60 Free Artworks of W. Bruce And Delaney H. Lundberg Gift

department of photographs, metropolitan museum of artmetropolitan museum of artalbumen prints in the metropolitan museum of artadrien alban tournachonalbumen silver print from glass negativeexperiments in physiology. facial expressionsmécanisme de la physionomie humainealbumen silver prints from glass negativesdaguerreotypes in the metropolitan museum of artdaguerreotype
[Boy and Girl Holding Hands], circa 1850
department of photographs, metropolitan museum of artdaguerreotype portraits
[Boy and Girl Holding Hands], circa 1850
department of photographs, metropolitan museum of artdaguerreotype portraits of the united states
[Paper Silhouette Portrait of a Woman], 1840s–50s
portrait photographs in the metropolitan museum of artdepartment of photographs, metropolitan museum of art
Mechanism of human physiognomy or Electro-physiological analysis of the expression of passions applicable to the practice of plastic arts, 1854–56, printed 1862
department of photographs, metropolitan museum of artmécanisme de la physionomie humaine
Mechanism of human physiognomy or Electro-physiological analysis of the expression of passions applicable to the practice of plastic arts, 1854–56, printed 1862
department of photographs, metropolitan museum of artmécanisme de la physionomie humaine
Mechanism of human physiognomy or Electro-physiological analysis of the expression of passions applicable to the practice of plastic arts, 1854–56, printed 1862
department of photographs, metropolitan museum of artmécanisme de la physionomie humaine
Mechanism of human physiognomy or Electro-physiological analysis of the expression of passions applicable to the practice of plastic arts, 1854–56, printed 1862
department of photographs, metropolitan museum of artmécanisme de la physionomie humaine
Mechanism of human physiognomy or Electro-physiological analysis of the expression of passions applicable to the practice of plastic arts, 1854–56, printed 1862
department of photographs, metropolitan museum of artmécanisme de la physionomie humaine
Mechanism of human physiognomy or Electro-physiological analysis of the expression of passions applicable to the practice of plastic arts, 1854–56, printed 1862
department of photographs, metropolitan museum of artmécanisme de la physionomie humaine
Mechanism of human physiognomy or Electro-physiological analysis of the expression of passions applicable to the practice of plastic arts, 1854–56, printed 1862
department of photographs, metropolitan museum of artmécanisme de la physionomie humaine
The Valley of the Anio, with the Upper and Lower Cascatelle, Mecenas's Villa, and Distant Campagna, by 1858
department of photographs, metropolitan museum of arthistorical images of tivoli by robert macpherson
Mechanism of human physiognomy or Electro-physiological analysis of the expression of passions applicable to the practice of plastic arts, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artmécanisme de la physionomie humaine
Mechanism of human physiognomy or Electro-physiological analysis of the expression of passions applicable to the practice of plastic arts, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artmécanisme de la physionomie humaine
Mechanism of human physiognomy or Electro-physiological analysis of the expression of passions applicable to the practice of plastic arts, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artmécanisme de la physionomie humaine
Figure 56: Surprise, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 60: Fright, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 62: Terror, semiprofile, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 18: Aggression, wickedness, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 70: Head of the Laocoön of Rome, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 19: Suffering, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 34: Grimace, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 53: Whimpering and false laughter, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 47: A suggestion of this same weeping, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 78: Scene of coquetry, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 36: Scornful laughter and scornful disgust, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 8: Contraction of the right m. frontalis., Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 81: Lady Macbeth, moderate expression of cruelty, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 45: Pain and despair., Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 20: Profound suffering, with resignation, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 75: Nun saying her prayers, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 49: Painful weeping and forward looking., Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 25: Not an expression of pain, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 22: No painful expression, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 57: Astonishment, stupefaction, amazement, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 54: Voluntary lowering of the lower jaw, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 83: Lady Macbeth, ferocious cruelty, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 16: Expression of severity, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 73: Head of Niobe, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 50: Affected weeping and face in repose, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 9: A study of m. frontalis in maximum contraction, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 3: The face of an old man... photographed in repose., Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 26: Expression of painful attention and attention, attentive gaze., Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 63: Expression of terror, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 15: Mediation, mental concentration, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 27: Expression proportionally more pained, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 82: Lady Macbeth, strong expression of cruelty, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 52: Voluntary retraction of the lower lip, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 4: The face in repose of a young man, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and lewdness., Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 71: Same head as in Plate 70, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 39: The attention attracted by an object that provokes lascivious ideas and desires., Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 10: Showing the expressive lines of m. frontalis in a young girl, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 21: Painful recollection and recollection or calling something to mind, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention., Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 66: Head of Arrotino (the spy, the knife grinder, and so on), Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 48: Mild weeping, pity and feeble false laughter, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 55: Astonishment badly rendered by the subject: a ridiculous and inane expression., Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 6: The grimice produced is similar to a tic of the face, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 12: A study of the contraction of and the expression produced by the superior part of m. orbicularis oculi, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze., Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
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