1,918 Free Images of Caricaturists

yale center for british artgrandville (caricaturist)symbolismcarlo pellegrini (caricaturist)carlo pellegrinicharles williams (caricaturist)charles williamsetchings in the yale center for british artchromolithographchromolithographs in the yale center for british art
La Semana-109 contratapa b, Orestes Acquarone, 1911
la semana nº109. 23/9/1911orestes acquarone
The Diogenes of the Modern Corinthians without his Tub, Thomas Carlyle (Vanity Fair series), Carlo Pellegrini
lithograph prints in the yale center for british artcarlo pellegrini (caricaturist)
The People Delivered to the Vampire Taxes, Auguste Raffet, May 1833
grandville (caricaturist)association mensuelle
Vanity Fair - Spy - Freddie - M 0784 - 1900-07-19, Leslie Ward, 19 July 1900
caricatures by leslie ward in vanity fairfrederick treves
The Battle of the Cataplasm, Henry Bunbury, between 1773 and 1817
etchings in the yale center for british arthenry william bunbury
Steam Concert, Jean Ignace Isidore Gérard Grandville, 1844
grandville (caricaturist)symbolism
Foreign Amusements or the British Lion on the Watch, Charles Williams, 1801
etchings in the yale center for british artcharles williams (caricaturist)
Caricature of James McNeil Whistler, Carlo Pellegrini, 1883
portraits of james mcneill whistlercarlo pellegrini (caricaturist)
Major Henrik, 1924, Henrik Major
henrik major
A Man and a Boy Riding on a Beach, Phil May
drawings in the yale center for british artphil may (caricaturist)
Caricature Portrait of Gladstone, Phil May
drawings in the yale center for british artphil may (caricaturist)
"Jack" Millage, Phil May
drawings in the yale center for british artphil may (caricaturist)
Design for the new postage envelopes - Leech. LCCN2013650037, John Leech, 1840
john leech (caricaturist)1840 cartoons
Phil May (1864–1903) at work 2, Phil May, 10 October 1900
phil may (caricaturist)the sketch, 1900
Phil May (1864–1903) at work 1, Phil May, 10 October 1900
phil may (caricaturist)the sketch, 1900
A Meeting of Monopolizers, or the Good Effect of Peace, Charles Williams, 1801
etchings in the yale center for british artcharles williams (caricaturist)
Theatrical Doctors recovering Clara's Notes!, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
The Poet Laureate, Lord A. Tennyson (Vanity Fair series), Carlo Pellegrini
lithograph prints in the yale center for british artcarlo pellegrini (caricaturist)
Final Instructions, Phil May
drawings in the yale center for british artphil may (caricaturist)
Close Shaveing or the will our own way, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
Popular Indignation of John Bull in a Rage, Charles Williams, 1805
etchings in the yale center for british artcharles williams (caricaturist)
Mr. James Gillray, Charles Turner, 1819
national library of wales portrait archiveportraits of artists
G. M. Woodward, circa 1796
national library of wales portrait archiveengravings by thomas cheesman
Selling his wife in England, between 1829 and 1830
grandville (caricaturist)symbolism
Bird's Eye View of a Man and Woman Conversing, circa 1830
drawings in the national gallery of art (washington, d.c.)symbolism
Messieurs, l'auteur de la pièce que nous avons eu l'honneur de jouer devant vous désire garder l'anonyme, Jean Ignace Isidore Gérard Grandville, 21 March 1833
grandville (caricaturist)symbolism
Alphonse Lévy en 1895, Alphonse Lévy
alphonse lévy
The Tractors, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
The Captain on Full Pay, John Leech
watercolor paintings in the yale center for british artjohn leech (caricaturist)
Maid with a Mop, John Leech, circa 1862
drawings in the yale center for british artjohn leech (caricaturist)
Vanity Fair: Newspapermen; 'The Standard', James Johnstone, February 14, 1874, Carlo Pellegrini
chromolithographs in the yale center for british artcarlo pellegrini (caricaturist)
Grand Course at the Academic Bell Tower, No. 5, Jean Ignace Isidore Gérard Grandville, 1844
grandville (caricaturist)symbolism
The Union Club, Charles Williams
drawings in the yale center for british artcharles williams (caricaturist)
Give me half an ounce of the metic, between 1829 and 1830
grandville (caricaturist)symbolism
Physiologie de la poire page de couverture, 1832
grandville (caricaturist)symbolism
Grandville, Rose in Les Fleurs animées, 1847
watercolor paintingssymbolism
Portrait de Cham (Amédée de Noé dit, 1818-1879), (illustrateur et caricaturiste), PH38060, Amédée de Noé, Avant 1879
portraits in the musée carnavaletportraits of amédée de noé
Mister Vulture, Jean Ignace Isidore Gérard Grandville, 1840
satirical art workssymbolism
Oh! the monster of a man! He always follows us., 1829
grandville (caricaturist)symbolism
Orgueil et bassesse., 1829
grandville (caricaturist)symbolism
Study for "Au Bouquet de persil," (A Bouquet of Parsley), 1833
grandville (caricaturist)symbolism
A Clerical Manoeuvre or the Way to Finish a Charity Sermon, Charles Williams, 1815
etchings in the yale center for british artcharles williams (caricaturist)
The Wrymouth Candidates of the Strangers at Home Plate, Charles Williams, circa 1814
etchings in the yale center for british artcharles williams (caricaturist)
Ill-used - Sir James Hudson. 26 Sept. 1874, Carlo Pellegrini
chromolithographs in the yale center for british artcarlo pellegrini (caricaturist)
The Matrimonial Mania - or - Poor Jonny Ridden to Death, Charles Williams, 1818
etchings in the yale center for british artcharles williams (caricaturist)
The Acquittal or the Managers Poisened with a Beer of Their Own Brewing, Charles Williams, 1806
etchings in the yale center for british artcharles williams (caricaturist)
Vanity Fair: Newspapermen; 'The Nonconformist', Miall, July 29, 1871, Carlo Pellegrini
chromolithographs in the yale center for british artcarlo pellegrini (caricaturist)
The Baron - Sir Charles Lennox Wyke. 9 Feb. 1884, Carlo Pellegrini
chromolithographs in the yale center for british artcarlo pellegrini (caricaturist)
And in this request for separation, gentlemen, observe two things carefully., 1829
grandville (caricaturist)symbolism
Fin de la procession à l'autel de la Peur et de la Paix à tout prix. ou "Le Ministère du Juste-Milieu" (detail), Jean Ignace Isidore Gérard Grandville, 1 December 1831
grandville (caricaturist)symbolism
William Godolphin Osborne, Carlo Pellegrini, 1872
portrait paintings in the national portrait gallery, londoncarlo pellegrini (caricaturist)
The Farmers Toast, Charles Williams, 1801
etchings in the yale center for british artcharles williams (caricaturist)
Rosa McDermott and Lord Marchhare, John Leech
watercolor paintings in the yale center for british artjohn leech (caricaturist)
St. Martins in an Uproar, Charles Williams, 1801
etchings in the yale center for british artcharles williams (caricaturist)
The Balance of Justice, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
The Balance of Power, Charles Williams, 1801
etchings in the yale center for british artcharles williams (caricaturist)
The Preliminaries of Peace, Charles Williams, 1801
etchings in the yale center for british artcharles williams (caricaturist)
Cross Examination, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
Why, what's the matter with Tommy?, John Leech, 1852
drawings in the yale center for british artjohn leech (caricaturist)
The Union Club Masquerade, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
The Norwich Bull-Bait, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
Pot Valiant: Scene in a Tap-Room, John Leech
watercolor paintings in the yale center for british artjohn leech (caricaturist)
The Minogoat, William Austin, circa 1780
etchings in the yale center for british artwilliam austin (caricaturist)
The Union Club, Charles Williams, 1801
etchings in the yale center for british artcharles williams (caricaturist)
George Montagu, 4th Duke of Manchester, William Austin, 20 January 1790
george montagu, 4th duke of manchesterjohn jones
You want to stop me from whistling, big canary?, 1829
anthropomorphic pigssymbolism
Everyone takes their pleasure where they find it., 1829
anthropomorphic sheepsymbolism
Wild Indian, Phil May
watercolor paintings in the yale center for british artphil may (caricaturist)
A Secret Present from Persia! or a Private peep at the Circassian!, Charles Williams, 1819
charles williams (caricaturist)paintings of men of iran
A Secret Present from Persia! or a Private peep at the Circassian!, Charles Williams, 1819
charles williams (caricaturist)paintings of men of iran
Group portrait of Fred. B. Schell, W. C. Fitler, Hop L. Hopkins, Phil May, Julian Ashton, and W. T. Smedley, William Thomas Smedley, circa 1887
livingston hopkinsfrederic b. schell
Vanity Fair: Newspapermen; 'The Times', Opfer of Blowitz, August 29, 1885, Carlo Pellegrini
chromolithographs in the yale center for british artcarlo pellegrini (caricaturist)
Politicians - Vanity Fair - 'The Marquis D'Azeglio'. June 20, 1874, Carlo Pellegrini
chromolithographs in the yale center for british artcarlo pellegrini (caricaturist)
Politicians - Vanity Fair - a Conservation'. The Earl of Feversham. March 30, 1878, Carlo Pellegrini
chromolithographs in the yale center for british artcarlo pellegrini (caricaturist)
Politicians - Vanity Fair - 'Positions'. The Duke of Devonshire. June 6, 1874, Carlo Pellegrini
chromolithographs in the yale center for british artcarlo pellegrini (caricaturist)
Politicians - Vanity Fair. 'Family'. The Marquis of Lansdowne. 4 April 1874, Carlo Pellegrini
chromolithographs in the yale center for british artcarlo pellegrini (caricaturist)
Politicians - Vanity Fair - 'Reciprocity'. Lord Bateman. January 11, 1879, Carlo Pellegrini
chromolithographs in the yale center for british artcarlo pellegrini (caricaturist)
Vanity Fair: Literary; 'The Representative of Romance', Lytton, October 28, 1870, Carlo Pellegrini
chromolithographs in the yale center for british artcarlo pellegrini (caricaturist)
Vanity Fair - Clergy. 'High Church' Pusey. 2 January 1875, Carlo Pellegrini
chromolithographs in the yale center for british artcarlo pellegrini (caricaturist)
Vo-insulté Milady!, 1829
anthropomorphic chickenssymbolism
Vanity Fair: Newspapermen; 'Active', Lord Dunraven, May 4, 1878, Carlo Pellegrini
chromolithographs in the yale center for british artcarlo pellegrini (caricaturist)
Politicians - Vanity Fair. 'Suffolk'. The Earl of Stradbroke. 31 July 1875, Carlo Pellegrini
chromolithographs in the yale center for british artcarlo pellegrini (caricaturist)
Politicians - Vanity Fair - 'a Catholic'. The Earl of Denbigh. March 2, 1878, Carlo Pellegrini
chromolithographs in the yale center for british artcarlo pellegrini (caricaturist)
Vanity Fair: Freemasons; 'The Foreign Office', Lord Tenterden, August 17, 1878, Carlo Pellegrini
chromolithographs in the yale center for british artcarlo pellegrini (caricaturist)
Vanity Fair - Clergy. 'Not a brawler.' Bishop of Oxford. 24 July 1869, Carlo Pellegrini
chromolithographs in the yale center for british artcarlo pellegrini (caricaturist)
The Dog Cart, Phil May
drawings in the yale center for british artphil may (caricaturist)
One of the Lambs of the Political Fold - Mr. Apponyi. 14 Jan. 1871, Carlo Pellegrini
chromolithographs in the yale center for british artcarlo pellegrini (caricaturist)
"Daughter of the People" from The Songs of Béranger, Jean Ignace Isidore Gérard Grandville, 1829
prints in the metropolitan museum of artsymbolism
Muséum Dantorama, Jean Ignace Isidore Gérard Grandville, 1835
grandville (caricaturist)symbolism
English Trade. I tell you that you must buy this poison immediately, we want you to poison yourself properly, so that we have enough tea to comfortably digest our Beefsteaks!, 1840
lithographs of france in the cleveland museum of artsymbolism
Two boxes at the performance of the Ecossaise: print, Henry Brown, between 1800 and 1869
grandville (caricaturist)henry brown
Politicians - Vanity Fair. 'The Joker for Waterford'. Major Purcell O'Gorman. 13 March 1875, Carlo Pellegrini
chromolithographs in the yale center for british artcarlo pellegrini (caricaturist)
In the Days of Their Youth No. 1 – Mr. Phil May by Tom Browne (1870–1910), Phil May, 4 December 1901
tom browne (illustrator)the sketch, 1901
Peter Newell--American Magazine vol72 1911 p49, Peter Newell
the american magazinepeter newell
Grand Course at the Academic Bell Tower, Pl. 2, Jean Ignace Isidore Gérard Grandville, 1844
grandville (caricaturist)symbolism
Faces at Sandown Park, Phil May, 1886
phil may (caricaturist)1886 caricatures
L'Avantage de la science, 1840
engravingssymbolism
Great Academic Bell Tower Race, Plate 1: Academic Wigs, Jean Ignace Isidore Gérard Grandville, 1844
grandville (caricaturist)symbolism
Grandville, Visiting of the Piggy Banks, Un autre monde, . (1843), Musée des Beaux-Arts de Rouen
grandville (caricaturist)symbolism
How are these people going to get it up there too? Bus!! Madam!, between 1829 and 1830
grandville (caricaturist)symbolism
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