Made General & his Bonny Party Likely to Become Tame Musselmen, Thomas Rowlandson, 9 October 1798

rudolph ackermann romanticism

Francesco I d'Este Displays Great Faculty in his Studies, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659

prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection

Francesco I d'Este Speaks About his Victories with an Honest Comportment, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659

prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection

Francesco I d'Este Speaks About his Victories with an Honest Comportment, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659

prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection

Francesco I d'Este Displays Great Faculty in his Studies, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659

prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection

Following Francesco I d'Este's Example, His Troops Safely Pass Torrents During Extreme Weather, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659

prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection

Eros escaping by sea using his bow to propel a boat made from his quiver with an arrow as the mast and his blindfold as the sail, a banderole above, Marco Dente, circa 1515–27

prints by marco dente in the metropolitan museum of art the elisha whittelsey collection

Following Francesco I d'Este's Example, His Troops Safely Pass Torrents During Extreme Weather, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659

prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection

Plate 20: Civilis Having his Hair Cut, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Antonio Tempesta, 1611

antonio tempesta - the war of the romans against the batavians renaissance

Plate 16: Roman Captives Before the Old Fortress, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Antonio Tempesta, 1611

antonio tempesta - the war of the romans against the batavians renaissance

Plate 130: Scylla and Glaucus (Deus marinus effectus Glaucus Scyllae nuptias ambit), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606

antonio tempesta - metamorphoses of ovid renaissance

Plate 17: The Romans Misled by Civilis' Horse to Believe that He was Dead or Injured, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Otto van Veen, 1611

romanorvm et batavorvm societas by antonio tempesta after otto van veen (1611)antonio tempesta - the war of the romans against the batavians

Plate 22: Civilis Separates German and Dutch Troops, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Antonio Tempesta, 1611

antonio tempesta - the war of the romans against the batavians renaissance

Plate 32: Dutch and Germans Atttack the Roman Camp and Capture Cerialis' Boat, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Antonio Tempesta, 1611

antonio tempesta - the war of the romans against the batavians renaissance

Plate 18: Mercury Falling in love with Herse (Mercurius Herses amore accenditur), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606

antonio tempesta - metamorphoses of ovid renaissance

Plate 31: Thisbe Running from the Lionness at the Well (Thisbe leaenae spectu territa fugit), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606

antonio tempesta - metamorphoses of ovid renaissance

Plate 29: Civilis Floods the Land by Defensively Breaking the Dikes, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Antonio Tempesta, 1611

antonio tempesta - the war of the romans against the batavians renaissance

Plate 12: head of a child, from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner), Stefano della Bella, circa 1649

prints by stefano della bella in the metropolitan museum of art baroque

Plate 12: Pulling a Vessel Loaded with Grain to Shore, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Antonio Tempesta, 1611

antonio tempesta - the war of the romans against the batavians renaissance

Plate 35: The Batavians Become Afraid and Begin Peace Talks, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm Societas), Antonio Tempesta, 1611

antonio tempesta - the war of the romans against the batavians renaissance

Plate 36: Civilis and Cerialis Meet on a Broken Bridge to Reach an Accord, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Antonio Tempesta, 1611

antonio tempesta - the war of the romans against the batavians renaissance

Plate 31: Civilis Forced to Dismount and Swim Across the River, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Antonio Tempesta, 1611

antonio tempesta - the war of the romans against the batavians renaissance

Plate 24: The Advance Guard of the New Roman Troops Turned Back, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Antonio Tempesta, 1611

antonio tempesta - the war of the romans against the batavians renaissance

Plate 4: two pilgrims observing ruins to right, one pointing towards the right, a shepherd and a herd of cattle in center background, from 'Various landscapes' (Divers paysages), Israël Henriet, circa 1641

prints by stefano della bella in the metropolitan museum of art israël henriet

Plate 6: Thetis standing in a niche with a shell and sea creature, pouring water out of a vase, looking to her left, from a series of mythological gods and goddesses, Rosso Fiorentino, 1526

gods in niches, engravings by jacopo caraglio mannerism

Plate 11: Civilis' Troops Crossing the Maas River, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Antonio Tempesta, 1611

antonio tempesta - the war of the romans against the batavians renaissance

Plate 10: Civilis using Movable Wooden Bridges to Attack the Fortress, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Antonio Tempesta, 1611

antonio tempesta - the war of the romans against the batavians renaissance

Plate 9: two horsemen at left galloping uphill towards the right, a horse and seated man to right, from 'Various landscapes' (Divers paysages), Stefano della Bella, circa 1641

prints by stefano della bella in the metropolitan museum of art baroque

Plate 1: a monument with statues and a coat of arms in the center, a draughstman on the ground beneath a tree to right, two groups of lovers to left in the background, from 'Various landscapes' (Divers paysages), Israël Henriet, circa 1643

prints by stefano della bella in the metropolitan museum of art israël henriet

Plate 9: The Romans Defeated by the Dutch Troops at Bonna, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Antonio Tempesta, 1611

antonio tempesta - the war of the romans against the batavians renaissance

Plate 8: Women and Children Obvserve Civilis Battling the Romans, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Otto van Veen, 1611

romanorvm et batavorvm societas by antonio tempesta after otto van veen (1611)antonio tempesta - the war of the romans against the batavians

View of the Mausoleum of the Emperor Hadrian (now called Castel S. Angelo) from the rear, from Vedute di Roma (Roman Views), Giovanni Battista Piranesi, circa 1756

etchings by giovanni battista piranesi neoclassicism

View of the Palazzo della Consulta on the Quirinal housing the Papal Secreteriat, from Vedute di Roma (Roman Views), Giovanni Battista Piranesi, circa 1760–78

etchings by giovanni battista piranesi neoclassicism

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