398 Free Artworks of Salamanca

prints by antonio salamanca engraving metropolitan museum of art prints of mythology in the metropolitan museum of art prints by master of the die story of cupid and psyche designed by michiel coxie master of the die rogers fund - prints works by antonio salamanca in the rijksmuseum amsterdam michiel coxie

Fachada de la Basílica de Sn. Vicente (Ávila) (1865) - Parcerisa, F. J. (1803-1875), Francisco Javier Parcerisa, 1865

recuerdos y bellezas de españa. salamanca, ávila y segovia (1865)exterior of the basílica de san vicente, ávila

Interior de la Basílica de Sn. Vicente (Ávila) (1865) - Parcerisa, F. J. (1803-1875), Francisco Javier Parcerisa, 1865

recuerdos y bellezas de españa. salamanca, ávila y segovia (1865)interior of the basilica of san vicente, ávila

Vista lateral de la Basílica de San Vicente (1865) - Parcerisa, F. J., Francisco Javier Parcerisa, 1865

recuerdos y bellezas de españa. salamanca, ávila y segovia (1865)exterior of the basílica de san vicente, ávila

Belegering van Wenen door de Ottomanen, RP-P-OB-36.665, Agostino Veneziano, 1532

prints by agostino veneziano in the rijksmuseum amsterdam the illustrated bartsch 411–420

Speculum Romanae Magnificentiae: Julius Caesar, from The Twelve Caesars, Marcantonio Raimondi, circa 1500–1534

engravings by marcantonio raimondi in the metropolitan museum of art portrait engravings in the metropolitan museum of art

Sepulcro de los mártires Vicente, Sabina y Cristeta (Ávila) (1865) - Parcerisa, F. J., Francisco Javier Parcerisa

recuerdos y bellezas de españa. salamanca, ávila y segovia (1865)sepulcro de los santos mártires, basilica of san vicente, ávila

A panel of ornament with a large jar in centre, putti and other figures, Master of the Die, 1530–60

prints by master of the die prints after perin del vaga

Ábside y frontis de la Iglesia de Gómez Román (Arévalo) (1865) - Parcerisa, F. J., Francisco Javier Parcerisa, 1865

recuerdos y bellezas de españa. salamanca, ávila y segovia (1865)hermitage of la lugareja (arévalo)

Puerta principal de la Basílica de Sn. Vicente (Ávila) (1865) - Parcerisa, F. J. (1803-1875), Francisco Javier Parcerisa, 1865

recuerdos y bellezas de españa. salamanca, ávila y segovia (1865)west portal, basilica of san vicente, ávila

Puerta principal de la Basílica de San Vicente (1865) - Parcerisa, F. J. (detalles), Francisco Javier Parcerisa, 1865

recuerdos y bellezas de españa. salamanca, ávila y segovia (1865)west portal, basilica of san vicente, ávila

Estatuas de la puerta lateral del norte de la catedral de Ávila (1865) - Parcerisa, F. J., Francisco Javier Parcerisa, 1865

recuerdos y bellezas de españa. salamanca, ávila y segovia (1865)west facade of the cathedral of ávila

Ancius de augur, RP-P-OB-34.273, Polidoro da Caravaggio, 1545

works by antonio salamanca in the rijksmuseum amsterdam etchings of birds in the rijksmuseum amsterdam

Juan Carreño de Miranda (detalle), Juan Carreño de Miranda

juan carreño de miranda in art baroque

Vulcan seated hammering on an anvil flanked by Venus and three cupids, Marco Dente, circa 1515–27

works by giovanni giacomo de rossi prints by antonio salamanca

Speculum Romanae Magnificentiae: The Base of the Column of Theodosius, Marcantonio Raimondi

engravings by marcantonio raimondi in the metropolitan museum of art prints by antonio salamanca

The birth of Saint John the Baptist set within a classical building, Giulio Bonasone, circa 1531–76

prints by antonio salamanca giulio bonasone

Feniks, RP-P-OB-38.611, Master of the Die, ca. 1530 - ca. 1560

prints by master of the die in the rijksmuseum amsterdam the illustrated bartsch 76

Plate 11: Psyche gives presents to her sisters, from 'The Fable of Psyche', Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Juan Carreño de Miranda, Juan Carreño de Miranda

juan carreño de miranda in art baroque

Plate 4: Psyche's father consulting the oracle, from 'The Fable of Psyche', Michiel Coxie, 1530–60

prints by master of the die prints by antonio salamanca

Plate 5: Psyche carried on a litter to a mountain, from 'The Fable of Psyche', Master of the Die, 1530–60

story of cupid and psyche designed by michiel coxie prints by master of the die

Naakte man achtervolgt een Naiade, RP-P-OB-35.955, Marco Dente, between 1517 and 1562

works by antonio salamanca in the rijksmuseum amsterdam the illustrated bartsch 221–230

Apollo en Daphne, RP-P-H-A-131, Agostino Veneziano

works by antonio salamanca in the rijksmuseum amsterdam engravings of mythology in the rijksmuseum amsterdam

Marta leidt Maria Magdalena naar prekende Christus, RP-P-OB-11.745, Marcantonio Raimondi

engravings by marcantonio raimondi in the rijksmuseum amsterdam works by antonio salamanca in the rijksmuseum amsterdam

Lucretia naked and seated before a window, a dagger in her right hand and holding drapery in her left, Parmigianino, circa 1535–67

high renaissance,mannerism enea vico

Speculum Romanae Magnificentiae: The Lion Hunt, Marcantonio Raimondi, circa 1500–1534

engravings by marcantonio raimondi in the metropolitan museum of art prints by antonio salamanca

Speculum Romanae Magnificentiae: Temple near the Appian Way, Antonio Lafreri

speculum romanae magnificentiae (mirror of roman magnificence)unidentified artists

Plate 15: Psyche relating her misfortunes to her sisters, from The Fable of Psyche, Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Plate 12: Psyche's sisters persuade her a serpent is sleeping with her, from 'The Fable of Psyche', Michiel Coxie, 1530–60

prints by master of the die prints by antonio salamanca

Plate 22: Venus ordering Psyche to Sosort a heap of grain, from the 'Fable of Psyche', Michiel Coxie, 1530–60

story of cupid and psyche designed by michiel coxie prints by master of the die

Plate 6: Zephir carrying off Psyche to an enchanted palace, from 'The Fable of Psyche', Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Putto op de rug van een zeemonster, RP-P-H-H-123, Marco Dente, between 1517 and 1562

works by antonio salamanca in the rijksmuseum amsterdam engravings of putti

Speculum Romanae Magnificentiae: Bacchus Surrounded by Putti with Priapus holding back the curtain, Master of the Die

prints by antonio salamanca prints by raffaello sanzio

Portrait of Don Diego de Corral y Arellano, Diego Velázquez, circa 1632

diego del corral y arellano, by velázquez (museo del prado)baroque

Plate 2: the people rendering divine honors to Psyche, from 'The Fable of Psyche', Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Plate 3: Psyche's two sisters are married to kings, from 'The Fable of Psyche', Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Plate 10: nymphs assisting Psyche to dress her hair, from 'The Fable of Psyche', Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Plate 1: Apuleius changed into a donkey listening to the story told by the old woman spinning, Michiel Coxie, 1520–70

prints by master of the die prints by antonio salamanca

Plate 14: Cupid airborne gleeing from Psyche, from 'The Fable of Psyche', Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Plate 3: Psyche's two sisters are married to kings, from 'The Fable of Psyche', Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Bacchus surrounded by Putti, a statue of Priapus at right, Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Plate 30: Venus and Cupid pleading their case in the presence of Jupiter and other Gods, from 'The Fable of Psyche', Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Venus in her dove-drawn chariot complaining to Jupiter who is accompanied by Mercury, from 'The Fable of Psyche', Master of the Die, 1530–60

story of cupid and psyche designed by michiel coxie prints by master of the die

Het offer van een ram Antieke reliëfs (serietitel), RP-P-OB-35.973, Marco Dente, between 1517 and 1562

works by antonio salamanca in the rijksmuseum amsterdam the illustrated bartsch 211–220

Apollo en Daphne, RP-P-OB-36.642, Agostino Veneziano, 1518

works by antonio salamanca in the rijksmuseum amsterdam the illustrated bartsch 311–320

Allegorie op de ouderdom Anchora inparo (titel op object), RP-P-2008-493, Agostino Veneziano, 1538

prints by agostino veneziano in the rijksmuseum amsterdam the illustrated bartsch 391–400

Gil Blas wordt overvallen op zijn weg naar Salamanca, RP-P-OB-14.625, 1783

etchings in the rijksmuseum amsterdam rococo,neoclassicism

Speculum Romanae Magnificentiae: Trajan Between City of Victory and Rome, Marcantonio Raimondi, circa 1500–34

engravings by marcantonio raimondi in the metropolitan museum of art 16th-century artwork by unknown artists from italy

Plate 31: Gods celebrating the wedding of Cupid and Psyche, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 6: Zephyr carrying Psyche to an enchanted palace, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Speculum Romanae Magnificentiae: Temple-Altar of Jove, as a Youth, Marcantonio Raimondi

engravings by marcantonio raimondi in the metropolitan museum of art prints by antonio salamanca

Satyr carrying a nymph, whose right arm is wrapped around the satyr's neck, with a planar background, Giulio Romano, circa 1505–62

engravings after giulio romano mannerism

Martha leading Mary Magdalene up a flight of stairs to Christ who is seated at right at the entrance to a temple, Marcantonio Raimondi, circa 1530–60

engravings by marcantonio raimondi in the metropolitan museum of art religious engravings in the metropolitan museum of art

Plate 17: Venus chastising Cupid, who sits on a bed, with Psyche at right, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Aanbidding door de koningen, RP-P-OB-7138, Cornelis Cort, in of na 1567

works by antonio salamanca in the rijksmuseum amsterdam prints by cornelis cort in the rijksmuseum amsterdam

Plate 7: Psyche attended in her bath, from the Story of Cupid and Psyche as told by Apuleius, Agostino Veneziano, 1530–60

prints by agostino veneziano in the metropolitan museum of art prints by antonio salamanca

Plate 32: Cupid and Psyche in the nuptial bed, from the Story of Cupid and Psyche as told by Apuleius, Michiel Coxie, 1530–60

prints by antonio salamanca prints by master of the die

Plate 10: Nymphs dressing Psyche's hair, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 9: Cupid and Psyche on a bed, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Portret van paus Julius III, RP-P-H-H-265, Master of the Die, ca. 1530 - ca. 1560

prints by master of the die in the rijksmuseum amsterdam works by antonio salamanca in the rijksmuseum amsterdam

Angelica en Medoro als geliefden Venus en Adonis, RP-P-H-239, Marcantonio Raimondi

engravings by marcantonio raimondi in the rijksmuseum amsterdam works by antonio salamanca in the rijksmuseum amsterdam

Plate 7: Psyche attended in her bath by nymphs, in the background right Psyche represented again laying in bed, Agostino Veneziano, circa 1520–36

prints by agostino veneziano in the metropolitan museum of art prints by antonio salamanca

Plate 8: Psyche seated at a table and attended by invisible servants, Eros beside the goddess, from 'The Fable of Cupid and Psyche.', Michiel Coxie, 1530–60

prints by master of the die prints by antonio salamanca

Apollo in his horse-drawn chariot at the left, above him above Jupiter hurls a thunderbolt, Venus at right in her chariot drawn by animals, Master of the Die, 1530–60

prints by master of the die prints by raffaello sanzio

Plate 2: People rendering divine honors to Psyche, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Plate 14: Psyche kneeling in the foreground as Cupid flees from her, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 27: Proserpine give Psyche the box of beauty, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 19: Ceres at right, leaning on a pedestal, refusing to assist Psyche, from the Story of Cupid and Psyche as told by Apuleius, Michiel Coxie, 1530–60

prints by antonio salamanca prints by master of the die

Plate 29: Cupid begging Jupiter to have mercy on Psyche with Mercury at left, from the Story of Cupid and Psyche as told by Apuleius, Michiel Coxie, 1530–60

prints by antonio salamanca prints by master of the die

Plate 4: Psyche's father consulting the Oracle, accompanied by another king, from the Story of Cupid and Psyche as told by Apuleius, Agostino Veneziano, 1530–60

prints by agostino veneziano in the metropolitan museum of art prints by antonio salamanca

Apollo tending the flocks of Admetus, Apollo seated holding a lyre and flanked by a cow and a dog, a serpent winding around a dead tree at right, Marco Dente, circa 1515–27

prints by marco dente in the metropolitan museum of art works by giovanni giacomo de rossi

Parcerisa - Patio del Palacio del Marqués del Arco, Francisco Javier Parcerisa, 1865

recuerdos y bellezas de españa. salamanca, ávila y segovia (1865)palace of the marqués del arco

Marta leidt Maria Magdalena naar prekende Christus, RP-P-H-A-37, Marcantonio Raimondi

engravings by marcantonio raimondi in the rijksmuseum amsterdam works by antonio salamanca in the rijksmuseum amsterdam

Martha leading Mary Magdalene up a flight of stairs to Christ who is seated at right at the entrance to a temple, Nicolaus van Aelst, circa 1530–60

engravings by marcantonio raimondi in the metropolitan museum of art anonymous, italian, 16th to early 17th century

Plate 12: Psyche's sisters persuading Psyche that she has been sleeping with a serpent, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 24: Venus and Psyche standing at right, pointing to the underworld at center, into which Psyche enters, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 23: Psyche on the order of Venus departing to find the golden fleece, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 11: Psyche offering presents to her sisters who also appear on the clouds at upper right, from the Story of Cupid and Psyche as told by Apuleius, Michiel Coxie, 1530–60

prints by antonio salamanca prints by master of the die

Plate 1: Apuleius changed into a donkey, listening to the story told by the old woman, from the Story of Cupid and Psyche as told by Apuleius, Michiel Coxie, 1530–60

prints by master of the die matteo gregorio rossi

Ramiro II de León, José María Rodríguez de Losada

retratos de los reyes de león y castilla (josé maría rodríguez de losada)ramiro ii of león in paintings

Fernando de la Puente and Primo de Rivera, José Gutiérrez de la Vega, circa 1855

male portrait paintings by josé gutiérrez de la vega fernando de la puente y primo de rivera

Plate 20: Juno, standing at left, sends away Psyche, who kneels before her, from the Story of Cupid and Psyche as told by Apuleius, Michiel Coxie, 1530–60

prints by antonio salamanca prints by master of the die

Plate 3: Psyche's two sisters are married to kings, with Psyche standing at left, accompanied by another king, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Plate 25: Psyche setting off in Charon's boat, ignoring the old man at left who requests alms, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 26: Psyche enters the underworld giving an offering to Cerberus, with two elderly women at left, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 5: Psyche, seated, being taken to a mountain with a musical troupe lead the way, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Plate 15: Psyche telling her sisters about her misfortunes, with her sisters falling off of a precipice at upper left, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 21: Female personifications of Sorrow and Pain at right punishing Psyche at the behest of Venus, who sits at right, from the Story of Cupid and Psyche as told by Apuleius, Michiel Coxie, 1530–60

prints by antonio salamanca prints by master of the die

Plate 30: Venus and Cupid pleading their case before Jupiter and other Gods with Mercury transporting Psyche to the heavens at lower right, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Plate 22: Venus standing at right ordering Psyche to sort a pile of grain, at left the same pair hold a loaf of bread, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

Nicolás Antonio, Domingo Martínez

domingo martínez nicolás antonio

Oordeel van Paris, RP-P-H-A-97, Marcantonio Raimondi

engravings by marcantonio raimondi in the rijksmuseum amsterdam raimondi (bartsch 246)

Het offer van een ram Antieke reliëfs, RP-P-H-A-85, Marco Dente, between 1517 and 1562

works by antonio salamanca in the rijksmuseum amsterdam the illustrated bartsch 211–220

Naakte man achtervolgt een Naiade Antieke reliëfs (serietitel), RP-P-H-H-120, Marco Dente, between 1517 and 1562

works by antonio salamanca in the rijksmuseum amsterdam the illustrated bartsch 221–230

Memories and beauties of Spain: Mallorca

recuerdos y bellezas de españa. mallorca (1842)streets in palma de mallorca

Memories and beauties of Spain: Mallorca

recuerdos y bellezas de españa. mallorca (1842)litografía de julio donón

Martelaarschap van de heilige Cecilia, RP-P-OB-207.854, Marcantonio Raimondi

engravings by marcantonio raimondi in the rijksmuseum amsterdam works by antonio salamanca in the rijksmuseum amsterdam

Venus en Vulcanus, RP-P-H-H-760, Parmigianino, 1543

prints by enea vico in the rijksmuseum amsterdam high renaissance,mannerism

Retrato de José Villaamil, Antonio María Esquivel

19th-century portrait paintings in the royal academy of fine arts of san fernando male portrait paintings by antonio maría esquivel

Plate 16: A white bird tells Psyche of Cupid's illness, as she rides dolphins on the sea accompanied by tritons and nereids, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60

prints by antonio salamanca prints by master of the die

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