1,918 Free Artworks of Caricaturists

grandville (caricaturist)symbolismjean ignace isidore gérard grandvillemetropolitan museum of artwood engravingprints in the metropolitan museum of artauguste-xavier leprinceyale center for british artchromolithographs in the yale center for british artcarlo pellegrini (caricaturist)
Illustration in Jérôme Paturot, by Louis Reybaud, Paris, Jean Ignace Isidore Gérard Grandville, circa 1846
grandville (caricaturist)symbolism
Illustration in Jérôme Paturot, by Louis Reybaud, Paris, Jean Ignace Isidore Gérard Grandville, circa 1846
grandville (caricaturist)symbolism
Passage of Matter Through Matter, Charles Williams, 27 July 1878
department of photographs, metropolitan museum of artcharles williams (caricaturist)
Résurrection de la censure, Jean Ignace Isidore Gérard Grandville, 1832
cartoons about censorshipsymbolism
Image 3 from Métamorphoses d'Arlequin, Auguste-Xavier Leprince, 1826
grandville (caricaturist)auguste-xavier leprince
Image 1 from Métamorphoses d'Arlequin, Auguste-Xavier Leprince, 1826
grandville (caricaturist)auguste-xavier leprince
Title page from Métamorphoses d'Arlequin, Auguste-Xavier Leprince, 1826
grandville (caricaturist)auguste-xavier leprince
Image 2 from Métamorphoses d'Arlequin, Auguste-Xavier Leprince, 1826
grandville (caricaturist)auguste-xavier leprince
The rival gardeners LCCN2009617521, Charles Williams, 1803
swann collection of caricature and cartoongardening in art
Revenge, or the French in Missouri, 1829
coloured lithographs in the british museumsymbolism
"I was in too much need of an omnibus, but as soon as it starts raining, they all seem to disappear as if by magic." from the Little Miseries of Human Life, Jean Ignace Isidore Gérard Grandville, 1843
umbrellas in artsymbolism
"He rose like those small sea monsters that decorate the fountains." from the Little Miseries of Human Life, Jean Ignace Isidore Gérard Grandville, 1843
boys in artsymbolism
"He buys the right to defeat me at his ease with a successful shot." from the Little Miseries of Human Life, Jean Ignace Isidore Gérard Grandville, 1843
illustrations of billiardssymbolism
"As the last grains of powder fall into the palm of his blackened hand, a superb hare..." from the Little Miseries of Human Life, Jean Ignace Isidore Gérard Grandville, 1843
prints of rabbitssymbolism
"Did anyone ever forgive an awkward visit?" from the Little Miseries of Human Life, Jean Ignace Isidore Gérard Grandville, 1843
wood engravings in the metropolitan museum of artsymbolism
Chien d'arrêt (IFF 30). G.8707(2)
anthropomorphic dogssymbolism
N°18. Un morceau d'ensemble. Paris Musées 20231029173224
singing in artsymbolism
Bér Dezső eredeti sírszobrának kisplasztikája, 1926, Dezső Bér
works by lajos petridezső bér
Lost Plaque LCC Stamford Street 1929, John Leech, 1 January 1938
john leech (caricaturist)john rennie the elder
Drawing from Punch The Opera 2 Busby, John Leech, circa 1866
john leech (caricaturist)theater audience in art
Drawing from Punch The Opera 1 Lizzy, John Leech, circa 1866
john leech (caricaturist)theater audience in art
"As the new Actaeon, I surprised Diana, not in her bath but with a dealer in the bathroom." from the Little Miseries of Human Life, Jean Ignace Isidore Gérard Grandville, 1843
prints in the metropolitan museum of artsymbolism
"The head of the young fellow insolently mingled with the candlesticks of the chandelier." from the Little Miseries of Human Life, Jean Ignace Isidore Gérard Grandville, 1843
prints in the metropolitan museum of artsymbolism
"Away from all help and without pants, on some deserted shore" from the Little Miseries of Human Life, Jean Ignace Isidore Gérard Grandville, 1843
prints in the metropolitan museum of artsymbolism
"He was only waiting to make fun of the pursuer and the pursuit" from the Little Miseries of Human Life, Jean Ignace Isidore Gérard Grandville, 1843
prints in the metropolitan museum of artsymbolism
"...Pointing me to the evidence of my crime with his cane." from the Little Miseries of Human Life, Jean Ignace Isidore Gérard Grandville, 1843
prints in the metropolitan museum of artsymbolism
"A provincial family was forced to pay a high price for an insignificant show." from the Little Miseries of Human Life, Jean Ignace Isidore Gérard Grandville, 1843
prints in the metropolitan museum of artsymbolism
"A whirlwind of smoke and ashes seizes the air you breathe." from the Little Miseries of Human Life, Jean Ignace Isidore Gérard Grandville, 1843
prints in the metropolitan museum of artsymbolism
"New Actaeon, I surprised Diana, not in her bath but with a dealer in the bathroom." from the Little Miseries of Human Life, Jean Ignace Isidore Gérard Grandville, 1843
prints in the metropolitan museum of artsymbolism
"All voters, big and small, gather to humbly coax each other..." from the Little Miseries of Human Life, Jean Ignace Isidore Gérard Grandville, 1843
prints in the metropolitan museum of artsymbolism
"One does not bother an honest man with trifles like this." from the Little Miseries of Human Life, Jean Ignace Isidore Gérard Grandville, 1843
prints in the metropolitan museum of artsymbolism
"One would be able to blame you for three years if you dropped their hat." from the Little Miseries of Human Life, Jean Ignace Isidore Gérard Grandville, 1843
prints in the metropolitan museum of artsymbolism
"He gets up, covered from head to toe in snow." from the Little Miseries of Human Life, Jean Ignace Isidore Gérard Grandville, 1843
prints in the metropolitan museum of artsymbolism
"We drew and barricaded ourselves in my kitchen; it truly a state of seige." from the Little Miseries of Human Life, Jean Ignace Isidore Gérard Grandville, 1843
prints in the metropolitan museum of artsymbolism
"Mèderic, delighted in the seventh heaven, leans over to check his conquest..." from the Little Miseries of Human Life, Jean Ignace Isidore Gérard Grandville, 1843
prints in the metropolitan museum of artsymbolism
"He gets up, covered from head to toe in snow." from the Little Miseries of Human Life, Jean Ignace Isidore Gérard Grandville, 1843
prints in the metropolitan museum of artsymbolism
"It is good that he caoxes and flatters her in front of her husband." from the Little Miseries of Human Life, Jean Ignace Isidore Gérard Grandville, 1843
prints in the metropolitan museum of artsymbolism
"A provincial family was forced to pay a high price for an insignificant show." from the Little Miseries of Human Life, Jean Ignace Isidore Gérard Grandville, 1843
prints in the metropolitan museum of artsymbolism
"The head of the young fellow insolently mingled with the candlesticks of the chandelier." from the Little Miseries of Human Life, Jean Ignace Isidore Gérard Grandville, 1843
prints in the metropolitan museum of artsymbolism
I already told you to examine the world...You see clearly that they are artists., between 1829 and 1830
grandville (caricaturist)symbolism
Illustration in Jérôme Paturot, by Louis Reybaud, Paris, Jean Ignace Isidore Gérard Grandville, circa 1846
grandville (caricaturist)symbolism
Illustration in Jérôme Paturot, by Louis Reybaud, Paris, Jean Ignace Isidore Gérard Grandville, circa 1846
grandville (caricaturist)symbolism
Politicians - Vanity Fair. 'Proud and sincere, yet liberal and just, he refused to serve under the most humble of premiers.' The Duke of Somerset. 7 August 1869, Carlo Pellegrini
chromolithographs in the yale center for british artcarlo pellegrini (caricaturist)
Vanity Fair: Military and Navy; 'The Man who won't Stop', Sir Garnet J. Wolseley, April 18, 1874, Carlo Pellegrini
chromolithographs in the yale center for british artcarlo pellegrini (caricaturist)
Vanity Fair - Clergy. 'If eloquence could justify injustice he would have saved the Irish Church.' Bishop of Petersborough. 3 July 1869, Carlo Pellegrini
chromolithographs in the yale center for british artcarlo pellegrini (caricaturist)
Digestion of the administrative, political, moral and above all economic work budget, Jean Ignace Isidore Gérard Grandville, 25 May 1832
1832 cartoonssymbolism
Long Expected Come at Last or John Bull Disappointed at His Crippled Visitor, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
Mauvaise conduite (IFF 30). G.8708 (2 of 2), circa 1830
anthropomorphic dogssymbolism
Duke of Wellington and Lord Brougham, 1836
lithographs in the british museumsymbolism
Birds of a Feather Flock Together. Diversions of Purley (scored through & replaced by) Brighton, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
Illustration in Jérôme Paturot, by Louis Reybaud, Paris, Jean Ignace Isidore Gérard Grandville, circa 1846
grandville (caricaturist)symbolism
"She posed herself as a superior owl, and was just a ridiculous owl" from Scenes from the Private and Public Life of Animals, Jean Ignace Isidore Gérard Grandville, ca. 1837–47
prints of animals in the metropolitan museum of artsymbolism
"I was a widow" from Scenes from the Private and Public Life of Animals, Jean Ignace Isidore Gérard Grandville, ca. 1837–47
prints of animals in the metropolitan museum of artsymbolism
Illustration in Jérôme Paturot, by Louis Reybaud, Paris, Jean Ignace Isidore Gérard Grandville, circa 1846
grandville (caricaturist)symbolism
Would you like to have lunch with us, Mother Piton?, between 1829 and 1830
grandville (caricaturist)symbolism
Un Jongleur indien, between 1830 and 1848
engravingssymbolism
Portret van Thomas Rowlandson T. Rowlandson The Caricaturist (titel op object), RP-P-2015-26-688, Thomas Rowlandson, ca. 1800 - ca. 1825
bequest of simon emmeringromanticism
Portrait d'Henri Bonaventure Monnier (1805-1877), écrivain et caricaturiste, dans la série Galerie Contemporaine. PH2787, Henry Monnier, Entre 1875 et 1877
portraits in the musée carnavalethenry monnier
Scheurer-Kestner - Charles Léandre - Le Rire - 1897, 18 December 1897
cartoons about dreyfus affaircharles léandre
'Phil' as Hamlet by Tom Browne (1870–1910), Phil May, 23 October 1901
tom browne (illustrator)the sketch, 1901
"This old court apparently has an old falcon..." from Scenes from the Private and Public Life of Animals, Jean Ignace Isidore Gérard Grandville, ca. 1837–47
prints of animals in the metropolitan museum of artsymbolism
Pavot, 1847
grandville (caricaturist)symbolism
Pensée, 1847
grandville (caricaturist)symbolism
Chèvre-Feuille, 1847
grandville (caricaturist)symbolism
"I had come to London to see a royal, but I only saw the back of another person's head." from the Little Miseries of Human Life, Jean Ignace Isidore Gérard Grandville, 1843
prints in the metropolitan museum of artsymbolism
"Do you see me reduced to driving by the roughest paths their little delicate feet, in the grip of the mockery of the leaders?" from the Little Miseries of Human Life, Jean Ignace Isidore Gérard Grandville, 1843
prints in the metropolitan museum of artsymbolism
"Not only can the Parisian engage in a strengthening exercise; but he acquires the safety of the foot, the glance and the intrepidity of the mountaineer." from the Little Miseries of Human Life, Jean Ignace Isidore Gérard Grandville, 1843
prints in the metropolitan museum of artsymbolism
"The grieving widow gives them both the right to do well.... And they both retain an eternal grudge with each other." from the Little Miseries of Human Life, Jean Ignace Isidore Gérard Grandville, 1843
prints in the metropolitan museum of artsymbolism
"Only everywhere are water faucets, watering cans of any shape, shovels and pots of any size." from the Little Miseries of Human Life, Jean Ignace Isidore Gérard Grandville, 1843
prints in the metropolitan museum of artsymbolism
Page 229 of 'Från det moderna England. Ett urval bilder och intryck ... Med 267 illustrationer, etc' (11225392416), Phil May
phil may (caricaturist)east end of london
Politicians - Vanity Fair -'To say that he is the best foreign minister in the country is not much as foreign ministers go; but as go it is a great deal.' The Earl of Clarendon. April 24, 1869, Carlo Pellegrini
chromolithographs in the yale center for british artcarlo pellegrini (caricaturist)
Vanity Fair: Royalty; 'Simple and Unassuming Himself, Yet Magnificent and Generous towards his Fellow Men, He is the very Prince of Dukes', The Duke of Sutherland, July 9, 1870, Carlo Pellegrini
chromolithographs in the yale center for british artcarlo pellegrini (caricaturist)
Politicians - Vanity Fair - 'The ablest professor in the cabinet of the tact by which power is kept. It is his mission to counteract the talk by which it is won and lost. Earl Granville. March 13, Carlo Pellegrini, 1869
chromolithographs in the yale center for british artcarlo pellegrini (caricaturist)
Illustration in Jérôme Paturot, by Louis Reybaud, Paris, Jean Ignace Isidore Gérard Grandville, circa 1846
grandville (caricaturist)symbolism
Politicians - Vanity Fair. 'Let arts and commerce, laws and learning die, but leave us still our old nobility.' The Rt. Hon. Lord John J.R. Manners. 20 November 1869, Carlo Pellegrini
chromolithographs in the yale center for british artcarlo pellegrini (caricaturist)
Illustration in Jérôme Paturot, by Louis Reybaud, Paris, Jean Ignace Isidore Gérard Grandville, circa 1846
grandville (caricaturist)symbolism
"Good evening then, my friend Lecteur..." from Scenes from the Private and Publique Life of Animals, Jean Ignace Isidore Gérard Grandville, ca. 1837–47
prints of animals in the metropolitan museum of artsymbolism
"Instead of all this..." from Scenes from the Private and Public Life of Animals, Jean Ignace Isidore Gérard Grandville, ca. 1837–47
prints of animals in the metropolitan museum of artsymbolism
"This is what the men call a church rat" from Scenes from the Private and Public Life of Animals, Jean Ignace Isidore Gérard Grandville, ca. 1837–47
prints of animals in the metropolitan museum of artsymbolism
"The Tiger entered stealthily, the dagger in his hand" from Scenes from the Private and Public Life of Animals, Jean Ignace Isidore Gérard Grandville, ca. 1837–47
prints of animals in the metropolitan museum of artsymbolism
Locataires et Propriétaires - caricature, Honoré Daumier
honoré daumierrealism
Image 9 from Métamorphoses d'Arlequin, Auguste-Xavier Leprince, 1826
grandville (caricaturist)auguste-xavier leprince
Image 7 from Métamorphoses d'Arlequin, Auguste-Xavier Leprince, 1826
grandville (caricaturist)auguste-xavier leprince
Image 6 from Métamorphoses d'Arlequin, Auguste-Xavier Leprince, 1826
grandville (caricaturist)auguste-xavier leprince
Image 10 from Métamorphoses d'Arlequin, Auguste-Xavier Leprince, 1826
grandville (caricaturist)auguste-xavier leprince
Image 5 from Métamorphoses d'Arlequin, Auguste-Xavier Leprince, 1826
grandville (caricaturist)auguste-xavier leprince
Image 12 from Métamorphoses d'Arlequin, Auguste-Xavier Leprince, 1826
grandville (caricaturist)auguste-xavier leprince
Image 11 from Métamorphoses d'Arlequin, Auguste-Xavier Leprince, 1826
grandville (caricaturist)auguste-xavier leprince
Image 4 from Métamorphoses d'Arlequin, Auguste-Xavier Leprince, 1826
grandville (caricaturist)auguste-xavier leprince
Image 8 from Métamorphoses d'Arlequin, Auguste-Xavier Leprince, 1826
grandville (caricaturist)auguste-xavier leprince
"When he was sleeping in the sun..." from Scenes from the Private and Public Life of Animals, Jean Ignace Isidore Gérard Grandville, ca. 1837–47
prints in the metropolitan museum of artsymbolism
Blow, blow, you'll never put it out, 1834
lithographs in the british museumsymbolism
The Military Caricaturist., James Gillray, 1799
prints by james gillray in the british museumsatirical prints in the british museum
"I was deprived of the happiness to pick it up... I saw a hundred times an agile rival offer it smiling to our common goddess." from the Little Miseries of Human Life, Jean Ignace Isidore Gérard Grandville, 1843
prints in the metropolitan museum of artsymbolism
Vanity Fair - Chancellors of Exchequer. Statesmen No.65 'He does his duty of his party, and is fortunate if it happens to be also his duty to his country'. Nothcote. 8 October 1870, Carlo Pellegrini
chromolithographs in the yale center for british artcarlo pellegrini (caricaturist)
Politicians - Vanity Fair - 'The Whole life of that great party to which I thought I had the honour to belong was nothing but a mere organized hypocrisy'. Lord Carnarvon. Sept 11, 1869, Carlo Pellegrini
chromolithographs in the yale center for british artcarlo pellegrini (caricaturist)
Ruins of Ancient Rome; Temple of Concord, Temple of Antoninus and Faustina, Arch of Titus, Statue of M. Aurelius, Marcellus Theatre, Trajans Pillar, William Austin
engravings in the yale center for british artwilliam austin (caricaturist)
William Holland's Print shop, Richard Newton, circa 1794
satirical prints in the british museumrichard newton
"Old, broken, haggard, whimsical, yet good, yet dedicated, and domestic by temperament" from Scenes from the Private and Public Life of Animals, Jean Ignace Isidore Gérard Grandville, ca. 1837–47
prints of animals in the metropolitan museum of artsymbolism
"One of those novice hunters for whom nothing is sacred" from Scenes from the Private and Public Life of Animals, Jean Ignace Isidore Gérard Grandville, ca. 1837–47
scènes de la vie privée et publique des animauxsymbolism
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