103 Free Artworks of Literary Prints In The Metropolitan Museum Of Art

etching and engraving john & josiah boydell stipple engraving japanese prints in the metropolitan museum of art ink and color on paper polychrome woodblock print nihonga bungei kurabu kuchi-e charles heath

Miranda (Shakespeare, The Tempest, Act 1, Scene 2), John Boydell, 1784

works after robert edge pine caroline watson

Ophelia (Shakespeare, Hamlet, Act 4, Scene 5), Caroline Watson, 1784

works after robert edge pine caroline watson

A literary argument on the second tier, from 'Theater sketches, ' published in Le Charivari, February 27, Aaron Martinet, 27 February 1864

prints by honoré daumier in the metropolitan museum of art aaron martinet

Miranda (Shakespeare, The Tempest, Act 1, Scene 1), Caroline Watson, 14 April 1809

literary prints in the metropolitan museum of art caroline watson

Macbeth Consulting the Witches, Eugène Delacroix, 1825

macbeth consultant les sorcières by eugène delacroix (delteil 040)romanticism

Faust, Eugène Delacroix, 1828

philipp albert stapfer romanticism

Ghismonda, Guiscardo, and the Prince of Salerno, from The Decameron, Hans Leonhard Schäufelein, before 1534

illustrations of decameron by hans schäufelein heinrich steiner

Awakening, Takeuchi Keishū

bizan kawakami nihonga

MET DP143078, Suzuki Kason

suzuki kason nihonga

"Surgical ward" (by) Izumi Kyōka, frontispiece illustration, Toshikata Mizuno

mizuno toshikata nihonga

"Master be called eel" (by) Yamada Bimyō, frontispiece, Toshikata Mizuno

mizuno toshikata nihonga

"A Mad Woman in Yahata" (by) Hirotsu Ryurō, frontispiece illustration, Toshikata Mizuno

mizuno toshikata nihonga

Dante and Virgil, Edgar Degas, 1857

literary prints in the metropolitan museum of art impressionism

Don Quixote Attacking the Windmill, John Doyle, 11 December 1835

daniel o'connell thomas mclean

Ornament Ballr, frontispiece illustration, Toshikata Mizuno

mizuno toshikata nihonga

Polonius and Hamlet, Eugène Delacroix, 1834–43

lithographs by eugène delacroix in the metropolitan museum of art romanticism

MET DP143082, Takeuchi Keishū, between 1895 and 1912

takeuchi keishū nihonga

Don Quixote in the Sable Mountains, John Hamilton Mortimer, 20 October 1782

etchings by robert blyth john hamilton mortimer

A Literary Fellow Meditating, Eugène Delacroix, 1821

the elisha whittelsey collection romanticism

Architectura Curiosa Nova: This is new, delightful sense and art, but also useful building and water art. . ., Georg Andreas Böckler, 1664

libraries collection, metropolitan museum of art georg andreas böckler

MET DP143081, Takeuchi Keishū, between 1895 and 1912

takeuchi keishū nihonga

Suffolk and Margaret (Shakespeare, King Henry VI, Part I, Act 5, Scene 3), John Masey Wright, 1825–40

henry vi, part 1 in art charles heath

Macbeth, John Martin, 1828

prints by john martin romanticism

MET DP143101, Tomioka Eisen

tomioka eisen nihonga

Satan, Sin and Death (Paradise Lost, Book II), Samuel Ireland, 1 May 1788

prints after william hogarth samuel ireland

Ophelia (Shakespeare, Hamlet, Act 4), James Nixon, 1784

francesco bartolozzi james nixon

Faust, Charles Étienne Pierre Motte, 1828

lithographs by eugène delacroix in the metropolitan museum of art illustrations of works by eugène delacroix

MET DP143103, Suzuki Kason

suzuki kason nihonga

Ophelia: "There's fennel for you, and columbines" (Shakespeare, Hamlet, Act 4, Scene 5), William Wynne Ryland, 1787

john walker (engraver)hamlet in art

Dante and Beatrice, Ary Scheffer

narcisse lecomte romanticism

Dante and Beatrice, Ary Scheffer

narcisse lecomte romanticism

Iris lantern illustration, Katsukawa Shunchō, ca. late 1780s

bequest of mrs. h. o. havemeyer katsukawa shunchō

Discord, from the Fables of La Fontaine, Félix Bracquemond, 1886

prints by félix bracquemond after gustave moreau félix bracquemond

MET DP143088, Suzuki Kason

suzuki kason nihonga

Duke of York (Twelve Characters from Shakespeare), John Hamilton Mortimer, 15 March 1776

works of shakespeare in art john hamilton mortimer

A Literary Fellow Meditating, Eugène Delacroix, 1821

the elisha whittelsey collection romanticism

Dante and Beatrice, Ary Scheffer

narcisse lecomte romanticism

Imogen and Iachimo (Shakespeare, Cymbeline, Act 2, Scene 2), Thomas Uwins, 1827

william ensom thomas uwins

Imogen (Shakespeare, Cymbeline, Act 3, Scene 6), Josiah Boydell, 1803

john & josiah boydell cymbeline in art

Florizel and Perdita–"The Winter's Tale", Charles Robert Leslie, January 1867

works after charles robert leslie lumb stocks

Ferdinand and Miranda (Shakespeare, The Tempest, Act 3, Scene 1), Peltro William Tomkins, 1786

engravings after angelica kauffmann peltro william tomkins

Treatise on the art of painting, sculpture and architecture, Gian Paolo Lomazzo, 1585

giovanni paolo lomazzo italian renaissance

Richard II (Twelve Characters from Shakespeare), John Hamilton Mortimer, 20 May 1775

john hamilton mortimer richard ii (play)

Malvolio (Twelfth Night, Act 2, Scene 5), Charles Heath, 1825–40

john masey wright twelfth night

Open Here I Flung the Shutter. Illustration to The Raven by Edgar Allan Poe, Stéphane Mallarmé, 1875

illustrations to edgar allan poe's works le corbeau (metropolitan museum of art)

Open Here I Flung the Shutter. Illustration to The Raven by Edgar Allan Poe, Stéphane Mallarmé, 1875

illustrations to edgar allan poe's works le corbeau (metropolitan museum of art)

Isabella and Angelo (Shakespeare, Measure for Measure, Act 2, Scene 2), William Hamilton, 1794

william hamilton (painter)james fittler

Hamlet and Ophelia (Shakespeare, Hamlet, Act II, Scene I), Henry Perronet Briggs, 1825–26

hurst, robinson & co.hamlet in art

As You Like It, Act 5, Scene 4 (Shakespeare), Josiah Boydell, 1792

william hamilton (painter)jean-pierre simon

Simonides and Thaisa (Shakespeare, Pericles, Act 2, Scene 2), Henry Corbould, 1825–40

pericles, prince of tyre in art henry corbould

Pandarus and Cressida (Shakespeare, Troilus and Cressida, Act 1, Scene 2), Henry Corbould, 1825–40

troilus and cressida henry corbould

Aaron and Tamora (Shakespeare, Titus Andronicus, Act 2, Scene 3), Henry Corbould, 1825–40

titus andronicus henry corbould

Coriolanus and Aufidius (Shakespeare, Coriolanus, Act 4, Scene 5), Charles Heath, 1825–40

coriolanus (play)charles heath

Falstaff on the Battlefield (Shakespeare, King Henry IV, Part I, Act 5, Scene 4), Robert Smirke, 1825

hurst, robinson & co.charles heath

Falstaff and Bardolph, on a Road near Coventry (Shakespeare, King Henry IV, Part I, Act 4, Scene 2), Robert Smirke, 1825

robert jennings (printer)hurst, robinson & co.

Falstaff and His Friends ("The Merry Wives of Windsor"), Charles Robert Leslie, 1868

works after charles robert leslie virtue & co., ltd.

Dromio, Adriana and Luciana (Shakespeare, Comedy of Errors, Act 4, Scene 2), Henry Perronet Briggs, 1827

robert jennings (printer)henry perronet briggs

Cassandra Raving (Shakespeare, Troilus and Cressida, Act 2, Scene 2), Josiah Boydell, 1795

john & josiah boydell francis legat

Dante and Virgil, Edgar Degas, 1857

literary prints in the metropolitan museum of art impressionism

Dante and Virgil, Edgar Degas, 1857

literary prints in the metropolitan museum of art impressionism

Aubrey Beardsley's Illustrations to Salome by Oscar Wilde, Aubrey Beardsley, [1906–7]

aubrey beardsley - salome aestheticism,symbolism

Cordelia and King Lear (Shakespeare, King Lear, Act 4, Scene 7), John Masey Wright, 1825–40

john masey wright charles heath

Falstaff in the Buck Basket (Shakespeare, Merry Wives of Windsor, Act 3, Scene 3), William Peters, 1793

william peters (painter)john & josiah boydell

Anne Page, Slender and Simple (Shakespeare, Merry Wives of Windsor, Act 1, Scene 1), Robert Smirke, 1825–40

the merry wives of windsor robert smirke (painter)

Coriolanus: "The God of Soldiers, to shame invulnerable..." (Shakespeare, Coriolanus, Act 5), Francesco Bartolozzi, 3 November 1785

engravings after angelica kauffmann francesco bartolozzi

Ghita Locking out her Husband Tofano, from The Decameron: Fourth tale of seventh day, Hans Leonhard Schäufelein, before 1534

illustrations of decameron by hans schäufelein heinrich steiner

Florizel, Perdita, etc. in the Shepherd's Cot (Shakespeare, Winter's Tale, Act 4, Scene 3), Francis Wheatley, 1792

francis wheatley james fittler

Macbeth and the Witches (Shakespeare, Macbeth, Act 1, Scene 1), Francesco Zuccarelli, 1770

william woollett rococo

Beatrice and Benedick (Shakespeare, Much Ado About Nothing, Act 2, Scene 3), Charles Heath, 1825–40

much ado about nothing in art charles heath

Clarence's Dream (Shakespeare, Richard III, Act 1, Scene 4), William Blake, 1774

romanticism,fairy painting art works by william blake

Anne Page, Slender and Shallow (Shakespeare, Merry Wives of Windsor, Act 1, Scene 1), Robert Smirke, 1792

robert smirke (painter)john & josiah boydell

Aubrey Beardsley's Illustrations to Salome by Oscar Wilde, Aubrey Beardsley, [1906–7]

aubrey beardsley - salome aestheticism,symbolism

Aubrey Beardsley's Illustrations to Salome by Oscar Wilde, Aubrey Beardsley, [1906–7]

aubrey beardsley - salome aestheticism,symbolism

Illustration to "Tristram Shandy," Volume 4, William Hogarth

prints after william hogarth realism

Cassandra Raving (Shakespeare, Troilus and Cressida, Act 2, Scene 2), George Romney, 1795

francis legat rococo

Hero Fainting in Church (Shakespeare, Much Ado About Nothing, Act 4, Scene 1), William Hamilton, 1789

william hamilton (painter)jean-pierre simon

Falstaff Rising Slowly (Shakespeare, First Part of King Henry IV, Act 5, Scene 4), Robert Smirke, 4 June 1794

henry iv, part 1 in art robert smirke (painter)

Hamlet, Horatio, Marcellus and the Ghost (Shakespeare, Hamlet, Act 1, Scene 4), Josiah Boydell, 29 September 1796

engravings by johann heinrich füssli robert thew

Dumain, Biron, the King, and Longaville (Shakespeare, Love's Labour's Lost, Act 4, Scene 3), John Masey Wright, 1825–40

love's labour's lost in art john masey wright

Clarence's Dream (Shakespeare, Richard III, Act 1, Scene 4), William Blake, 1774

romanticism,fairy painting art works by william blake

Catherine of Aragon and Cardinal Wolsey (Shakespeare, King Henry VIII, Act 3, Scene 1), Philip Francis Stephanoff, 1825–40

edward j. potbury henry viii (play)

Canto 42, Stanza 64, from Orlando Furioso, Nicolas de Launay, 1774

literary prints in the metropolitan museum of art orlando furioso by nicolas de launay

Falstaff, Prince Henry and Poins at the Boar's Head Tavern (Shakespeare, King Henry the Fourth, Part 1, Act 2, Scene 4), Josiah Boydell, 1796

henry iv, part 1 in art john & josiah boydell

Hero, Ursula and Beatrice (Shakespeare, Much Ado About Nothing, Act 3, Scene 1), Jean-Pierre Simon, 1790

john & josiah boydell jean-pierre simon

Beatrice and Benedick (Shakespeare, Much Ado About Nothing, Act 4, Scene 1), Samuel Shelley, 12 August 1784

works after samuel shelley robert cribb (publisher)

Before the Duke's Palace–Rosalind, Celia, Orlando, the Duke & Attendants (Shakespeare, As You Like It, Act 1, Scene 2), John Downman, 4 June 1800

william satchwell leney john downman

Canto 13, Stanza 38, from Orlando Furioso, Nicolas de Launay, 1772–74

literary prints in the metropolitan museum of art orlando furioso by nicolas de launay

Jacques and the Wounded Stag (Shakespeare, As You Like It, Act 2, Scene 1), John Constable, 1830

literary prints in the metropolitan museum of art realism,romanticism

Jacques and the Wounded Stag (Shakespeare, As You Like It, Act 2, Scene 1), John Constable, 1830

literary prints in the metropolitan museum of art realism,romanticism

Antony and Cleopatra, Act 1, Scene 2: Charmian–"Good Sir, give me good fortune" Published January 1, by John Murray, Albemarle Street, London, William Peters, 1 January 1817

william peters (painter)john hall (engraver)

Boar's Head Tavern: Prince Hal, Falstaff and Poins (Shakespeare, First Part of Henry IV, Act 2, Scene 4), Robert Smirke, 1825–40

robert smirke (painter)henry iv, part 2

Anne Page and Slender (Shakespeare's Merry Wives of Windsor, Act 1, Scene 1), Samuel William Reynolds, 1829

richard parkes bonington samuel william reynolds

Angelo's House–Escalus, a Justice, Elbow, Froth, Clown, Officers, etc. (Shakespeare, Measure for Measure, Act 2, Scene 1), Robert Smirke, 23 April 1798

john & josiah boydell thomas ryder

Angelo's House–Escalus, a Justice, Elbow, Froth, Clown, Officers, etc. (Shakespeare, Measure for Measure, Act 2, Scene 1), Josiah Boydell, 23 April 1798

john & josiah boydell thomas ryder

Angelica and Medoro; the couple embracing, Medoro carving their names in the bark of a tree; Cupid holding a torch in the background, Teodoro Ghisi, circa 1570

giorgio ghisi teodoro ghisi

Jacques and the Wounded Stag (Shakespeare, As You Like It, Act 2, Scene 1), John Constable, 1830

literary prints in the metropolitan museum of art realism,romanticism

Jacques and the Wounded Stag (Shakespeare, As You Like It, Act 2, Scene 1), John Constable, 1830

literary prints in the metropolitan museum of art realism,romanticism

Jacques and the Wounded Stag (Shakespeare, As You Like It, Act 2, Scene 1), John Constable, 1830

literary prints in the metropolitan museum of art realism,romanticism

Jacques and the Wounded Stag (Shakespeare, As You Like It, Act 2, Scene 1), John Constable, 1830

literary prints in the metropolitan museum of art realism,romanticism

Ophelia (Shakespeare, Hamlet, Act 4, Scene 7), John Everett Millais, 1 March 1866

pre-raphaelite brotherhood,symbolism james stephenson (engraver)

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