6,160 Free Artworks of Elisha

the elisha whittelsey collection metropolitan museum of art prints in the metropolitan museum of art etching print engraving rococo,baroque giovanni battista tiepolo department of drawings and prints, metropolitan museum of art drawings in the metropolitan museum of art drawings by giovanni battista tiepolo in the metropolitan museum of art

Venus entrusting Cupid to Time, Giovanni Battista Tiepolo, after 1758

prints by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

Two seated angels, arms around one another, the one on the left looking down at a song book, from The Angels' Concert, Cherubino Alberti, 1583

prints by cherubino alberti baroque

The Descent from the Cross, from The Fall and Salvation of Mankind through the Life and Passion of Christ, plate 27, Maarten van Heemskerck, 1548

engravings by maarten van heemskerck mannerism

The Virgin standing facing front and holding the infant Christ, angels behind them in the clouds, Guido Reni, circa 1700–1800

prints after guido reni in the metropolitan museum of art baroque

The Committee (Plate 10: Illustrations to Samuel Butler's Hudibras), William Hogarth, 1725–30 (?)

hudibras (hogarth)realism

The Triumph of Two Roman Emperors (left-hand side) with soldiers on horseback and men, women, and children fleeing, Cherubino Alberti, between 1570 and 1615

prints by cherubino alberti baroque

Title Page Set in an Architectural Frame with Allegorical figures and Christ, from Thronus Justitiae, tredecim pulcherrimus tabulis..., Willem Isaacsz Swanenburg, 1605–6

department of drawings and prints, metropolitan museum of art pieter de jode (i)

The Murder of Julius Caesar (Iulius Caesar Veneris beneficio in Cometam mutatur), from Ovid's The Metamorphoses, plate 150, Antonio Tempesta, 1606

antonio tempesta - metamorphoses of ovid renaissance

The Infant Christ, from Allegorical Scenes on the Life of Christ, from Christian and Profane Allegories, Philip Galle

prints by hendrick goltzius philips galle

Christ flanked by the Virgin and St. John in the upper section, St. Paul and St. Catherine below, Marcantonio Raimondi, circa 1520–40

engravings by marcantonio raimondi in the metropolitan museum of art religious engravings in the metropolitan museum of art

Peasants of the Alto-Douro, Joseph James Forrester, 1856

department of photographs, metropolitan museum of art joseph james forrester

Broadsheet relating to sad lament of those exiled to the prison on the Islas Marias, corrida in the bottom section, José Guadalupe Posada, 1908

works by josé guadalupe posada antonio vanegas arroyo

Alors vous êtes sages, Henri de Toulouse-Lautrec, 1897

prints by henri de toulouse-lautrec in the metropolitan museum of art post-impressionism

The Holy Family with young John the Baptist and Saint Elizabeth, two angels above, after Reni, Guido Reni, circa 1590–1610

prints after guido reni in the metropolitan museum of art baroque

Design for Trade Card [The Sun Life Assurance Society], Walter Crane, 1880–89

drawings by walter crane in the metropolitan museum of art symbolism

Broadside relating to Aurelio Cabellero who died from vomiting, José Guadalupe Posada, circa 1890–1900

works by josé guadalupe posada antonio vanegas arroyo

The Fall of Phaeton, from the series Ovid's Metamorphoses, Hendrik Goltzius, circa 1588

prints by hendrick goltzius mannerism

A frieze arrangement with a putto weating a laurel crown riding a goat at left and many infants playing musical instruments in front, Master of the Die, 1530–60

prints by master of the die prints by raffaello sanzio

Plate 3: Abraham Taking Lot and His Family to His Own Land, from 'The Battles of the Old Testament', Nicolaus van Aelst, circa 1590–ca. 1610

etchings by antonio tempesta nicolaus van aelst

Reverse copy of Au Vinaigre (Vinegar), from Le Cris de Paris (The Cries of Paris), plate 6, Simon François Ravenet

prints by françois boucher simon françois ravenet

Laocoön and his two sons standing on a pedestal and being attacked by serpents, set before a decaying wall, Marco Dente, circa 1515–27

prints by marco dente in the metropolitan museum of art the elisha whittelsey collection

Grotesque with a Bacchus Fountain Placed in an Architectural Structure, Cornelis Bos, 1540 after

16th-century artwork by unknown artists from italy drawings by cornelis bos

Francesco I d'Este Builds the Fortresses of Modena for the Security of his People, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659

prints from l'idea di un principe ed eroe cristiano in francesco i d'este, di modena e reggio duca viii (1659)1659 illustrations

Studies for Grotesque Masks and Birds (recto); Candelabra Grotesques with Ewers and Vases (verso), Andrés de Melgar, circa 1545–60

department of drawings and prints, metropolitan museum of art drawings by andrés de melgar

Studies for Grotesque Masks and Birds (recto); Candelabra Grotesques with Ewers and Vases (verso), Andrés de Melgar, circa 1545–60

department of drawings and prints, metropolitan museum of art drawings by andrés de melgar

Candelabra Grotesque with a Female Figure in a Niche and Two Sphinxes, Cornelis Massijs, 1540 after

16th-century artwork by unknown artists from italy cornelis massijs

Candelabra Grotesque with a Winged Female Term on a Pedestal, Cornelis Bos, 1540 after

16th-century artwork by unknown artists from italy drawings by cornelis bos

Two Boys Blowing a Bladder by Candle-light, Joseph Wright of Derby, 1773

works after joseph wright of derby peter perez burdett

Twee beren verscheuren de kinderen van Bethel, RP-P-1888-A-13813, Jan van Ossenbeeck, between 1647 and 1674

prints by jan van ossenbeeck in the rijksmuseum amsterdam elisha and the two bears

Broadsheet celebrating one of the founders of the Mexican Revolution, Francisco Madero, shown in a suit and top hat pointing to the phrases 'Que Si' and 'Que No', José Guadalupe Posada, circa 1911

works by josé guadalupe posada antonio vanegas arroyo

Allegory of the marriages made by the City of Paris at the birth of the Duke of Burgundy, Gabriel de Saint-Aubin, 1752

gabriel jacques de saint-aubin louis joseph xavier of france

Design for bronze double doors, Louis Comfort Tiffany, circa 1893–1902

design drawings by louis comfort tiffany art nouveau

Design for bronze double doors, Louis Comfort Tiffany, circa 1893–1902

design drawings by louis comfort tiffany art nouveau

Design for bronze double doors, Louis Comfort Tiffany, circa 1893–1902

design drawings by louis comfort tiffany art nouveau

Jupiter tumbling from a horse-drawn carriage at right, Ganymede in the form of an eagle carries a woman in the upper centre, below Venus in he cnetre flanked at the left by the three Graces, Master of the Die, 1530–60

prints by master of the die prints by raffaello sanzio

Elisa vervloekt vervelende kinderen Landschappen met Bijbelse, mythologische scènes en jachttaferelen (serietitel), RP-P-1892-A-17540, Hans Bol, between 1582 and 1586

prints by adriaen collaert in the rijksmuseum amsterdam prints after hans bol

Elisa vervloekt vervelende kinderen Landschappen met Bijbelse, mythologische scènes en jachttaferelen (serietitel), RP-P-1889-A-14903, Hans Bol, between 1582 and 1586

prints by adriaen collaert in the rijksmuseum amsterdam prints after hans bol

Elisa vervloekt vervelende kinderen Landschappen met Bijbelse, mythologische scènes en jachttaferelen (serietitel), RP-P-OB-102.400, Adriaen Collaert, between 1582 and 1586

prints by adriaen collaert in the rijksmuseum amsterdam prints after hans bol

City magistrates taking leave of Marie de Medici before the town hall, from Caspar Barlaeus, "Medicea Hospes", Jan Martszen de Jonge, 1638

jan martszen de jonge cornelis blaeu

Recto: figure and head-studies (including Bacchus); Verso: four main figure studies repeated from the recto, Bartholomäus Ignaz Weiss, between 1745 and 1815

the elisha whittelsey collection bartholomäus ignaz weiß

Album or Scrapbook with Grotesque Designs Copied after Prints, Agostino Veneziano, after 1540

drawings by cornelis bos cornelis massijs

Perspectival Sketch for a Palace Interior., Giuseppe Galli da Bibbiena, between 1696 and 1756

department of drawings and prints, metropolitan museum of art giuseppe galli da bibiena

Recto: figure and head-studies (including Bacchus); Verso: four main figure studies repeated from the recto, Bartholomäus Ignaz Weiss, between 1745 and 1815

the elisha whittelsey collection bartholomäus ignaz weiß

Elisa strooit zout in de bron van Jericho Geschiedenis van Elisa (serietitel) Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae (serietitel), RP-P-1976-30-156

prints published by claes jansz. visscher (ii) in the rijksmuseum amsterdam prints by nicolaes rijckmans in the rijksmuseum amsterdam

A Party in Honor of the Bear and the Wolf from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75

etchings by allaert van everdingen the elisha whittelsey collection

A Pole Leading a Horse by the Bridle and Speaking with Two Other Men, Stefano della Bella, circa 1662

prints by stefano della bella in the metropolitan museum of art baroque

Saint Luke, Jean-Honoré Fragonard, circa 1764

prints by jean-honoré fragonard rococo

Renard is Sentenced to Death from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75

prints by allaert van everdingen the elisha whittelsey collection

Renard Asks for Confession from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75

prints by allaert van everdingen the elisha whittelsey collection

prints by stefano della bella in the metropolitan museum of art israël henriet

Juno persuading Athena to nurse the young Hercules, set within an elaborate frame, from the 'Loves, Rages and Jealousies of Juno', Giulio Bonasone, 1531–76

the elisha whittelsey collection giulio bonasone

Juno summoning sleep to descend upon Jupiter, set within an elaborate frame, from the 'Loves, Rages and Jealousies of Juno', Giulio Bonasone, 1531–76

the elisha whittelsey collection giulio bonasone

Naval Battle with an English Ship Foundering on the Left, from Naval Battles (Nieuwe Scheeps Batalien), plate 5, Reinier Nooms, 1652–54

the elisha whittelsey collection prints by reinier nooms

New Inventions of Modern Times [Nova Reperta], Amerigo Vespucci Discovering the Southern Cross with an Astrolabium, plate 18, Stradanus, circa 1600

prints after jan van der straet mannerism

Illustration for a Book: Reception of a Bishop Leading an Army at a City Gate, Giovanni Battista Tiepolo, between 1696 and 1770

drawings by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

Illustration for a Book: Reception of a Bishop Leading an Army at a City Gate, Giovanni Battista Tiepolo, between 1696 and 1770

drawings by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

Illustration for a Book: Bishops and Monks Being Received at a Ship by a Venerable Dignitary, Giovanni Battista Tiepolo, between 1696 and 1770

drawings by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

Illustration for a Book: Pope Handing a Banner to a Crusader, with Ships in the Background, Giovanni Battista Tiepolo, between 1696 and 1770

drawings by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

Illustration for a Book: Meeting Between Two Generals (?) before a Fortified Town, Giovanni Battista Tiepolo, between 1696 and 1770

drawings by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

Illustration for a Book: Reception of a Bishop Leading an Army at a City Gate, Giovanni Battista Tiepolo, between 1696 and 1770

drawings by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

Illustration for a Book: Meeting Between Two Generals (?) before a Fortified Town, Giovanni Battista Tiepolo, between 1696 and 1770

drawings by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

Illustration for a Book: Troops Advancing toward a City Gate, Giovanni Battista Tiepolo, between 1696 and 1770

drawings by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

Illustration for a Book: Troops Advancing toward a City Gate, Giovanni Battista Tiepolo, between 1696 and 1770

drawings by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

Illustration for a Book: Bishops and Monks Being Received at a Ship by a Venerable Dignitary, Giovanni Battista Tiepolo, between 1696 and 1770

drawings by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

Illustration for a Book: Soldier in front of "General" Holding up a Decapitated Head on a Staff, Giovanni Battista Tiepolo, between 1696 and 1770

drawings by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

Illustration for a Book: Bishops and Monks Being Received at a Ship by a Venerable Dignitary, Giovanni Battista Tiepolo, between 1696 and 1770

drawings by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

Illustration for a Book: Soldier in front of "General" Holding up a Decapitated Head on a Staff, Giovanni Battista Tiepolo, between 1696 and 1770

drawings by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

Illustration for a Book: Pope Handing a Banner to a Crusader, with Ships in the Background, Giovanni Battista Tiepolo, between 1696 and 1770

drawings by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

Illustration in Jérôme Paturot, by Louis Reybaud, Paris, Jean Ignace Isidore Gérard Grandville, circa 1846

grandville (caricaturist)symbolism

Costume design for Jacopo Giraldi, depicted on horse back, Luigi Baccio del Bianco, circa 1620–56

department of drawings and prints, metropolitan museum of art drawings by baccio del bianco

Funerary Scene in a Temple, Pierre Moreau, circa 1760

the elisha whittelsey collection pierre moreau

Give Points and Left Parry, Thomas Rowlandson, 1 September 1798

henry charles william angelo romanticism

Horizontal Panel with a Thimble Design Below a Frieze with Three Scenes in Arches, Johann Theodor de Bry, between 1580 and 1600

department of drawings and prints, metropolitan museum of art johann theodor de bry

Horizontal Panel with Tendrils Growing Outwards from a Vase at Center, Heinrich Aldegrever, 1532

department of drawings and prints, metropolitan museum of art ornament prints by heinrich aldegrever

prints by raffaello schiaminossi the elisha whittelsey collection

prints by raffaello schiaminossi the elisha whittelsey collection

Design for a Knife Handle with 'Sine Cerere et Baccho Friget Venus', Johann Theodor de Bry, between 1580 and 1600

department of drawings and prints, metropolitan museum of art johann theodor de bry

Elegy (from Fifteen Etchings Dedicated to Sir Joshua Reynolds), John Hamilton Mortimer, 8 December 1778

the elisha whittelsey collection john hamilton mortimer

Drawing of Cartouche with Bearded Man Left, Young man crowned with Laurels Right, and Four Putti, Battista Franco Veneziano, between 1498 and 1561

the elisha whittelsey collection drawings by battista franco

Drawing of Cartouche with Bearded Man Left, Young man crowned with Laurels Right, and Four Putti, Battista Franco Veneziano, between 1498 and 1561

the elisha whittelsey collection drawings by battista franco

Design for an Armor with Tournament Headdress, Luigi Baccio del Bianco, circa 1620–56

department of drawings and prints, metropolitan museum of art drawings by baccio del bianco

Passio Christi, from the Allegorical Scenes from the Life of Christ, Hendrik Goltzius

prints by hendrick goltzius mannerism

Plate 148: Aesculapius Speaking to the Romans (Epidauro a Romanis AEsculapius ad urbis luem discutiendam sollicitatur), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606

antonio tempesta - metamorphoses of ovid renaissance

Plate 11: Titus Vespasian looking to the right, from 'The Twelve Caesars', Raffaello Schiaminossi, circa 1610–40

prints by raffaello schiaminossi the elisha whittelsey collection

Plate 138: Acmon and his Friends Changed into Birds (Comites Diomedis indignatione veneris in aves Diomedeas), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606

antonio tempesta - metamorphoses of ovid renaissance

Plate 125: Aurora Asking Jupiter to Honor Memnon (Aurora a Iove Memnoni, mortis honorem petit), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606

antonio tempesta - metamorphoses of ovid renaissance

prints by raffaello schiaminossi the elisha whittelsey collection

Plate 11: Titus Vespasian on horseback facing right from the 'First Twelve Emperors of Ancient Rome', Antonio Tempesta, between 1575 and 1630

etchings by antonio tempesta renaissance

Plate 127: Anius's Daugthers Changing into Birds (Maeonides Pyrenei vim effugientes in aves), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606

antonio tempesta - metamorphoses of ovid renaissance

Plate 139: The Apulian Shepherd Changed into an Olive Tree (Apulus pastor in oleastrum transit), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606

antonio tempesta - metamorphoses of ovid renaissance

Plate 132: Jupiter Changing the Cercopians into Monkeys (Cercopes bonorum insidiatores in Simias Iupiter transformat), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606

antonio tempesta - metamorphoses of ovid renaissance

Plate 3: Tiberius turned to the right, from 'The Twelve Caesars', Raffaello Schiaminossi, circa 1610–40

prints by raffaello schiaminossi the elisha whittelsey collection

prints by raffaello schiaminossi the elisha whittelsey collection

Plate 65: Medea Urging the Daughters of King Pellias to Murder Their Father (Medea Peliades in parricidium stimulat), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606

antonio tempesta - metamorphoses of ovid renaissance

Plate 67: Medea Destroying Jason's Family and Home (Trucidatis liberis Medea fugam capeßit), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606

antonio tempesta - metamorphoses of ovid renaissance

Plate 11: Apollo riding his chariot in a niche, facing right, from a series of mythological gods and goddesses, Giovanni Jacopo Caraglio, 1526

gods in niches, engravings by jacopo caraglio the elisha whittelsey collection

Plate 109: Iris Giving Sleep Juno's Command (Iris Somno Iunonis mandata exponit), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606

antonio tempesta - metamorphoses of ovid renaissance

Plate 1: Saturn in a niche devouring his son, standing before a scythe, from a series of mythological gods and goddesses, Giovanni Jacopo Caraglio, 1526

gods in niches, engravings by jacopo caraglio the elisha whittelsey collection

The Cat Climbs a Barn from Hendrick van Alcmar's Renard The Fox, Allaert van Everdingen, 1650–75

prints by allaert van everdingen the elisha whittelsey collection

Punitio Tirannorum, from Allegories of the Christian Faith, from Christian and Profane Allegories, Hendrik Goltzius

prints by hendrick goltzius mannerism

5101 - 5200 of 6,160 Next page

/ 62