6,160 Free Artworks of Elisha

the elisha whittelsey collection metropolitan museum of art prints in the metropolitan museum of art etching print department of drawings and prints, metropolitan museum of art engraving etching rococo,baroque giovanni battista tiepolo renaissance

Chap. IX: Jasmin!...elle avait l'air si ingénu!! (Jasmine gave the impression of being an ingenue!), Victor Adam, 1824

un an de la vie d'un jeune homme, histoire véritable en 17 chapitres, ecrits par lui-même et lithographiés par victor adam (1824)pierre langlumé

Hudibras Vanquish'd and Protected by Trulla (Plate 5: Illustrations to Samuel Butler's Hudibras), William Hogarth, 1725–30 (?)

hudibras (hogarth)realism

Magician with four Figures near a smoking Altar, from the Scherzi, Giovanni Battista Tiepolo, circa 1743–52

prints by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

Francesco I d'Este Orders Fête Decorations, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659

prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection

Francesco I d'Este Orders Fête Decorations, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659

prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection

Francesco I d'Este Invites Foreign Scholars to Court, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659

prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection

Francesco I d'Este Invites Foreign Scholars to Court, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659

prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection

Seated magician, boy and four figures from the Scherzi di Fantasia, Giovanni Battista Tiepolo, circa 1743–50

prints by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

Sultana wearing a pearl necklace and a turban, from 'Several heads in the Persian style' (Plusieurs têtes coiffées à la persienne), Israël Henriet, 1649–50

prints by stefano della bella in the metropolitan museum of art israël henriet

Emperor Vespasian on Horseback, from the series The First Twelve Roman Caesars, plate 10, Antonio Tempesta, 1596

etchings by antonio tempesta renaissance

Emperor Vespasian on Horseback, from the series The First Twelve Roman Caesars, plate 11, Antonio Tempesta, 1610–50

etchings by antonio tempesta renaissance

Plate 15: Civilis Treating with a Roman Commander, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Antonio Tempesta, 1611

antonio tempesta - the war of the romans against the batavians renaissance

Plate 13: Attack on the Roman Fortress at Night, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Antonio Tempesta, 1611

antonio tempesta - the war of the romans against the batavians renaissance

Plate 14: New Attack on the Old Fortress, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Otto van Veen, 1611

romanorvm et batavorvm societas by antonio tempesta after otto van veen (1611)antonio tempesta - the war of the romans against the batavians

Plate 33: Dutch and Roman Flotillas on the Rhine, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Antonio Tempesta, 1611

antonio tempesta - the war of the romans against the batavians renaissance

Plate 34: The Romans Burning the Dutch Countryside, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Otto van Veen, 1611

romanorvm et batavorvm societas by antonio tempesta after otto van veen (1611)antonio tempesta - the war of the romans against the batavians

Plate 6: Romans Defeated Near the Rhine, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm Societas), Otto van Veen, 1611

romanorvm et batavorvm societas by antonio tempesta after otto van veen (1611)antonio tempesta - the war of the romans against the batavians

Plate 7: German Envoys Visit Civilis, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Otto van Veen, 1611

romanorvm et batavorvm societas by antonio tempesta after otto van veen (1611)antonio tempesta - the war of the romans against the batavians

Seated Young Peasant Woman Holding a Jug, from Nouveau Livre de diverse Figures (New Book of Various Figures), François Boucher, 1751

prints by françois boucher rococo

The Flight into Egypt; the holy family walking with the young John the Baptist, trees behind them, in an octagonal frame, after Reni, Guido Reni, circa 1720–86

prints after guido reni in the metropolitan museum of art baroque

The Holy Spirit as a bird descending with spread wings at top center; the twelve Apostles standing below gesturing to it in front of an archway, Titian, 1518

venetian school,high renaissance domenico campagnola

Two Figures Attentive to Punchinello, with Others, from the Scherzi, Giovanni Battista Tiepolo, circa 1743–50

prints by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

Venus removing a thorn from her left foot while seated beside trees and foliage, a hare eating grass before her, Marco Dente, circa 1515–27

prints by marco dente in the metropolitan museum of art the elisha whittelsey collection

Vanegas Arroyo Advertisements - *Piñata Verses & Nativity Image*, José Guadalupe Posada, circa 1900–1910

works by josé guadalupe posada antonio vanegas arroyo

Vegetable Market, from the pair Meat Market and Vegetable Market, Johannes Baptista (I) Vrints, circa 1575–1608

pieter van der borcht (i)johannes baptista vrints

The circumcision of Christ, a group of men, women and angels surrounding him, the young Saint John the Baptist at lower right, after Reni, Giacomo Maria Giovannini, between 1687 and 1717

prints after guido reni in the metropolitan museum of art the elisha whittelsey collection

The young Saint John the Baptist kneeling before the young Christ who embraces him, a lamb at right, after Reni, Guido Reni, circa 1600–1640

prints after guido reni in the metropolitan museum of art baroque

The Virgin seated with the Christ Child on her lap embracing her, Joseph seen through an archway at left, after Reni, Ventura Salimbeni, circa 1600–1613

prints after guido reni in the metropolitan museum of art sienese school

The Vision of Ezekiel; a group of corpses and skeletons emerging out of tombs, above them five winged putti holding a banderole, Giovanni Battista Bertani, 1554

giorgio ghisi mannerism

The Vision of Ezekiel; a group of corpses and skeletons emerging out of tombs, above them five winged putti holding a banderole, Giorgio Ghisi, 1554

giovanni battista bertani giorgio ghisi

The Virgin in the clouds holding a rosary in her left hand and embracing the infant Christ, who also holds a rosary, angels surrounding them, Lorenzo Loli, circa 1630–60

works after giovanni andrea sirani lorenzo loli

Three Men standing beside a Horse, from the Scherzi, Giovanni Battista Tiepolo, circa 1740

prints by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

St Leonard standing holding a palm in his right hand and chains in his left, from the series 'Piccoli Santi' (Small Saints), Marcantonio Raimondi, circa 1500–1527

engravings by marcantonio raimondi in the metropolitan museum of art religious engravings in the metropolitan museum of art

The young Saint John the Baptist kneeling before the young Christ who embraces him, a lamb at left, after Reni, Guido Reni, circa 1600–1640

prints after guido reni in the metropolitan museum of art baroque

Broadside relating to a news story about an apparition of a spirit, women sitting up in bed looking at a ghost, José Guadalupe Posada, circa 1900–1913

works by josé guadalupe posada antonio vanegas arroyo

Plate 10: Lidded Vase With a Handle in the Shape of a Griffin and A Frieze With Draped Dancing Figures, from Antique Vases (Vasa a Polydoro Caravagino’), Cherubino Alberti, 1605

prints by cherubino alberti baroque

Mercury Entering Herse's Room After Changing Agraulos to Stone, from Ovid, Metamorphoses, Book II, Hendrik Goltzius, 1590

prints by hendrick goltzius mannerism

Death of the Strong Wicked Man, from The Grave, a Poem by Robert Blair, William Blake, 1 May 1808

06 - death of the strong wicked man (l. schiavonetti)romanticism,fairy painting

Broadsheet with songs for a two-step dance (paso doble), a man and woman talking while elegantly dressed couples dance in the background, José Guadalupe Posada

works by josé guadalupe posada antonio vanegas arroyo

Angelica and Medoro; the couple embracing, Medoro carving their names in the bark of a tree; Cupid holding a torch in the background, Teodoro Ghisi, circa 1570

giorgio ghisi teodoro ghisi

The Seated Nymph (Une fontaine avec une naïade assise sur une conque), Jean-Baptiste Marie Pierre, circa 1740

jean-baptiste marie pierre rococo

Broadsheet relating to a story about a woman who has turned into stone, a group of people discovering her in the woods, José Guadalupe Posada, circa 1903

the elisha whittelsey collection works by josé guadalupe posada

Plate 30: Cerialis Driving the Dutch into the Rhine, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Antonio Tempesta, 1611

antonio tempesta - the war of the romans against the batavians renaissance

Woman kneeling in front of magicians and other figures, from the Scherzi, Giovanni Battista Tiepolo, circa 1743–50

prints by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

Ruin of a Palace Facade [Palatium M. Agrippa] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', Lambert Zutman dit Suavius, circa 1572

lambert zutman dit suavius master g.a.

Building [Aerarii Publici Rome] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', Lambert Zutman dit Suavius, circa 1572

lambert zutman dit suavius master g.a.

Half of Building [Templum Saturni] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', Lambert Zutman dit Suavius, circa 1572

lambert zutman dit suavius master g.a.

Half of an Arch [Porta Antonae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', Lambert Zutman dit Suavius, circa 1572

lambert zutman dit suavius master g.a.

Partial view of a Building [Sepulchrum Adriani] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', Lambert Zutman dit Suavius, circa 1572

lambert zutman dit suavius master g.a.

Partial view of a Building [Templum Veneris] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', Lambert Zutman dit Suavius, circa 1572

lambert zutman dit suavius master g.a.

Page 7: a young girl with a face on her bottom (having two faces), a mother who gave birth to three diabolical beings, from '36 Grabados' (Mexico, 1943), José Guadalupe Posada

works by josé guadalupe posada antonio vanegas arroyo

Entrée de Cha-u-Kao, from Le Rire, No. 67, 15 February 1896, Henri de Toulouse-Lautrec

prints by henri de toulouse-lautrec in the metropolitan museum of art post-impressionism

Various Grotesque Figure Studies and a Strapwork Cartouche (recto); Grotesque with Two Figures and Mask; and A Kneeling Cleric (verso), Andrés de Melgar, circa 1545–60

drawings in the metropolitan museum of art drawings by andrés de melgar

Partial View of a Monument [Mercurii Templum] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', Lambert Zutman dit Suavius, circa 1572

lambert zutman dit suavius master g.a.

Various Grotesque Figure Studies and a Strapwork Cartouche (recto); Grotesque with Two Figures and Mask; and A Kneeling Cleric (verso), Andrés de Melgar, circa 1545–60

drawings in the metropolitan museum of art drawings by andrés de melgar

Various Grotesque Figure Studies and a Strapwork Cartouche (recto); Grotesque with Two Figures and Mask; and A Kneeling Cleric (verso), Andrés de Melgar, circa 1545–60

drawings in the metropolitan museum of art drawings by andrés de melgar

Elisa ziet de hemelvaart van Elia Geschiedenis van Elisa (serietitel), RP-P-OB-73.928, 1643

prints by nicolaes rijckmans in the rijksmuseum amsterdam flemish baroque painting,baroque

Elisa ziet de hemelvaart van Elia Geschiedenis van Elisa (serietitel), RP-P-OB-102.813, 1643

prints by nicolaes rijckmans in the rijksmuseum amsterdam flemish baroque painting,baroque

Country Ballet (Ballet Champêtre), from Essai de Papilloneries Humaines par Saint Aubin, Charles Germain de Saint Aubin, circa 1756–60

the elisha whittelsey collection charles-germain de saint-aubin

French Theatre (Théatre Français), from Essai de Papilloneries Humaines par Saint Aubin, Charles Germain de Saint Aubin, circa 1756–60

the elisha whittelsey collection charles-germain de saint-aubin

Design for a Frieze with Grotesques in the Flemish Style (recto); Winged Term and Other Terms with Grotesque Birds (verso), Andrés de Melgar, circa 1545–60

department of drawings and prints, metropolitan museum of art drawings by andrés de melgar

Designs of Braziers whose Ornaments can be Used for Bowls, Tables, and other Goldwork, Plate 1, Alexis I Loir, between 1660 and 1713

pierre mariette ii alexis i loir

Design for a Frieze with Grotesques in the Flemish Style (recto); Winged Term and Other Terms with Grotesque Birds (verso), Andrés de Melgar, circa 1545–60

department of drawings and prints, metropolitan museum of art drawings by andrés de melgar

Designs of Braziers whose Ornaments can be Used for Bowls, Tables, and other Goldwork, Plate 1, Alexis I Loir, between 1660 and 1713

pierre mariette ii alexis i loir

Designs of Braziers whose Ornaments can be Used for Bowls, Tables, and other Goldwork, Plate 1, Alexis I Loir, between 1660 and 1713

pierre mariette ii alexis i loir

Designs of Braziers whose Ornaments can be Used for Bowls, Tables, and other Goldwork, Plate 1, Alexis I Loir, between 1660 and 1713

pierre mariette ii alexis i loir

Design for a Wall Decoration with Apollo and the Muses, a Figure of Astronomy, and the Coat-of-Arms of a Grand Duke of Tuscany as Grand Master of the Order of Santo Stefano, Marco Marchetti, 1561–88

department of drawings and prints, metropolitan museum of art marco da faenza

Two Scenes placed One above the Other of a Reclining Warrior and a Reclining Putto (recto); Grotesque Fountain with a Warrior (verso), Andrés de Melgar, circa 1545–60

department of drawings and prints, metropolitan museum of art drawings by andrés de melgar

Two Scenes placed One above the Other of a Reclining Warrior and a Reclining Putto (recto); Grotesque Fountain with a Warrior (verso), Andrés de Melgar, circa 1545–60

department of drawings and prints, metropolitan museum of art drawings by andrés de melgar

Title page from Essai de Papilloneries Humaines par Saint Aubin, Charles Germain de Saint Aubin, circa 1756–60

charles-germain de saint-aubin rogers fund

Designs of Braziers whose Ornaments can be Used for Bowls, Tables, and other Goldwork, Plate 1, Alexis I Loir, between 1660 and 1713

pierre mariette ii alexis i loir

Princely wedding ... Wilhelm Hertzog zu Gulich, Cleue and Berg, ... and Frewlin Jacobae born Marggraffinen zu Baden.., Dußeldorff Anno Dni. 1585 on June 18th, Frans Hogenberg, 1587

fürstlich jülich‘sche hochzeit dietrich graminäus

Architect's Sketchbook and Sourcebook., Ferdinando Galli-Bibiena, between 1700 and 1743

department of drawings and prints, metropolitan museum of art ferdinando galli da bibbiena

Designs of Braziers whose Ornaments can be Used for Bowls, Tables, and other Goldwork, Plate 1, Alexis I Loir, between 1660 and 1713

pierre mariette ii alexis i loir

Renard Plays Another Trick on the She-Wolf from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75

prints by allaert van everdingen the elisha whittelsey collection

Renard Goes with the Badger to Court to Appease the Lion's Anger from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75

prints by allaert van everdingen the elisha whittelsey collection

Renard Lies that the Rabbit Insulted One of His Children from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75

prints by allaert van everdingen the elisha whittelsey collection

Renard Exonerates Himself of His Crimes Before the Lion from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75

prints by allaert van everdingen the elisha whittelsey collection

Renard's Parents Ask to Withdraw from the Court from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75

prints by allaert van everdingen the elisha whittelsey collection

Civil Garb of the French Citizen, Jacques-Louis David, 1794

costumes français de la convention par denon neoclassicism

Illustration for a Book: Two Monks Kneeling before a Doge and an Emperor (Doge Ziani and Emperor Barbarossa?), Giovanni Battista Tiepolo, between 1696 and 1770

drawings by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

Illustration for a Book: Two Monks Kneeling before a Doge and an Emperor (Doge Ziani and Emperor Barbarossa?), Giovanni Battista Tiepolo, between 1696 and 1770

drawings by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

Magician pointing out a burning head to two youths, from the Scherzi, Giovanni Battista Tiepolo, circa 1743–50

prints by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

Lord Fellamar Rudely Dismissed by Squire Western, from "The History of Tom Jones, a Foundling" by Henry Fielding, Thomas Rowlandson, 1792

henry fielding romanticism

Frieze with a Horned Male Figure at Center with Two Tendrils Held at Either End by Winged Female Figures, Hans Sebald Beham, between 1500 and 1550

ornament prints by sebald beham german renaissance

Sophia's Modesty Shocked by a Fall from her Horse, from "The History of Tom Jones, a Foundling" by Henry Fielding, Thomas Rowlandson, 1792

henry fielding romanticism

Plate 146: Hippolytus Saved from Death (Hippolitum Dianae impulsu ad vitam revocat AEsculapius et Virbius vocatur), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606

antonio tempesta - metamorphoses of ovid renaissance

prints by raffaello schiaminossi the elisha whittelsey collection

Plate 3: Jupiter emerging from a niche, riding an eagle and holding a thunderbolt in his left hand, from a series of mythological gods and goddesses, Giovanni Jacopo Caraglio, 1526

gods in niches, engravings by jacopo caraglio the elisha whittelsey collection

Plate 4: Juno standing in a niche, viewed from behind, stroking a peacock to her right, from a series of mythological gods and goddesses, Giovanni Jacopo Caraglio, 1526

gods in niches, engravings by jacopo caraglio the elisha whittelsey collection

Plate 100: Apollo Killing the Serpent Attacking Opheus's Head (Serpens Orphei caput dilaniaturus in saxum ab Apolline convertitur), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606

antonio tempesta - metamorphoses of ovid renaissance

Parson Adams Engaged In A Perilous Hunting Adventure..., illustration to Henry Fielding's "Adventures of Joseph Andrews, and his friend Mr Abraham Adams", Thomas Rowlandson, 1792

james sibbald romanticism

Satyr Family with the Obelisk, from the Scherzi, Giovanni Battista Tiepolo, circa 1743–50

prints by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

Sheet with Four Designs for Relief Decorations on Arms: Two Large Hilts for a Sword and a Dagger, and the Ornaments for the Tips of the Sheaths, Pierre Woeiriot, circa 1550–60

department of drawings and prints, metropolitan museum of art pierre woeiriot

Madonna holding a lily branch with the Christ Child on her lap, seated on clouds, surrounded by cherub heads, Cherubino Alberti, between 1570 and 1615

prints by cherubino alberti baroque

View of the exterior of St. Peter's Basilica in the Vatican, from Vedute di Roma (Roman Views), Giovanni Battista Piranesi, circa 1748

etchings by giovanni battista piranesi neoclassicism

The Frightened Naïad (Une naïade échevelée recule d'efroi à la vue d'un lion), Jean-Baptiste Marie Pierre, circa 1740

jean-baptiste marie pierre rococo

The Frightened Naïad (Une naïade échevelée recule d'efroi à la vue d'un lion), Jean-Baptiste Marie Pierre, circa 1740

jean-baptiste marie pierre rococo

Vulcan, Neptune, Athena and other Gods making Shackles to pull Jupiter from the Heavens, set within an elaborate frame, from 'Loves, Rages and Jealousies of Juno', Giulio Bonasone, 1531–76

the elisha whittelsey collection giulio bonasone

The Cat, Caught in a Snare, is Mistreated by the People from the House from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75

prints by allaert van everdingen the elisha whittelsey collection

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