79 Free Artworks of Palais Garnier

collections of the musée des beaux-arts de la ville de parissamuel putnam avery collectionetchings by charles meryon in the new york public libraryromanticismscenic designs by philippe chaperon (opéra de paris)philippe chaperonbibliothèque nationale de franceportraits of eugène delacroixportraits by édouard manetthéodore chassériau
Verdi conducting Aida in Paris 1880 - Gallica - Restoration, Adrien Marie, 3 November 1881
drawings of giuseppe verdiaida (opera)
The staircase of the Opera Garnier, Louis Béroud, 1877
grand staircase of opéra garnier1877 paintings
Philippe Chaperon - Meyerbeer - Les Huguenots Act I (1896), Émile Chaperon, 1896
adam cuerden's restorationsles huguenots
Set design by Philippe Chaperon for Act4 sc2 of Aida by Verdi 1880 Paris, Philippe Chaperon
adam cuerden's restorationsaida (opera)
A Fashionably Dressed Young Woman in the Arcade of the Palais Royal, Michel Garnier, 1787
a fashionably dressed young woman in the arcade of the palais royal (michel garnier)michel garnier
Portrait of an elegant woman under the galleries of the Palais Royal, Michel Garnier, 1787
a fashionably dressed young woman in the arcade of the palais royal (michel garnier)collections of the los angeles county museum of art (lacma)
Charles Garnier monument at the Palais Garnier - detail from Opéra rampe nord
alexander mcdonald (sculptor)romanticism
Lyon Exhibition: the exterior of the Palais de l'Industrie., Tony Garnier, 1914
agence meurisse (1910s photographs)halle tony garnier
Courtesan and peasant girl under the arcades of the Palais Royal in Paris. Private collection., Michel Garnier, 1787
a fashionably dressed young woman in the arcade of the palais royal (michel garnier)oil on canvas
A Fashionably Dressed young Woman in the Arcade of the Palais Royal, Michel Garnier, 1787
a fashionably dressed young woman in the arcade of the palais royal (michel garnier)ader nordmann
Inauguration of the Paris Opera in 1875 by Detaille - Collections of the Château of Versailles (cropped), Édouard Detaille, 1878
grand staircase of opéra garnieracademic art
Charles Garnier monument at the Palais Garnier - detail from Opéra rampe sud
monument charles garnier (paris)romanticism
Charles Garnier monument at the Palais Garnier - detail from Colonne rostrale Opera Paris
monument charles garnier (paris)romanticism
Poster by Chéret for Polyeucte by Gounod - Gallica, Jules Chéret, 1878 (publication)
polyeucte (opera)art nouveau
Palais Garnier long section of the public spaces - Mead 1991 p115, Charles Fichot, 1875 (publication)
architectural drawings of the opéra garniercharles fichot
Palais de la Bourse de Lyon - Salle Garnier - Anges et blason
interior of palais de la bourse (lyon)
Frantz Charlet - Monaco, la promenade devant le Palais Garnier, Frantz Charlet, circa 1900
frantz charletimpressionism
Polyeucte (Charles Gounod) par Jules Chéret, Jules Chéret
jules chéretart nouveau
'Frédégonde', Set design by Philippe Chaperon and Émile Chaperon for Act1 – Gallica 2008 (adjusted), 1895
scenic designs by philippe chaperon (opéra de paris)scenic designs by émile chaperon
Lyon 9e - Fort de Vaise - Tony Garnier, l'œuvre libre - Étudiants en loge au Palais Saint-Pierre, Tony Garnier, 1923
tony garnier, l'œuvre libre (lyon, 2019)tony garnier
Danse Carpeaux, Jean-Baptiste Carpeaux
the dance by jean-baptiste carpeaux (opéra garnier)romanticism
'Frédégonde', Set design by Philippe Chaperon and Émile Chaperon for Act1 – Gallica 2008, 1895
scenic designs by philippe chaperon (opéra de paris)scenic designs by émile chaperon
Verdi conducting Aida in Paris 1881 - Gallica (adjusted), Adrien Marie, 3 November 1881
drawings of giuseppe verdiaida (opera)
Journal amusant, estampe par Stop, Théâtre de l'Opéra, la Valkyrie, opéra en trois actes de Richard Wagner – Gallica 2016, Michelet, 1893
louis pierre gabriel bernard morel-retzmichelet (19th-century engraver)
Paris 8e - Petit Palais - Musée des Beaux-Arts - Charles Garnier (Jean-Baptiste Carpeaux), Jean-Baptiste Carpeaux
sculptures by jean-baptiste carpeaux in the musée des beaux-arts de la ville de parisromanticism
La Danse de Carpeaux, Jean-Baptiste Carpeaux, between 1863 and 1869
the dance by jean-baptiste carpeaux (opéra garnier)romanticism
L'Histoire de l'Art français XIXe siècle, Paris Musées 20230811072541(35), Jean-Baptiste Carpeaux, En 1925
collections of the musée des beaux-arts de la ville de parisromanticism
L'Histoire de l'Art français XIXe siècle, Paris Musées 20230811072541(39), Édouard Manet, En 1925
collections of the musée des beaux-arts de la ville de parisimpressionism
Design sketch for Act1 of 'Sapho' by Gounod 1884 - Gallica, Philippe Chaperon, August 1883
scenic designs by philippe chaperon (opéra de paris)sapho (gounod)
Polyeucte - Projet de décor pour l'acte III - Chaperon, Philippe Chaperon
scenic designs by philippe chaperonpolyeucte (opera)
L'Histoire de l'Art français XIXe siècle, Paris Musées 20230811072541(10), Théodore Chassériau, En 1925
collections of the musée des beaux-arts de la ville de parisromanticism
L'Histoire de l'Art français XIXe siècle, Paris Musées 20230811072541(17), Édouard Manet, En 1925
collections of the musée des beaux-arts de la ville de parisimpressionism
L'Histoire de l'Art français XIXe siècle, Paris Musées 20230811072541(16), Eugène Delacroix, En 1925
collections of the musée des beaux-arts de la ville de parisromanticism
Verdi conducting Aida in Paris 1880 - Gallica, Adrien Marie, 3 November 1881
drawings of giuseppe verdiaida (opera)
Philippe Chaperon - Les Huguenots, Act V, Scene 2 (1875), Philippe Chaperon, 1874
les huguenots (1875)philippe chaperon
L'Histoire de l'Art français XIXe siècle, Paris Musées 20230811072541(40), Eugène Delacroix, En 1925
collections of the musée des beaux-arts de la ville de parisromanticism
L'Histoire de l'Art français XIXe siècle, Paris Musées 20230811072541(21), Théodore Chassériau, En 1925
collections of the musée des beaux-arts de la ville de parisromanticism
Ernest Reyer - Sigurd - 3.acte 2.tableau - terrasse devant le château, Henri Paillard, 1885
sigurd (reyer)henri paillard
L'Histoire de l'Art français XIXe siècle, Paris Musées 20230811072541(20), En 1925
collections of the musée des beaux-arts de la ville de parisopéra garnier
Philippe Chaperon - Les Huguenots, Act V, Scene 2 (1875) - Original, Philippe Chaperon, 1874
les huguenots (1875)philippe chaperon
L'Histoire de l'Art français XIXe siècle, Paris Musées 20230811072541(09), Édouard Manet, En 1925
collections of the musée des beaux-arts de la ville de parisimpressionism
[The Tribute of Zamora, opera by Charles Gounod, Théâtre national de l'Opéra, 1881]: [act 3, the palace of Ben Saïd, after the decor by Carpezat] / A. Lamy [sig.], Pierre-Auguste Lamy
le tribut de zamorapierre-auguste lamy
Philippe Chaperon - Meyerbeer - Les Huguenots Act I (1896), Émile Chaperon, 1896
adam cuerden's restorationsles huguenots
Françoise de Rimini, opera in four acts, by Ambroise Thomas. Lyrics by Jules Barbier and Michel Carré: [print] / Quesnel [sig.]; Paul Destez [sig.], 1882
jules barbiermichel carré
L'Histoire de l'Art français XIXe siècle, Paris Musées 20230811072541(34), Pierre Puvis de Chavannes, En 1925
collections of the musée des beaux-arts de la ville de parissymbolism
L'Histoire de l'Art français XIXe siècle, Paris Musées 20230811072541(41), Jean Auguste Dominique Ingres, En 1925
collections of the musée des beaux-arts de la ville de parisromanticism,neoclassicism
L'Histoire de l'Art français XIXe siècle, Paris Musées 20230811072541(19), Pierre Puvis de Chavannes, En 1925
collections of the musée des beaux-arts de la ville de parissymbolism
L'Histoire de l'Art français XIXe siècle, Paris Musées 20230811072541(38), Jean-Baptiste Carpeaux, En 1925
collections of the musée des beaux-arts de la ville de parisromanticism
L'Histoire de l'Art français XIXe siècle, Paris Musées 20230811072541(22), Théodore Rousseau, En 1925
collections of the musée des beaux-arts de la ville de parisbarbizon school
Françoise de Rimini, opera by Ambroise Thomas: iconographic documents, Auguste-Louis Lepère, 1882
prints by auguste lepèrefrançoise de rimini
[The Tribute of Zamora, opera by Charles Gounod, Théâtre national de l'Opéra, 1881]: [act 4, the garden of the palace of Ben Saïd, after the decor of Chaperon] / A. Lamy [sig.], Philippe Chaperon
le tribut de zamorapierre-auguste lamy
L'Histoire de l'Art français XIXe siècle, Paris Musées 20230811072541(08), En 1925
collections of the musée des beaux-arts de la ville de parisromanticism
L'Histoire de l'Art français XIXe siècle, Paris Musées 20230811072541(15), Pierre Puvis de Chavannes, En 1925
collections of the musée des beaux-arts de la ville de parissymbolism
L'Histoire de l'Art français XIXe siècle, Paris Musées 20230811072541(11), Eugène Delacroix, En 1925
collections of the musée des beaux-arts de la ville de parisromanticism
L'Histoire de l'Art français XIXe siècle, Paris Musées 20230811072541(13), Pierre Puvis de Chavannes, En 1925
collections of the musée des beaux-arts de la ville de parissymbolism
L'Histoire de l'Art français XIXe siècle, Paris Musées 20230811072541(05), Jacques-Louis David, En 1925
collections of the musée des beaux-arts de la ville de parisneoclassicism
L'Histoire de l'Art français XIXe siècle, Paris Musées 20230811072541(18), Pierre Puvis de Chavannes, En 1925
collections of the musée des beaux-arts de la ville de parissymbolism
[The Tribute of Zamora, opera by Charles Gounod, Théâtre national de l'Opéra, 1881]: [act 2, entrance of Cordoba, after the decor by Lavastre] / A. Lamy [sig.], Jean-Baptiste Lavastre
le tribut de zamorapierre-auguste lamy
[The Tribute of Zamora, opera by Charles Gounod, National Theatre of the Opera, 1881]: [act 1, public square of Oviedo, after the decor of Chaperon] / A. Lamy [sig.], Pierre-Auguste Lamy
le tribut de zamorapierre-auguste lamy
Draft stock notes for a pseudo-Franco-Californian company., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Framing project for the portrait of Armand Guéraud., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Petit Prince Dito., 1854
samuel putnam avery collectionprints of horses in the nypl
Address of Rochoux, print dealer., 1854
samuel putnam avery collection
La loi solaire., 1854
samuel putnam avery collection
Framing project for the portrait of Armand Guéraud., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Rebus: No, Morny is not dead because he is still drinking., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Framing project for the portrait of Armand Guéraud., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Presentation of Valère Maxime to King Louis XI., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Frontispiece for the catalogue of the work of Thomas de Leu., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Rebus: Béranger was never truly strong, because he never had the key to the fields., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
The Lunar Law [second plate]., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Rebus: No, Morny is not dead because he is still drinking., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Address of Rochoux, print dealer., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
The Lunar Law [first plate]., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Vers à Eugène Bléry., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
L'Attelage., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Vers à Eugène Bléry., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Rebus: Béranger was never truly strong, because he never had the key to the fields., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Rebus: Béranger was never truly strong, because he never had the key to the fields., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
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