6,160 Free Artworks of Elisha

the elisha whittelsey collection metropolitan museum of art prints in the metropolitan museum of art etching print engraving department of drawings and prints, metropolitan museum of art baroque etching and engraving etching works by josé guadalupe posada

The Discovery of the Tomb of Punchinello, from the Scherzi, Giovanni Battista Tiepolo, circa 1743–50

prints by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

The doctors of the church consulting books and documents and contemplating the Virgin who is shown above in heaven, flanked by angels, after Reni, Guido Reni, circa 1722

prints after guido reni in the metropolitan museum of art baroque

The Virgin with the Christ Child and the young Saint John the Baptist holding a bird at right, an oval composition, after Reni, Guido Reni, circa 1630–80

prints after guido reni in the metropolitan museum of art baroque

anonymous 17th-century artworks baroque

Angel Holding a Palm and a Crown, Jean-Honoré Fragonard, circa 1764

prints by jean-honoré fragonard rococo

An Allegory of Truth and Justice; a naked woman in the center seated on a cloud holding a set of scales, a putto above, the Medici Coat of Arms at lower right, Cherubino Alberti, 1628

prints by cherubino alberti baroque

Broadsheet with love songs, man playing an instrument and singing outside of his lover's window, José Guadalupe Posada, circa 1900–1913

works by josé guadalupe posada antonio vanegas arroyo

Design for an Altar, Louis Comfort Tiffany

tiffany studios art nouveau

Pendant Design with Adam and Eve, from Des Pendants de Cleffs pour les Femmes, Johann Theodor de Bry, between 1580 and 1600

department of drawings and prints, metropolitan museum of art johann theodor de bry

Saint Michael holding scales and a lance, a demon beneath him, from the series 'Piccoli Santi' (Small Saints), Marcantonio Raimondi, circa 1500–1527

engravings by marcantonio raimondi in the metropolitan museum of art religious engravings in the metropolitan museum of art

Bacchant, Satyr, and Fauness, from the Scherzi, Giovanni Battista Tiepolo, circa 1740

prints by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

Broadsheet relating to the ex mayor of Mexico, Fernando Saldaña Galvan, who is standing in the center covered in holes, José Guadalupe Posada

works by josé guadalupe posada antonio vanegas arroyo

Massacre of the Innocents; group of women and children being attacked, two angels at upper left, after Reni, Guido Reni, circa 1640–70

prints after guido reni in the metropolitan museum of art baroque

Saint Catherine of Alexandria, Mattia Preti, circa 1764

prints by jean-honoré fragonard baroque

Broadside detailing a religious procession for Saint John and Saint Ana, multiple figures dancing and celebrating, José Guadalupe Posada, circa 1900–1913

works by josé guadalupe posada antonio vanegas arroyo

Two magicians and two boys, from the Scherzi, Giovanni Battista Tiepolo, circa 1743–50

prints by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

Bird in shell at the center of the lintel, with a frieze of trophies, surmounted by an overmantel with candelabra and flanked by chairs. (Ch. décorée d'une frise de casques et d'armures . . .), Giovanni Battista Piranesi, circa 1769

etchings by giovanni battista piranesi neoclassicism

The tomb of Caecilia Metella, from Vedute di Roma (Roman Views), Giovanni Battista Piranesi, circa 1762

etchings by giovanni battista piranesi neoclassicism

Plate 2: Two-handled vase with a nude figure on a pedestal at center, from Antique Vases (‘Vasa a Polydoro Caravagino’), Cherubino Alberti, 1605

prints by cherubino alberti baroque

Title page depicting a two-handled base with dancing nymphs, from Antique Vases (Vasa a Polidoro Caravagino), Polidoro da Caravaggio, 1605

department of drawings and prints, metropolitan museum of art prints by cherubino alberti

Broadside relating to a news story about floods in multiple cities, villagers wading through water, José Guadalupe Posada, circa 1900–1913

works by josé guadalupe posada antonio vanegas arroyo

Ahijah tears his cloak into twelve pieces and shows Jeroboam ten of them, Jan Saenredam, 1604

prints by jan saenredam in the statens museum for kunst engravings in the statens museum for kunst

Elisa door kinderen bespot Geschiedenis van Elisa (serietitel), RP-P-1904-3381, between 1616 and 1636

prints by nicolaes rijckmans in the rijksmuseum amsterdam flemish baroque painting,baroque

Vue du Tombeau de Virgile from Differentes vues dessiné d'après nature... dans les environs de Rome et de Naples, Hubert Robert

pre-romanticism adélaide allou

Vue des restes d'un théâtre from Differentes vues dessiné d'après nature... dans les environs de Rome et de Naples, Hubert Robert

pre-romanticism adélaide allou

Vue d'un temple... dédié à Diane from Differentes vues dessiné d'après nature... dans les environs de Rome et de Naples, Hubert Robert

pre-romanticism adélaide allou

The Academy of Sciences and Fine Arts dedicated to the King, Sébastien Leclerc, 1698

etchings in the metropolitan museum of art sébastien leclerc

A Roman emperor sitting in a niche holding a sceptre in his raised left hand and a globe in his right hand, Marcantonio Raimondi, circa 1500–1534

engravings by marcantonio raimondi in the metropolitan museum of art prints after raffaello sanzio in the metropolitan museum of art

Apollo in his horse-drawn chariot at the left, above him above Jupiter hurls a thunderbolt, Venus at right in her chariot drawn by animals, Master of the Die, 1530–60

prints by master of the die prints by raffaello sanzio

Apollo chasing Daphne who throws her arms up, in the background at right shows the moment she turns in a laurel, from The Story of Apollo and Daphne, Baldassare Peruzzi, 1530–60

prints by master of the die high renaissance

Apollo standing at left shooting a python with an arrow, above to the left are the muses and at right on a cloud Cupid approaching Apollo, from the 'Story of Apollo and Daphne', Baldassare Peruzzi, 1530–60

prints by master of the die high renaissance

Saint Agatha tied to a tree, her breasts have been cut off, from the series 'Piccoli Santi' (Small Saints), Marcantonio Raimondi, circa 1500–1540

engravings by marcantonio raimondi in the metropolitan museum of art religious engravings in the metropolitan museum of art

Sadness (from Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun), Charles Le Brun, 1765

méthode pour apprendre à dessiner les passions classicism,baroque

Saint Peter, keys in right hand, book in left, facing right, from the series 'Piccoli Santi' (Small Saints), Marcantonio Raimondi, circa 1500–1527

engravings by marcantonio raimondi in the metropolitan museum of art religious engravings in the metropolitan museum of art

Saint James Major, book is his right hand, staff in his left facing right, from the series 'Piccoli Santi' (Small Saints), Marcantonio Raimondi, circa 1500–1527

engravings by marcantonio raimondi in the metropolitan museum of art religious engravings in the metropolitan museum of art

Broadsheet relating to men who frequent bars, different groups of men walking in the streets and one man running after a trolley car, José Guadalupe Posada, circa 1903

works by josé guadalupe posada antonio vanegas arroyo

Broadsheet relating to Saint Anthony of Padua who is shown holding the Christ child flanked by a candelabra with flowers, José Guadalupe Posada, circa 1900–1913

works by josé guadalupe posada antonio vanegas arroyo

Jupiter and Semele embracing, an eagle beneath them, a tree at right with a blank tablet hanging from a branch, a winged putto holding a thunderbolt at left, Marco Dente, circa 1515–27

prints by marco dente in the metropolitan museum of art engravings after giulio romano

Historical Subject with Men and a Boy Near a Ship (recto); Anatomical Study of a Foot (verso), William Hamilton, 1770–80

the elisha whittelsey collection william hamilton (painter)

Plate 87: Dryope Changed into a Lotus Tree (Driope in arboris formam transmigrat), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606

antonio tempesta - metamorphoses of ovid renaissance

Costume of an Indian Woman from the Ballet "Triumph of Love" (Habit d'Indienne du balet du Triomphe de l'amour), Juan Dolivar, 1681–92

jacques le pautre juan dolivar

Desire (from Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun), Charles Le Brun, 1765

18th-century artwork by unknown artists from great britain classicism,baroque

Laughter (from Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun), Charles Le Brun, 1765

18th-century artwork by unknown artists from the united kingdom classicism,baroque

Emperor Justinian Receiving the First Imported Silkworm Eggs from Nestorian Monks, Plate 2 from "The Introduction of the Silkworm" [Vermis Sericus], Stradanus, circa 1595

philips galle mannerism

Plate 18: Secret Meeting of Civilis with Other Leaders from Trier, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Antonio Tempesta, 1611

antonio tempesta - the war of the romans against the batavians renaissance

Plate 25: The Roman Commander Cerialis Attacks Near Trier, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Otto van Veen, 1611

romanorvm et batavorvm societas by antonio tempesta after otto van veen (1611)antonio tempesta - the war of the romans against the batavians

Plate 4: Vase or Ewer with a Frieze containing mermaids and centaurs, and below a lion's head with garlands and ribbons, from Antique Vases (‘Vasa a Polydoro Caravagino’), Cherubino Alberti, 1605

prints by cherubino alberti baroque

Plate 6: Vase or Ewer with a Frieze Containing Naked Figures, Supported Below by Two Female Sphinxes, from Antique Vases (Vasa a Polydoro Caravagino), Cherubino Alberti, 1605

prints by cherubino alberti baroque

Plate 9: Vase or Ewer with a Serpent Handle and Two Putti holding up a Garland, from Antique Vases (‘Vasa a Polydoro Caravagino’), Cherubino Alberti, 1605

prints by cherubino alberti baroque

Saint Philip, book in his left hand, staff resting on his left arm, from the series 'Piccoli Santi' (Small Saints), Marcantonio Raimondi, circa 1500–1527

engravings by marcantonio raimondi in the metropolitan museum of art religious engravings in the metropolitan museum of art

Costume of Endymion from the Ballet "Triumph of Love" (Habit d'Andimion du balet du 'Triomphe de l'amour), Juan Dolivar, circa 1681

jean berain i juan dolivar

Costume of Endymion from the Ballet "Triumph of Love" (Habit d'Andimion du balet du 'Triomphe de l'amour), Juan Dolivar, circa 1681

jean berain i juan dolivar

Order of the Holy Spirit - *Louis XIII Dubbing a Nobleman*, Abraham Bosse, 1634

prints by abraham bosse pierre d'hozier

Dover Plains, from Gallery of American Art, No. 1, Asher Brown Durand, 1850

engravings by asher b. durand hudson river school

Trois Amours soutenant une draperie (Three Loves Holding a Drapery), from Premier Livre de Groupes d'Enfans (First Book of Groups of Children), Pierre-Alexandre Aveline

works after françois boucher pierre-alexandre aveline

The Virgin seated with the infant Christ on her lap, the young Saint John the Baptist kneeling on Christ's cradle and kissing his foot, a lamb at left, after Reni, Charles Errard, 1625–89

prints after guido reni in the metropolitan museum of art anonymous 17th-century artworks

The Virgin seated with the infant Christ on her lap, the young Saint John the Baptist kneeling on Christ's cradle and kissing his foot, a lamb at right, after Reni, François de Poilly, 1645–80

prints after guido reni in the metropolitan museum of art françois de poilly

Plate 8: Vase or Ewer Decorated with a Satyr Figure, Behind Two Cornucopias, and Two Winged Victory Figures, from Antique Vases (‘Vasa a Polydoro Caravagino’), Cherubino Alberti, 1605

prints by cherubino alberti baroque

Venus ordering Psyche to take water from a fountain guarded by dragons, from the 'Fable of Cupd and Psyche', Master of the Die, 1530–60

story of cupid and psyche designed by michiel coxie prints by master of the die

Portrait of Louis-Philippe, Duc d'Orleans and His Son Louis-Phillipe Joseph, Duc de Chartres, Louis Carrogis Carmontelle, 1759

louis philippe d'orléans (1747-1793)louis philippe i, duke of orléans

Design for bronze double doors, Louis Comfort Tiffany, circa 1893–1902

design drawings by louis comfort tiffany art nouveau

Architectural Ruins with a View of a Garden; Stage design for "Ballo don Parasol", Carlo Ferrario (painter), between 1845 and 1907

the elisha whittelsey collection set designs by carlo ferrario

An elderly winged man with a long beard walking with crutches, possibly representing Time gesturing towards a young child holding a sieve, Marcantonio Raimondi, circa 1510–27

engravings by marcantonio raimondi in the metropolitan museum of art the elisha whittelsey collection

Renard Makes Fun of the Bear from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75

prints by allaert van everdingen the elisha whittelsey collection

Renard Coninues his False Revelations from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75

prints by allaert van everdingen the elisha whittelsey collection

Renard is Accused by the Animals Before the Lion from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75

prints by allaert van everdingen the elisha whittelsey collection

Renard Wants to Find a Rooster from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75

prints by allaert van everdingen the elisha whittelsey collection

Broadsheet relating to the death of Pope León XIII, he is shown in his study flanked by angels, José Guadalupe Posada, circa 1900–1913

the elisha whittelsey collection works by josé guadalupe posada

Broadsheet with a ballad addressing poverty, woman sitting in a field of flowers with a duck that has a human's head, José Guadalupe Posada, circa 1904

the elisha whittelsey collection works by josé guadalupe posada

Musical Monster (from Fifteen Etchings Dedicated to Sir Joshua Reynolds), John Hamilton Mortimer, 8 December 1778

the elisha whittelsey collection john hamilton mortimer

Juno asks Aeolus to raise a storm against the Trojan fleet, set within an elaborate frame, from the 'Loves, Rages and Jealousies of Juno', Giulio Bonasone, 1531–76

the elisha whittelsey collection giulio bonasone

Contribution Receipt of the Special American Hospital in Paris for Wounds of the Face and Jaw, Auguste Rodin, 1916

drawings by auguste rodin modern art,symbolism

Count William III of Holland Permitting the Beheading of his Baliff, from Thronus Justitiae, tredecim pulcherrimus tabulis..., plate 7, Willem Isaacsz Swanenburg, 1605–6

department of drawings and prints, metropolitan museum of art the elisha whittelsey collection

Litigium removed from the body of Chaos while his mother is thrown into the air, set within a frame, from the 'Loves, Rages and Jealousies of Juno', Giulio Bonasone, 1531–76

the elisha whittelsey collection giulio bonasone

Frontispiece (from Fifteen Etchings Dedicated to Sir Joshua Reynolds), John Hamilton Mortimer, 8 December 1778

the elisha whittelsey collection john hamilton mortimer

Man Feeding Horses Yoked to a Carriage, from A New Book of Horses and Carriages, Thomas Rowlandson, 1784

e. jackson (publisher)romanticism

Gerard Lairesse (from Fifteen Etchings Dedicated to Sir Joshua Reynolds), John Hamilton Mortimer, 8 December 1778

the elisha whittelsey collection john hamilton mortimer

prints by stefano della bella in the metropolitan museum of art baroque

Successful Monster (from Fifteen Etchings Dedicated to Sir Joshua Reynolds), John Hamilton Mortimer, 8 December 1778

the elisha whittelsey collection john hamilton mortimer

Design for a Fountain with Sea Horses and Triton Base, Basin, Dolphins and Tritons, Three Grotesque heads and Neptune, Battista Franco Veneziano, circa 1550

department of drawings and prints, metropolitan museum of art drawings by battista franco

Design for a Fountain with Sea Horses and Triton Base, Basin, Dolphins and Tritons, Three Grotesque heads and Neptune, Battista Franco Veneziano, circa 1550

department of drawings and prints, metropolitan museum of art drawings by battista franco

Plate 19: Vulcan standing in a niche swinging a hammer, with an anvil, hammer, and tongs at his feet, from a series of mythological gods and goddesses, Giovanni Jacopo Caraglio, 1526

gods in niches, engravings by jacopo caraglio the elisha whittelsey collection

Plate 117: The Dispute over Achilles' Armor (Disceptatio inter Aiacem et Ulyssem propter arma Achillis), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606

antonio tempesta - metamorphoses of ovid renaissance

Plate 24: The Warring Men Born of the Serpent's Teeth (Militum Seges e draconis dentium seminio), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606

antonio tempesta - metamorphoses of ovid renaissance

Plate 3: The Marriage of Henry IV and Marie de Medici, from Caspar Barlaeus, "Medicea Hospes", Claes Corneliszoon Moeyaert, 1638

department of drawings and prints, metropolitan museum of art engravings by nicolaes moeyaert

Plate 103: Neptune Sending a Deluge to Troy (Neptunus ob violatum a Laomendonte pactum eluviem Troianis agris immittit), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606

antonio tempesta - metamorphoses of ovid renaissance

Plate 10: Vespasian with his head turned slightly to the left, from 'The Twelve Caesars', Raffaello Schiaminossi, circa 1610–40

prints by raffaello schiaminossi the elisha whittelsey collection

Plate 101: Bacchus Granting Midas's Wish (Ob restitutum Silenum Midae a Baccho Defertur optio), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606

antonio tempesta - metamorphoses of ovid renaissance

Pie-Us Ecstacy – or Godliness (the Itinerant Preachers) Great Gain, Thomas Rowlandson, 19 November 1825

alexander beugo romanticism

Satyr family, from 'Landscapes and seaports' (Paysages et ports de mer, dans des ronds), Stefano della Bella, 1656

prints by stefano della bella in the metropolitan museum of art baroque

An old man reclining on the ground at right; at left a naked younger man standing pointing toward the sun with and leaning on an anchor, Marcantonio Raimondi, circa 1510–27

engravings by marcantonio raimondi in the metropolitan museum of art the elisha whittelsey collection

Trade Card of Richard Hand, The Oldest Original Chelsey Bunn Baker, William Hogarth, 1718

prints by william hogarth realism

Renard Receives a New Citation from the Badger from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75

prints by allaert van everdingen the elisha whittelsey collection

View of the Palazzo Odeschali, from Vedute di Roma (Roman Views), Giovanni Battista Piranesi, circa 1753

etchings by giovanni battista piranesi neoclassicism

Which Way Shall I Turn Me? How Can I Decide?, Thomas Rowlandson, 1784

romanticism h. brookes

The Badger Hurries to Warn Renard of the Lion's Intention from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75

prints by allaert van everdingen the elisha whittelsey collection

Two eagles, one with prey, from 'Eagles' (Les aigles), Stefano della Bella, circa 1651

prints by stefano della bella in the metropolitan museum of art baroque

Two Figures by a Small Watergate, Henri Harpignies

the elisha whittelsey collection prints by henri harpignies

The Lion Frees the Bear and the Wolf from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75

prints by allaert van everdingen the elisha whittelsey collection

The Family of the oriental Peasant, from the Scherzi, Giovanni Battista Tiepolo, circa 1740

prints by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

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