185 Free Artworks of Lithograph Printed In Six Colors

color lithographybibliothèques de toulousesymbolismgrandville (caricaturist)engravings in musée carnavaletcharles mercereaufonds ancely - bibliothèque municipale de toulouse - peoplemetropolitan museum of artfonds ancely - bibliothèque municipale de toulouse - landscapesprints in the metropolitan museum of art
Poster, Lorenzaccio, d'Alfred de Musset, 1896, Alphonse Mucha
prints of france in the cooper–hewitt, smithsonian design museumart nouveau,symbolism
At the Moulin Rouge: La Goulue and Her Sister, Edward Ancourt, 1892
au moulin rouge, la goulue et sa soeuredward ancourt
At the Moulin Rouge: La Goulue and Her Sister, Henri de Toulouse-Lautrec, 1892
post-impressionismla goulue
Napoleon, Edward Ancourt, 1895
prints by henri de toulouse-lautrec in the metropolitan museum of artedward ancourt
Set of six with printed wrapper, Plate 2: The Fox's Arrival at the Squire's Gate, Thomas Mann Baynes, 1836
lithograph prints in the yale center for british artthomas mann baynes
The Englishman at the Moulin Rouge, Edward Ancourt, 1892
boussod, valadon and co.edward ancourt
Set of six with printed wrapper, Plate 6: The Morning Banquet, Thomas Mann Baynes, 1836
lithograph prints in the yale center for british artthomas mann baynes
The six little girls are visited by the toy angel, Léon Spilliaert, 1918
expressionism,symbolismcollections of mu.zee
At Les Ambassadeurs (Au Café-Concert / At the Café Concert), Henri de Toulouse-Lautrec, 1894
post-impressionismedward ancourt
Set of six with printed wrapper, Plate 5: The Unsuccessful Pursuit of the Fox and Goose, Thomas Mann Baynes, 1836
lithograph prints in the yale center for british artthomas mann baynes
Set of six with printed wrapper, Plate 1: The Adventures of a Fox by Moonlight, Thomas Mann Baynes, 1836
lithograph prints in the yale center for british artthomas mann baynes
Set of six with printed wrapper, Plate 4: The Fox Escapes with Best Goose, Thomas Mann Baynes, 1836
lithograph prints in the yale center for british artthomas mann baynes
Cover for L'Estampe originale, Album I, publiée par les Journal des Artistes, Edward Ancourt, 1893
prints by henri de toulouse-lautrec in the metropolitan museum of artedward ancourt
The Englishman at the Moulin Rouge, Henri de Toulouse-Lautrec, 1892
post-impressionismedward ancourt
The Englishman at the Moulin Rouge, Henri de Toulouse-Lautrec, 1892
post-impressionismedward ancourt
The six little girls are visited by the toy angel, Léon Spilliaert, 1918
expressionism,symbolismcollections of mu.zee
Set of six with printed wrapper, Plate 3: The Fox Silently Entering the Poultry Yard, Thomas Mann Baynes, 1836
lithograph prints in the yale center for british artthomas mann baynes
At the Moulin Rouge: La Goulue and Her Sister, Henri de Toulouse-Lautrec, 1892
post-impressionismedward ancourt
Saint-Tropez (The Port of St. Tropez), Paul Signac, 1894
prints by paul signac in the metropolitan museum of artpointillism
Saint-Tropez (The Port of St. Tropez), Paul Signac, 1894
prints by paul signac in the metropolitan museum of artpointillism
At the Moulin Rouge: La Goulue and Her Sister, Henri de Toulouse-Lautrec, 1892
au moulin rouge, la goulue et sa soeurpost-impressionism
Karel V-cavalcade, Maastricht (Th Schaepkens, 1841), Theodore Schaepkens
prints & drawings in hcl (maastricht)1841 lithographs
A Bourgeoise of Pau, James Duffield Harding, between 1830 and 1832
1830s lithographs of womenpeople with trees in art
Rajah, 1897
lithographs in the los angeles county museum of artrajah (meunier)
Picturesque costumes of the Ossau Valley and the Pyrenees [Lithographed title], Eugène Devéria, by 1844
traditional clothing of the valley of ossauromanticism
A Paysanne, of the Valley of Aure, James Duffield Harding, between 1830 and 1832
1830s lithographs of womenvallée d'aure
Ambassadors: Aristide Bruant, Henri de Toulouse-Lautrec, 1892
ambassadeurs - aristide bruantpost-impressionism
A Shepherd of the Valley of Campan, James Duffield Harding, between 1830 and 1832
traditional clothing of béarn1830s lithographs of women
Poor people in Louvie (Ossau Valley) [Old woman and young girl], Eugène Devéria, by 1844
2 women in artromanticism
The Passenger of 54 (Salon des Cent), Henri de Toulouse-Lautrec, between 1895 and 1896
lithographs in the los angeles county museum of artpost-impressionism
A Paysanne of Bigorre, James Duffield Harding, between 1830 and 1832
traditional clothing of bigorre1830s lithographs of women
A Basquaise of the Valley of Baigorry, James Duffield Harding, between 1830 and 1832
1830s lithographs of womensaint-étienne-de-baïgorry
A Paysanne of the Valley of Luchon, James Duffield Harding, between 1830 and 1832
1830s lithographs of womenbagnères-de-luchon in art
A Paysanne of the Valley of Ariége, James Duffield Harding, between 1830 and 1832
1830s lithographs of womenhistorical images of foix
Au Moulin Rouge, la Goulue et sa soeur, by Henri de Toulouse-Lautrec, 1892
au moulin rouge, la goulue et sa soeurpost-impressionism
Costume of the Eaux-Bonnes [Woman carrying a basket and a bucket], Eugène Devéria, by 1844
historical images of eaux-bonnesromanticism
Costume of the Eaux-Bonnes [Two young flower girls], Eugène Devéria, by 1844
traditional clothing of eaux-bonnesromanticism
Costume of the Eaux-Bonnes [Woman carrying a large basket on her head], Eugène Devéria, by 1844
historical images of eaux-bonnesromanticism
Guide, at Eaux-Bonnes [Guide carrying an iron-tipped stick], Eugène Devéria, by 1844
traditional clothing of eaux-bonnesromanticism
A Paysanne of the Valley of Aude, James Duffield Harding, between 1830 and 1832
traditional clothing of pyrénées-orientales1830s lithographs of women
A Paysanne of the Valley of Aspe, James Duffield Harding, between 1830 and 1832
1830s lithographs of womenvallée d'aspe
A Paysanne of the Valley of Gavarnie, James Duffield Harding, between 1830 and 1832
1830s lithographs of womenhistorical images of gèdre
Il a empoigné son père. G.8657bis(1), En 1831
lithographs in musée carnavaletsymbolism
Il a empoigné son père. G.8657bis(2), En 1831
lithographs in musée carnavaletsymbolism
Toulouse - View of the St. Pierre suspension bridge, Charles Mercereau, between 1853 and 1876
pont saint-pierre de toulousebazacle
Crachez en l'air ça vous retombera sur le nez. G.8658(2), En 1831
lithographs in musée carnavaletsymbolism
Crachez en l'air ça vous retombera sur le nez. G.8658(1), En 1831
lithographs in musée carnavaletsymbolism
Biarritz - View of the Villa Eugénie and the Imperial Coast, Charles Mercereau, between 1853 and 1876
views to the cape saint-martin, from biarritzhistorical images of biarritz
General view of Bagnères-de-Bigorre and the Campan Valley (Hautes-Pyrénées) (taken from Camp de César), Charles Mercereau, between 1853 and 1876
lithographs of francecharles mercereau
Mars et Vénus surpris par Vulcain. G.8586 (2 of 2), Vers 1829 — 1830
engravings in musée carnavaletsymbolism
Mars et Vénus surpris par Vulcain. G.8586 (1 of 2), Vers 1829 — 1830
engravings in musée carnavaletsymbolism
Invocation au Pair éternel. G.8665(2), En 18–08–1831
engravings in musée carnavaletsymbolism
Invocation au Pair éternel. G.8665(1), En 18–08–1831
engravings in musée carnavaletsymbolism
Le ministère attaqué du choléra morbus. G.8664 (2 of 2), En 04–08–1831
engravings in musée carnavaletsymbolism
Le ministère attaqué du choléra morbus. G.8664 (1 of 2), En 04–08–1831
engravings in musée carnavaletsymbolism
Je l'aurai tu ne l'auras pas. G.8661(2), En 30–06–1831
engravings in musée carnavaletsymbolism
Je l'aurai tu ne l'auras pas. G.8661(1), En 30–06–1831
engravings in musée carnavaletsymbolism
Fishmonger Bridge in Nantes, Léon Auguste Asselineau, between 1853 and 1876
historical images of nantesléon-auguste asselineau
Kwik the plumetail: a story for boys / translated from English by W. Marten Westerman, Pieter Willem Marinus Trap
kwik de pluimstaart - een verhaal voor jongenspieter willem marinus trap
Kwik the plumetail: a story for boys / translated from English by W. Marten Westerman, Pieter Willem Marinus Trap
kwik de pluimstaart - een verhaal voor jongenspieter willem marinus trap
Kwik the plumetail: a story for boys / translated from English by W. Marten Westerman, Pieter Willem Marinus Trap
kwik de pluimstaart - een verhaal voor jongenspieter willem marinus trap
Kwik the plumetail: a story for boys / translated from English by W. Marten Westerman, Pieter Willem Marinus Trap
kwik de pluimstaart - een verhaal voor jongenspieter willem marinus trap
Kwik the plumetail: a story for boys / translated from English by W. Marten Westerman, Pieter Willem Marinus Trap
kwik de pluimstaart - een verhaal voor jongenspieter willem marinus trap
Kwik the plumetail: a story for boys / translated from English by W. Marten Westerman, Pieter Willem Marinus Trap
kwik de pluimstaart - een verhaal voor jongenspieter willem marinus trap
Kwik the plumetail: a story for boys / translated from English by W. Marten Westerman, Pieter Willem Marinus Trap
kwik de pluimstaart - een verhaal voor jongenspieter willem marinus trap
Kwik the plumetail: a story for boys / translated from English by W. Marten Westerman, Pieter Willem Marinus Trap
kwik de pluimstaart - een verhaal voor jongenspieter willem marinus trap
St. Jean-de-Luz, interior of the Church, Charles Mercereau, between 1853 and 1876
historical images of saint-jean-de-luzfrance in the 1860s
La France livrée aux corbeaux de toute espèce. G.8673(2), En 13–10–1831
engravings in musée carnavaletsymbolism
La France livrée aux corbeaux de toute espèce. G.8673(1), En 13–10–1831
engravings in musée carnavaletsymbolism
Toulouse - The stone house (fragment of the facade), Charles Mercereau, between 1853 and 1876
hôtel de bagis - facadereliefs in toulouse
General view of Bayonne, taken from the Citadel, Charles Mercereau, between 1853 and 1876
bridges in bayonnenive in bayonne
Invocation au pair éternel. G.8666(1), En 1831
engravings in musée carnavaletsymbolism
La basse-cour politique (IFF 38). G.8669(1), En 08–09–1831
engravings in musée carnavaletsymbolism
La basse-cour politique (IFF 38). G.8669(2), En 08–09–1831
engravings in musée carnavaletsymbolism
Le carnaval politique enterrement de la liberté (IFF 38). G.8656 (1 of 2), En 21–04–1831
engravings in musée carnavaletsymbolism
La basse-cour politique (IFF 38). G.8670(2), En 08–09–1831
engravings in musée carnavaletsymbolism
Invocation au pair éternel. G.8666(2), En 1831
engravings in musée carnavaletsymbolism
La basse-cour politique (IFF 38). G.8670(1), En 08–09–1831
engravings in musée carnavaletsymbolism
Le carnaval politique enterrement de la liberté (IFF 38). G.8656 (2 of 2), En 21–04–1831
engravings in musée carnavaletsymbolism
Bagnères-de-Bigorre - General view taken from the Ferruginous Fountain, Charles Mercereau, between 1853 and 1876
historical images of bagnères-de-bigorrecharles mercereau
Toulouse - Apse of the Church of St. Sernin (from the year 1097), Charles Mercereau, between 1853 and 1876
19th-century images of toulouseapses in haute-garonne
Bordeaux, View of the Quinconces, Charles Mercereau, between 1853 and 1876
prints of bordeaux harbourcharles mercereau
Rejouissances des Champs-Elysées (IFF 38). G.8660 (1 of 2), En 23–06–1831
engravings in musée carnavaletsymbolism
Rejouissances des Champs-Elysées (IFF 38). G.8660 (2 of 2), En 23–06–1831
engravings in musée carnavaletsymbolism
Trémes-Aïgues Waterfall, Grip Valley (Hautes Pyrenees), Charles Mercereau, between 1853 and 1876
lithographs of waterfallscharles mercereau
Templar Church in Luz, Charles Mercereau, between 1853 and 1876
église des templiers, luz-saint-sauveurlithographs of churches
Le Folgoët - View of the Church, Léon Auguste Asselineau, between 1853 and 1876
léon-auguste asselineaulithographs of churches
Nantes - View of the Church of St. Croix, Léon Auguste Asselineau, between 1853 and 1876
église sainte-croix (nantes)léon-auguste asselineau
Bayonne - St. Andrew Church, Charles Mercereau, between 1853 and 1876
église saint-andré (bayonne)lithographs of churches
Bagnères de Bigorre (Hautes Pyrénées) - Interior of the Carmelite Church (in color), Charles Mercereau, between 1853 and 1876
église des carmes de bagnères-de-bigorrecharles mercereau
Biarritz - View of the Old Port Baths, Charles Mercereau, between 1853 and 1876
historical images of biarritzbiarritz in art
Toulouse - View of the Capitol, Charles Mercereau, between 1853 and 1876
capitole de toulousefacades in toulouse
Béhobie Bridge over the Bidassoa, Charles Mercereau, between 1853 and 1876
historical images of pyrénées-atlantiquesirun in art
Pont d’Enfer, at Eaux-Chaudes (Basses-Pyrénées), Charles Mercereau, between 1853 and 1876
bridges in pyrénées-atlantiquesvallée d'ossau
Toulouse - Interior of St. Sernin, Charles Mercereau, between 1853 and 1876
interior of saint-sernin illustrationsnaves in haute-garonne
Lorient - Interior of the military port, Louis Le Breton, between 1853 and 1876
historical images of lorientlouis le breton
Auch - View of the Cathedral, Charles Mercereau, between 1853 and 1876
cathédrale sainte-marie d'auchcharles mercereau
View of Argelès-de-Bigorre (Hautes-Pyrénées), Charles Mercereau, between 1853 and 1876
argelès-bagnèresargelès-gazost
Une couleur nouvelle. G.8654 (1 of 2), En 14–04–1831
engravings in musée carnavaletsymbolism
Une couleur nouvelle. G.8654 (2 of 2), En 14–04–1831
engravings in musée carnavaletsymbolism
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