27 Free Artworks of Valerius Maximus

samuel putnam avery collectionetchings by charles meryon in the new york public librarymeryon (delteil 094)etchings by charles meryon in the metropolitan museum of artmeryon (delteil 101)1860s etchingslouis xi of france in miniaturesmetropolitan museum of artcharles méryonprints of cartouches in the rijksmuseum amsterdam
Valère Maxime, Dits et faits mémorables - Arsenal Ms5196 f1r (Frontispice)
15th-century illuminated manuscripts from flanderscharles v of france in miniatures
Charles Meryon, The printer Valère Maxime being presented to King Louis XI, 1860
prints by charles meryon by delteil number1860s etchings
Presentation of Valerius Maximus to King Louis XI, Charles Méryon, 1862
etchings by charles meryon in the metropolitan museum of artthe elisha whittelsey collection
Valerius Maximus Valerius maximus (titel op object) Liber Chronicarum (serietitel), RP-P-2016-49-22-7, 1493
liber chronicarum, rijksmuseum amsterdamgerman renaissance
The Printer Valerius Maximus Being Presented to King Louis XI, 1860
etchings by charles meryon in the national gallery of artmeryon (delteil 094)
The printer Valère Maxime being presented to King Louis XI, Charles Méryon, 1860
etchings by charles meryon in the metropolitan museum of artlouis xi of france in miniatures
Ovale cartouche met een citaat van Valerius Maximus Variarum protractionum (..) (serietitel), RP-P-1888-A-12637, Gerard de Jode, 1555
works by gerard de jode in the rijksmuseum amsterdamprints of cartouches in the rijksmuseum amsterdam
Het oordeel van Cambyses, Peter Paul Rubens, between 1626 and 1700
flemish baroque painting,baroqueworkshop of peter paul rubens
Roman Charity (after Guido Reni), Isabella Maria dal Pozzo, between 1660 and 1699
17th-century oil paintingsisabella maria dal pozzo
Europa Titelpagina voor A. Thysius, Dictorum factorumque memorabilium libri IX, 1660, RP-P-OB-60.215, Reinier van Persijn
prints of cartouches in the rijksmuseum amsterdambaroque
Greek Charity, Jean Pénicaud II
limoges painted enamels in the walters art museumjean pénicaud ii
Address of Rochoux, print dealer., 1854
samuel putnam avery collection
La loi solaire., 1854
samuel putnam avery collection
Framing project for the portrait of Armand Guéraud., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Presentation of Valère Maxime to King Louis XI., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Rebus: No, Morny is not dead because he is still drinking., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Framing project for the portrait of Armand Guéraud., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Address of Rochoux, print dealer., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Rebus: Béranger was never truly strong, because he never had the key to the fields., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Rebus: No, Morny is not dead because he is still drinking., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
The Lunar Law [second plate]., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Draft stock notes for a pseudo-Franco-Californian company., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
The Lunar Law [first plate]., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Vers à Eugène Bléry., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Vers à Eugène Bléry., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Rebus: Béranger was never truly strong, because he never had the key to the fields., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
Rebus: Béranger was never truly strong, because he never had the key to the fields., 1854
etchings by charles meryon in the new york public librarysamuel putnam avery collection
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