6,160 Free Artworks of Elisha

the elisha whittelsey collectionmetropolitan museum of artprints in the metropolitan museum of artetching printengravingprints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)baroqueetchingprints after guido reni in the metropolitan museum of artguido reni
Plate 28: Cologne Troops Bring Civilis' Wife and Sister to Cerialis, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Antonio Tempesta, 1611
antonio tempesta - the war of the romans against the bataviansrenaissance
The Flight into Egypt; the Holy Family walking together, Saint Joseph pointing to the left and the Virgin carrying the infant Christ, an angel in front of her offering a flower, after Reni, François de Poilly, circa 1648–81
prints after guido reni in the metropolitan museum of artfrançois de poilly
The Duel (Le Duel), from Essai de Papilloneries Humaines par Saint Aubin, Charles Germain de Saint Aubin, circa 1756–60
the elisha whittelsey collectioncharles-germain de saint-aubin
The adoration of the shepherds who kneel together at right before the infant Christ, the Virgin and Saint Joseph at left, two angels above, in an octagonal frame, after Reni, Guido Reni, circa 1655–93
prints after guido reni in the metropolitan museum of artbaroque
View of the Mausoleum of the Emperor Hadrian (now called Castel S. Angelo) from the rear, from Vedute di Roma (Roman Views), Giovanni Battista Piranesi, circa 1756
etchings by giovanni battista piranesineoclassicism
View of the Fountainhead of the Acqua Paola on Monte Aureo, from Vedute di Roma (Roman Views), Giovanni Battista Piranesi, circa 1751
etchings by giovanni battista piranesineoclassicism
Young Saint John the Baptist kneeling before the infant Christ who caresses his face, the Virgin and Joseph in the background at right, after Reni, Guido Reni, circa 1600–1640
prints after guido reni in the metropolitan museum of artbaroque
The Holy Trinity; Christ on the cross flanked by two angels, the Holy Spirit as a dove and God in heaven above the cross, a rectangular composition with half-circle at the top, after Reni, Guido Reni, 1702
sir nicolas dorignybaroque
The so-called Temple of Bacchus, now the Church of S. Urban, interior (Veduta interna dell antico Tempio di Bacco, or. di S. Urbano), Giovanni Battista Piranesi, circa 1767
etchings by giovanni battista piranesineoclassicism
The Virgin seated with the Christ Child on her lap embracing her, St Joseph seen through an archway at right, after Reni, Guido Reni, circa 1600–1640
prints after guido reni in the metropolitan museum of artbaroque
The Virgin seated with the infant Christ on her lap, the young Saint John the Baptist kneeling on Christ's cradle and caressing his foot, a lamb at right, after Reni, Guillaume Vallet, circa 1650–1704
prints after guido reni in the metropolitan museum of artguillaume vallet
The Toilet (La Toilette), from Essai de Papilloneries Humaines par Saint Aubin, Charles Germain de Saint Aubin, circa 1756–60
charles-germain de saint-aubinrogers fund
The Toilet (La Toilette), from Essai de Papilloneries Humaines par Saint Aubin, Charles Germain de Saint Aubin, circa 1756–60
charles-germain de saint-aubinrogers fund
The Virgin kneeling in prayer before the infant Christ who is lying on a wooden box, Saint Joseph at left, a mule at right, in an oval frame, after Reni, Guido Reni, circa 1680–1738
prints after guido reni in the metropolitan museum of artbaroque
Broadsheet relating to the greed of Juan Pérez and his ill-gotten financial gains through dishonesty and swindling the church, a description in the bottom section, José Guadalupe Posada, circa 1900–1910
works by josé guadalupe posadaantonio vanegas arroyo
Plate 27: The Dutch During a Surprise Attack of the Roman Camp on the Moselle, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Antonio Tempesta, 1611
antonio tempesta - the war of the romans against the bataviansrenaissance
Plate 21: Envoys from Cologne Bring Presents to Civilis, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Antonio Tempesta, 1611
antonio tempesta - the war of the romans against the bataviansrenaissance
An apostle resting his head on his left hand and reading a book, in an oval frame, from Christ, the Virgin, and Thirteen Apostles, Guido Reni, between 1600 and 1640
anonymous 17th-century artworksbaroque
Saint Simon seen from behind, turning to the right and holding a saw, in an oval frame, from Christ, the Virgin, and Thirteen Apostles, Guido Reni, between 1600 and 1640
anonymous 17th-century artworksbaroque
Hercules defeating the river god Acheolus in the form of a bull, with three women to his left holding cornucopias, from a series of six engravings of Herculean Subjects, Giovanni Jacopo Caraglio, circa 1526–27
the elisha whittelsey collectionjacopo caraglio
The Duel (Le Duel), from Essai de Papilloneries Humaines par Saint Aubin, Charles Germain de Saint Aubin, circa 1756–60
the elisha whittelsey collectioncharles-germain de saint-aubin
The winged archangel Saint Michael holding a sword and standing on the head of the devil, who descends into hell, an oval composition, after Reni, Guido Reni, between 1600 and 1640
prints after guido reni in the metropolitan museum of artbaroque
An apostle seen in profile facing right, holding an open book, in an oval frame, from Christ, the Virgin, and Thirteen Apostles, Guido Reni, between 1600 and 1640
anonymous 17th-century artworksbaroque
Woman returning from a hunt carrying a boar in her right hand and a stick on her left shoulder to which a hare and two ducks are tied, Marco Dente, circa 1515–27
prints by marco dente in the metropolitan museum of artthe elisha whittelsey collection
Broadsheet with two narrative love ballads about desirable women, woman wearing a shawl and a skirt with her hands placed on her hips, José Guadalupe Posada, 1915 (published)
works by josé guadalupe posadaantonio vanegas arroyo
Christ seen in profile facing right, making the sign of blessing with his right hand, in an oval frame, from Christ, the Virgin, and Thirteen Apostles, Guido Reni, between 1600 and 1640
anonymous 17th-century artworksbaroque
Broadsheet relating to the adventures of Don Joaquin Cantolla y Rico who travels in a hot air balloon, crowd of people watching him ascend, José Guadalupe Posada, 1902
works by josé guadalupe posadaantonio vanegas arroyo
The Toilet (La Toilette), from Essai de Papilloneries Humaines par Saint Aubin, Charles Germain de Saint Aubin, circa 1756–60
the elisha whittelsey collectioncharles-germain de saint-aubin
Plate 19: Men from the Fortress Surrender and Pledge Their Lives to Civilis, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Antonio Tempesta, 1611
antonio tempesta - the war of the romans against the bataviansrenaissance
Allegory of the marriages made by the City of Paris at the birth of the Duke of Burgundy, Gabriel de Saint-Aubin, 1752
the elisha whittelsey collectiongabriel jacques de saint-aubin
Allegory of the marriages made by the City of Paris at the birth of the Duke of Burgundy, Gabriel de Saint-Aubin, 1752
the elisha whittelsey collectiongabriel jacques de saint-aubin
Essay on Physiognomy (Essay on Physiognomy Intended to Make Man Known and Loved, by Jean Gaspard Lavater, Citizen of Zurich and Minister of the Holy Gospel), Johann Kaspar Lavater, 1803
department of drawings and prints, metropolitan museum of artjohann kaspar lavater
Essay on Physiognomy (Essay on Physiognomy Intended to Make Man Known and Loved, by Jean Gaspard Lavater, Citizen of Zurich and Minister of the Holy Gospel), Johann Kaspar Lavater, 1783
department of drawings and prints, metropolitan museum of artjohann kaspar lavater
Essay on Physiognomy (Essay on Physiognomy Intended to Make Man Known and Loved, by Jean Gaspard Lavater, Citizen of Zurich and Minister of the Holy Gospel), Johann Kaspar Lavater, 1803
department of drawings and prints, metropolitan museum of artjohann kaspar lavater
Decoration of the performance hall built in Versailles for the performance of the Princess of Navarre, Charles-Nicolas Cochin, circa 1745
prints by charles-nicolas cochin filsthe elisha whittelsey collection
History of the United States from the earliest discovery of America to the present time (1912) (14743509476), 1912
history of the united states from the earliest discovery of america to the present time (1912)robert e. lee statue (richmond, virginia)
Vue des debris des bains de Neron from Differentes vues dessiné d'après nature... dans les environs de Rome et de Naples, Hubert Robert
pre-romanticismadélaide allou
Tast Tactus (titel op object) Vijf zintuigen (serietitel), RP-P-BI-1542, Abraham Bloemaert, between 1632 and 1670
prints by frederick bloemaert in the rijksmuseum amsterdammannerism,utrecht caravaggism
Tast Tactus (titel op object) Vijf zintuigen (serietitel), RP-P-BI-1537, Abraham Bloemaert, between 1632 and 1670
prints by frederick bloemaert in the rijksmuseum amsterdammannerism,utrecht caravaggism
Elisa strooit zout in de bron van Jericho Geschiedenis van Elisa (serietitel), RP-P-1904-3380, between 1616 and 1636
prints by nicolaes rijckmans in the rijksmuseum amsterdamflemish baroque painting,baroque
An Account of His Excellence Roger Earl of Castlemaine's Embassy, from . . . James the IId . . . . to His Holiness Innocent XI, Giovanni Battista Lenardi, 1688
john michael wright’s 'raggvaglio della solenne comparsa, fatta in roma gli otto di gennaio mdclxxxvii. dall'illvstrissimo, et eccellentissimo signor conte di castelmaine...'giovanni battista lenardi
Saint Catherine of Siena standing holding flowers and book in her right hand, a heart and crucifix in her left, from the series 'Piccoli Santi' (Small Saints), Marcantonio Raimondi, circa 1500–1527
engravings by marcantonio raimondi in the metropolitan museum of artreligious engravings in the metropolitan museum of art
Imaginary portrait head of a man in a feathered hat; from the series of 22 imaginary portrait heads after Giovanni Battista Piazzetta, Giovanni Battista Piazzetta, circa 1730–50
works after giovanni battista piazzettajohann lorenz haid
Half of an Arch [Arcus Lutii Septimi] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', Lambert Zutman dit Suavius, circa 1572
lambert zutman dit suaviusmaster g.a.
Décrotteur (Shoe Shiner), from Mes gens, ou Les commissionnaires ultramontains au service de qui veut le payer (Servants for Public Hire), Augustin de Saint-Aubin, 1766–70
augustin de saint-aubinjean-baptiste tillard
Galatea escaping Polyphemus; he is seated on a rock holding a staff and pipes and looking towards Galatea at right riding a shell pulled by two dolphins, Cupid flying above, Marco Dente, circa 1515–1600
prints by marco dente in the metropolitan museum of artanonymous, italian, 16th to early 17th century
Plate 7: Vase or Ewer Decorated With a Vase Flanked by Putti and Two Large Female figures whose legs morph into griffin claws, from Antique Vases (Vasa a Polydoro Caravagino), Cherubino Alberti, 1605
prints by cherubino albertibaroque
Drawing for a Plate From "Gravures historiques des principaux événements Depuis l'Ouverture des Etats Generaux ..." Paris 1789, Jean-François Janinet, circa 1789
gravures historiques des principaux événemens depuis l’ouverture des états-généraux de 1789the elisha whittelsey collection
Design for a theater set created by Giacomo Torelli da Fano for the ballet 'Les Noces de Thétis', from 'Décorations et machines aprestées aux nopces de Tétis, Ballet Royal', Israel Silvestre, 1654
giacomo torelli da fanof. francart
The Fallacy of Hope, Alfred d'Orsay, 1 January 1851
alfred d'orsayjoseph hogarth
Drawing for a Plate From "Gravures historiques des principaux événements Depuis l'Ouverture des Etats Generaux ..." Paris 1789, Jean-François Janinet, circa 1789
gravures historiques des principaux événemens depuis l’ouverture des états-généraux de 1789the elisha whittelsey collection
Hercules, grasping Antaeus at the waist with both arms and lifting him off his feet, in background at right the ruins of a temple, at left a group of trees against which are posed a club and the skin of a lion, Marcantonio Raimondi, circa 1500–1550
engravings by marcantonio raimondi in the metropolitan museum of artengravings of mythology in the metropolitan museum of art
Plate 5: Vase or Ewer with a Double Frieze, the Top shows Men Wrestling a Bull, the Bottom contains a Mask and Two Griffins, from Antique Vases (Vasa a Polydoro Caravagino), Polidoro da Caravaggio, 1605
department of drawings and prints, metropolitan museum of artprints by cherubino alberti
Simple Bodily Pain (from Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun), Charles Le Brun, 1765
classicism,baroquerobert sayer
After a Long Seige, with the Aid of the French Army, Takes Valencia, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659
prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection
After a Long Seige, with the Aid of the French Army, Takes Valencia, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659
prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection
Illustration for Jérôme Paturot à la recherche d'une position sociale (Jérôme Patruot in Search of a Social Position), by Louis Reybaud, Paris, Jean Ignace Isidore Gérard Grandville, circa 1846
grandville (caricaturist)symbolism
Illustration for Jérôme Paturot à la recherche d'une position sociale (Jérôme Patruot in Search of a Social Position), by Louis Reybaud, Paris, Jean Ignace Isidore Gérard Grandville, circa 1846
grandville (caricaturist)symbolism
German and Spanish Forts Near Bohemia Were Taken with Great Force Near Bohemia, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659
prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection
Francesco I d'Este Intervenes for an Agreement between Pope Urban VIII and the Duke of Parma, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659
prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection
Francesco I d'Este Provides for His People During the Great Plague of 1630, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659
prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection
Francesco I d'Este Keeps his State Intact During the Descent of the Germans into Mantua, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659
prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection
Francesco I d'Este Keeps his State Intact During the Descent of the Germans into Mantua, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659
prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection
Francesco I d'Este is Named the Deputy of the Catholilc King and is Sent to Catalogna, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659
prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection
Francesco I d'Este Punishes a Soldier by Death who had Stolen a Chalice from the Holy Church, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659
prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection
Francesco I d'Este Drives Troops Back Outside of Reggiano, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659
prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection
Francesco I d'Este is Named the Deputy of the Catholilc King and is Sent to Catalogna, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659
prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection
Francesco I d'Este Drives Troops Back Outside of Reggiano, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659
prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection
Francesco I d'Este Drafts a Document that Prevents Individuals from Conspiring Against the State, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659
prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection
German and Spanish Forts Near Bohemia Were Taken with Great Force Near Bohemia, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659
prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection
Francesco I d'Este Intervenes for an Agreement between Pope Urban VIII and the Duke of Parma, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659
prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection
Francesco I d'Este Provides for His People During the Great Plague of 1630, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659
prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection
Title of the secont part of Optique de Portraiture et peinture [...]: "La Déesee des Arts lisant avec attention le traité d'optiqe de Grégoire Huret [...], Grégoire Huret
the elisha whittelsey collectiongrégoire huret
Francesco I d'Este Assists His Subjects with Great Generosity During the Great Famine of 1648 and 1649, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659
prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection
Francesco I d'Este Drafts a Document that Prevents Individuals from Conspiring Against the State, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659
prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)the elisha whittelsey collection
Allegory of Justice (Sanctity of the Law) with a court scene depicting a man being pardoned by a judge, from Thronus Justitiae, tredecim pulcherrimus tabulis..., plate 12, Christoffel van Sichem (I), 1605–6
department of drawings and prints, metropolitan museum of artthe elisha whittelsey collection
Allegory of Justice depicting a street scene with a shepherd giving a sheet of paper to a judge at left, who rejects it, from Thronus Justitiae, tredecim pulcherrimus tabulis..., plate 11, Willem Isaacsz Swanenburg, 1605
allegorical prints in the metropolitan museum of artthe elisha whittelsey collection
Renard Escapes with a Chicken that he Stole from a Clergyman's Table from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75
prints by allaert van everdingenthe elisha whittelsey collection
Renard Convinces the Rabbit to Enter His Burrow and Kills Him from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75
prints by allaert van everdingenthe elisha whittelsey collection
Renard Falsely Accuses His Father of Conspiring Against the Lion from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75
prints by allaert van everdingenthe elisha whittelsey collection
Renard Sends the Ram Back to the Lion with a Package Containing the Rabbit's Head from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75
prints by allaert van everdingenthe elisha whittelsey collection
Civil Garb of the French Citizen, Jacques-Louis David, 1794
costumes français de la convention par denonneoclassicism
Inside Attire of the French Citizen, Jacques-Louis David, 1794
costumes français de la convention par denonneoclassicism
Following Renard's False Story, His Father Is Chased by Hunting Dogs from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75
etchings by allaert van everdingenthe elisha whittelsey collection
Jug with lid, engraved with arabesque pattern, the narrow spout to right ending in snake's head, handle to left., Hans Holbein the Younger, 1625–77
prints by wenzel hollar in the metropolitan museum of artgerman renaissance,northern renaissance
Plate 14: Mercury standing in a niche playing his pipes, with the severed head of an old man and a sword at his feet, from a series of mythological gods and goddesses, Rosso Fiorentino, 1526
gods in niches, engravings by jacopo caragliomannerism
Plate 2: Ops standing in a niche with her hands at her breasts, looking to her left, with animals behind her, from a series of mythological gods and goddesses, Giovanni Jacopo Caraglio, 1526
gods in niches, engravings by jacopo caragliothe elisha whittelsey collection
Plate 22: Cadmus's Men Killed by the Serpent (Draco Martius Cadmi socios depascit), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606
antonio tempesta - metamorphoses of ovidrenaissance
Plate 12: Diana standing in a niche, twisting to her left and pulling an arrow out of a quiver, with a deer to her right, from a series of mythological gods and goddesses, Giovanni Jacopo Caraglio, 1526
gods in niches, engravings by jacopo caragliothe elisha whittelsey collection
Plate 12: Diana standing in a niche, twisting to her left and pulling an arrow out of a quiver, with a deer to her right, from a series of mythological gods and goddesses, Giovanni Jacopo Caraglio, 1526
gods in niches, engravings by jacopo caragliothe elisha whittelsey collection
Plate 106: Peleus's Cattle, ad the Sea Wolf Turned to Marble (Psamantes Pelei, Thetidisq precibus expugnata lupum in saxum mutat), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606
antonio tempesta - metamorphoses of ovidrenaissance
Saint Susanna in an interior holding an open book in her left hand, a palm in her right, a landscape visible through a window at right and at bottom center a coat of arms, Cherubino Alberti, 1578
prints by cherubino albertibaroque
Partridge Interrupts Tom Jones in his Protestations to Lady Bellaston, from "The History of Tom Jones, a Foundling" by Henry Fielding, Thomas Rowlandson, 1792
henry fieldingromanticism
Paye qui Tombe: Die eerst valt betaelt de Speelman, die laest, de Kosten (The Fall of the Country: The First That Falls Pays the Player, the Last the Costs), Romeyn de Hooghe
the elisha whittelsey collectionromeyn de hooghe
The Badger Imposes as Punishment to Jump Three Times Over a Stick on the Ground from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75
prints by allaert van everdingenthe elisha whittelsey collection
The holy trinity with Saint Michael vanquishing a six-headed dragon, frontispiece to 'Missale Romanum ex decreto sacrosancti Concilii tridentini restitutum', Pietro da Cortona, circa 1662
works by pietro da cortonabaroque
The Lion Orders All the Animals to Follow Him to Renard's Burrow from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75
prints by allaert van everdingenthe elisha whittelsey collection
The Lion Announces a Durable Peace to the Animals who Surround Him from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75
prints by allaert van everdingenthe elisha whittelsey collection
The Monkey Opens the Package and Removes the Rabbit's Head to the Great Surprise of the Animals from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75
prints by allaert van everdingenthe elisha whittelsey collection
The Ram, Chapelain of the Lion, Gives the Benediction to Renard before His Depature for Rome from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75
prints by allaert van everdingenthe elisha whittelsey collection
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