6,160 Free Artworks of Elisha

the elisha whittelsey collectionmetropolitan museum of artprints in the metropolitan museum of artetching printrenaissanceantonio tempestaengravingetchings by antonio tempestaantonio tempesta - metamorphoses of oviddepartment of drawings and prints, metropolitan museum of art
La Cour de Ferme (1762), Jean-Claude Richard de Saint-Non, 1762
jean-claude richard de saint-nonthe elisha whittelsey collection
La Flambée, Plate 5 from "La Cuisine", Édouard Vuillard
post-impressionism,japonisme,les nabisvuillard (roger-marx 58)
Judah, from the series The Twelve Patriarchs, Maarten van Heemskerck, 1550
engravings by maarten van heemskerckmannerism
John the Baptist holding a staff, from the series 'Piccoli Santi' (Small Saints), Marcantonio Raimondi, circa 1500–1527
engravings by marcantonio raimondi in the metropolitan museum of artreligious engravings in the metropolitan museum of art
Judah, from the series The Twelve Patriarchs, Maarten van Heemskerck, 1550
engravings by maarten van heemskerckmannerism
Design for a Ceiling with Decoration Related to Virgil's Sixth Canto, Felice Giani, between 1758 and 1823
drawings by felice giani in the metropolitan museum of art - ceilingsthe elisha whittelsey collection
Design for a Ceiling with Decoration Related to Virgil's Sixth Canto, Felice Giani, between 1758 and 1823
drawings by felice giani in the metropolitan museum of art - ceilingsthe elisha whittelsey collection
Plate 142: Pomona and Vertumnus (Vertumnus anili forma Pomonae sui amorem persuadet), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606
antonio tempesta - metamorphoses of ovidrenaissance
Plate 21: The Angel of the Lord Vanquishing the Army of Sennacherib, from 'The Battles of the Old Testament', Antonio Tempesta, circa 1590–ca. 1610
etchings by antonio tempestarenaissance
Plate 2: Abraham Liberating His Nephew Lot, from 'The Battles of the Old Testament', Antonio Tempesta, circa 1590–ca. 1610
etchings by antonio tempestarenaissance
Plate 21: The Rape of Europa (Iupiter tauri imagine Europam rapit), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606
antonio tempesta - metamorphoses of ovidrenaissance
Plate 20: Mercury Turning Aglauros to Stone (Aglauros a Mercurio in lapidem transformatur), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606
antonio tempesta - metamorphoses of ovidrenaissance
Plate 3: Emperor Tiberius on Horseback, from 'The First Twelve Roman Caesars', after Tempesta, Antonio Tempesta, 1610–50
etchings by antonio tempestarenaissance
Plate 116: The Battle of the Lapithae and the Centaurs (Caeneus in Perithoi nuptijs a Centauris interficitur), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606
antonio tempesta - metamorphoses of ovidrenaissance
Plate 12: Emperor Domitian on horseback, from 'The First Twelve Roman Caesars' after Tempesta, Antonio Tempesta, 1610–50
etchings by antonio tempestarenaissance
Plate 12: Joshua Mutilates his Enemies' Horses, from 'The Battles of the Old Testament', Antonio Tempesta, circa 1590–ca. 1610
etchings by antonio tempestarenaissance
Plate 32: Thisbe Killing Herself (Thisbe Pyrami exemplum aemulata pectus sibi trasuerberat), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606
antonio tempesta - metamorphoses of ovidrenaissance
Plate 137: Canens Searching for Pics (Uxor Pici nomine Canens in auram mutatur), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606
antonio tempesta - metamorphoses of ovidrenaissance
Plate 33: Apollo at Vulcan's Forge (Coniugis furtum Sol Vulcano detegit), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606
antonio tempesta - metamorphoses of ovidrenaissance
Plate 22: Josaphat Thanking God for His Victory, from 'The Battles of the Old Testament', Antonio Tempesta, circa 1590–ca. 1610
etchings by antonio tempestarenaissance
Plate 24: The Israelites Rebuilding the Walls of Jerusalem, from 'The Battles of the Old Testament', Antonio Tempesta, circa 1590–ca. 1610
etchings by antonio tempestarenaissance
Plate 4: Moses Ordering the Israelites to Attack the Ethiopians, from 'The Battles of the Old Testament', Antonio Tempesta, circa 1590–ca. 1610
etchings by antonio tempestarenaissance
Plate 6: Emperor Nero on Horseback, from 'The First Twelve Roman Caesars', after Tempesta, Antonio Tempesta, 1610–50
etchings by antonio tempestarenaissance
Plate 7: Emperor Galba on Horseback, from 'The First Twelve Roman Caesars' after Tempesta, Antonio Tempesta, 1610–50
etchings by antonio tempestarenaissance
Plate 10: Emperor Titus on Horseback, from 'The First Twelve Roman Caesars' after Tempesta, Antonio Tempesta, 1610–50
etchings by antonio tempestarenaissance
Saint Roch staff in his left hand, from the series 'Piccoli Santi' (Small Saints), Marcantonio Raimondi, circa 1500–1527
engravings by marcantonio raimondi in the metropolitan museum of artreligious engravings in the metropolitan museum of art
Simeon, from the series The Twelve Patriarchs, Maarten van Heemskerck, 1550
engravings by maarten van heemskerckmannerism
Les Nimphes au Bain (The Nymphs at the Bath), François Boucher
jean ouvrierrococo
The Virgin at left watching the infant Christ as he sleeps, an oval composition, after Reni, Jean-Jacques Lagrenée, 1760–63
prints after guido reni in the metropolitan museum of artjean-jacques lagrenée
The Virgin and Child, Andrea Mantegna, circa 1485–91
the virgin and child by andrea mantegna (print)italian renaissance
Juno at left asks Jupiter to help the Greeks, set within an elaborate frame, from the 'Loves, Rages and Jealousies of Juno', Giulio Bonasone, 1531–76
the elisha whittelsey collectiongiulio bonasone
Plate 4: Emperor Gaius on Horseback, from 'The First Twelve Roman Caesars', Antonio Tempesta, 1596
etchings by antonio tempestarenaissance
Reverse copy of Noisettes (Nutcrackers), from Les Cris de Paris (The Cries of Paris), François Boucher
prints by françois boucherrococo
Saint Margaret standing, a dragon at the left, from the series 'Piccoli Santi' (Small Saints), Marcantonio Raimondi, circa 1500–1527
engravings by marcantonio raimondi in the metropolitan museum of artreligious engravings in the metropolitan museum of art
Textile Design for a Horse Cover, Luigi Baccio del Bianco, circa 1620–56
department of drawings and prints, metropolitan museum of artdrawings by baccio del bianco
The coronation of the Virgin, Christ holding the crown over her head, God the Father blessing above, Master of the Die, 1532
prints by master of the dieprints after perin del vaga
Table of Contents, from Henry Fielding's "Adventures of Joseph Andrews, and his friend Mr Abraham Adams", Thomas Rowlandson, 1792
james sibbaldromanticism
Female figure standing in the right-hand margin of the third sheet of the Rape of the Sabine Women, Cherubino Alberti, between 1570 and 1615
prints by cherubino albertibaroque
The Assumption of the Virgin, who is seated in the clouds with arms outstretched, angels surrounding her, Antonio Lorenzini, between 1685 and 1720
prints after guido reni in the metropolitan museum of artfra antonio lorenzini
Woman at a Well, Camille Pissarro, 1891
prints by camille pissarro in the metropolitan museum of artimpressionism,neo-impressionism
Young woman wearing a feathered cap, Hans Holbein the Younger, 1647
prints by wenzel hollar in the metropolitan museum of artgerman renaissance,northern renaissance
Winged genius seated on a cloud, sounding a trumpet with his left hand extended upwards, Polidoro da Caravaggio, after 1628
the elisha whittelsey collectionprints by cherubino alberti
The Holy Kinship, in thecentre the Christ Child takes a bird given to him by the infant John the Baptist, Giulio Bonasone, circa 1560
engravings after giulio romanogiulio bonasone
The Imperial Troops Bringing Civilization to the Indians, from The Victories of Emperor Charles, plate 6, Maarten van Heemskerck, 1555
dirck volckertsz. coornhertmannerism
Two Children, One Playing the Drum, François Boucher
louis antoine crozat, baron de thiers, parisrococo
The Daughter of Herodias (Salome Receiving the Head of John the Baptist, Matthew 14:10-11), Thomas Holloway, 1798
engravings by johann heinrich füsslithomas holloway
Two seated angels, facing left, reading from a song book, from The Angels' Concert, Polidoro da Caravaggio, 1583
the elisha whittelsey collectionprints by cherubino alberti
Two seated angels, facing left, reading from a song book, from The Angels' Concert, Cherubino Alberti, after 1583
prints by cherubino albertibaroque
Tableau des portraits a la Mode (Plate of Fashion Portraits), Augustin de Saint-Aubin, 1760–61
pierre françois courtoisaugustin de saint-aubin
The Sacrifice of Isaac set in a landscape with a flock of sheep at left and an angel guiding Abraham's sword at upper left, Cherubino Alberti, between 1570 and 1615
cherubino albertibaroque
The Standard Bearer, Lucas van Leyden, circa 1510
prints by lucas van leyden in the metropolitan museum of artthe elisha whittelsey collection
The Virgin and Child, Andrea Mantegna, circa 1485–91
the virgin and child by andrea mantegna (print)italian renaissance
The Virgin with arms crossed over her chest, looking up to the left, in an oval frame, after Reni, Gilles Rousselet, 1640–45
prints after guido reni in the metropolitan museum of artgilles rousselet
The Virgin seated on a stone ledge with the infant Christ lying on a cushion next to her, after Reni, Jean Sauvé, 1660–91
prints after guido reni in the metropolitan museum of artjean sauvé (engraver)
Statue of Niobe and her Worshippers, with Apollo and Diana and other Figures, Polidoro da Caravaggio, 1543–47
anonymous, school of fontainebleauthe elisha whittelsey collection
The procession of Silenus who is carried on an ass preceeded by a bacchant playing the cymbals and other figures, Agostino Veneziano, circa 1531
prints by agostino veneziano in the metropolitan museum of artthe elisha whittelsey collection
Three Children Among Clouds Near a Palm Leaf, François Boucher, 1738–45
prints by françois boucherrococo
The Virgin in prayer, looking up with clouds behind her, in an oval frame, after Reni, François de Poilly, 1648–81
prints after guido reni in the metropolitan museum of artfrançois de poilly
The Virgin holding the infant Christ, a circular composition, after Reni, Guido Reni, circa 1600–1640
prints after guido reni in the metropolitan museum of artbaroque
The Virgin holding the infant Christ, a circular composition, after Reni, Guido Reni, circa 1600–1640
prints after guido reni in the metropolitan museum of artbaroque
The Triumph of Two Roman Emperors (left-hand side) with a Roman Emperor riding in a triumphal chariot, Cherubino Alberti, between 1570 and 1615
prints by cherubino albertibaroque
Monument of Costume. Social Life in Paris. 70 watercolors (...) for Mr. Henri Béraldi, famous bibliophile., Pierre Vidal, circa 1913
academic art,art nouveaupierre vidal
Yvette Guilbert, Henri de Toulouse-Lautrec, 1894
prints by henri de toulouse-lautrec in the metropolitan museum of artpost-impressionism
Plate 110: Morpheus, as Ceyx, Appearing to Alcyone (Morpheus Ceycis corpus Halcyoni representat), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606
antonio tempesta - metamorphoses of ovidrenaissance
Detail with a Horned Mask Wearing a Whimple, from a Design for a Sword or Dagger Handle, Theodor de Bry, 1592–93
ornament printstheodor de bry
Outlines of Figures, Landscapes and Horses, Thomas Rowlandson, 1 June 1790
samuel william foresromanticism
Second View of the Surroundings of Bruges (IIe. Vue des environs de Bruges), Jan Brueghel the Elder
flemish baroque paintingjacques-philippe le bas
Plate 4: Emperor Gaius on Horseback, from 'The First Twelve Roman Caesars', after Tempesta, Matthäus Merian, 1610–50
etchings by antonio tempestabaroque
Plate 94: Jupiter and Ganymede (In aquilam transformatus Iupiter Ganymedem rapit), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606
antonio tempesta - metamorphoses of ovidrenaissance
Chocolat Dansant, Henri de Toulouse-Lautrec, 1896
prints by henri de toulouse-lautrec in the metropolitan museum of artpost-impressionism
Plate 17: David Returning in Triumph with the Head of Goliath, from 'The Battles of the Old Testament', Antonio Tempesta, circa 1590–ca. 1610
etchings by antonio tempestarenaissance
Illustration for a Book: Saint Luke with a Female Allegorical Figure, Giovanni Battista Tiepolo, between 1696 and 1770
drawings by giovanni battista tiepolo in the metropolitan museum of artrococo,baroque
Illustration for a Book: Saint Luke with a Female Allegorical Figure, Giovanni Battista Tiepolo, between 1696 and 1770
drawings by giovanni battista tiepolo in the metropolitan museum of artrococo,baroque
Mythological Scene, possibly Diana Seducing Callisto, Jean-Honoré Fragonard, circa 1764
prints by jean-honoré fragonardrococo
Page from the 'Gaceta Callejera' relating to the continuation of anti-re-election riots, José Guadalupe Posada, 1892
the elisha whittelsey collectionworks by josé guadalupe posada
Plate 105: Diane Killing Chione (Chione ob linguae procacitatem a Diana transfigitur), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606
antonio tempesta - metamorphoses of ovidrenaissance
Plate 8: Emperor Otho on Horseback, from 'The First Twelve Roman Caesars', after Tempesta, Antonio Tempesta, 1610–50
etchings by antonio tempestarenaissance
From Eaton, Philip James de Loutherbourg, 8 December 1776
philipp jakob loutherbourg d. j.r. sayer & j. bennett
The Virgin seated with the infant Christ sleeping in her lap, in an oval frame, after Reni, François de Poilly, circa 1655–70
prints after guido reni in the metropolitan museum of artfrançois de poilly
The Philosopher, from the Scherzi, Giovanni Battista Tiepolo, circa 1740
prints by giovanni battista tiepolo in the metropolitan museum of artrococo,baroque
Plate 64: Medea Restoring Aeson's Youth (Aesoni decrepito iuventam restituit Medea), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606
antonio tempesta - metamorphoses of ovidrenaissance
Plate 6: The Israelites Defeated by the Canaanites for Having Disobeyed Moses, from 'The Battles of the Old Testament', Nicolaus van Aelst, circa 1590–ca. 1610
etchings by antonio tempestanicolaus van aelst
Stocks Are Down- Heigh-Ho!!, George Murgatroyd Woodward, 10 August 1799
george moutard woodwardrudolph ackermann
Designs for Plates Taken from Oudry's Illustrations to La Fontaine's Fables, Jean-Baptiste Oudry, after 1755
drawings by jean-baptiste oudryanonymous 18th-century artworks
Broadsheet with three love songs; a man singing and playing the guitar, José Guadalupe Posada
works by josé guadalupe posadaantonio vanegas arroyo
Monument of Costume. Social Life in Paris. 70 watercolors (...) for Mr. Henri Béraldi, famous bibliophile., Pierre Vidal, circa 1913
academic art,art nouveaupierre vidal
Plate 11: Joshua Ordering the Sun to Stand Still, from 'The Battles of the Old Testament', Antonio Tempesta, circa 1590–ca. 1610
nicolaus van aelstrenaissance
Monument of Costume. Social Life in Paris. 70 watercolors (...) for Mr. Henri Béraldi, famous bibliophile., Pierre Vidal, circa 1913
academic art,art nouveaupierre vidal
"And in it She Floated Home Safely": Skinnemelink, Topsy-Turvy Tales, William Heath Robinson, circa 1923
william heath robinson1923 illustrations
Allegorical Design for a Ceiling Fresco., Francesco Albani, between 1650 and 1700
drawings by francesco albani in the metropolitan museum of artbaroque
Monument of Costume. Social Life in Paris. 70 watercolors (...) for Mr. Henri Béraldi, famous bibliophile., Pierre Vidal, circa 1913
academic art,art nouveaupierre vidal
Monument of Costume. Social Life in Paris. 70 watercolors (...) for Mr. Henri Béraldi, famous bibliophile., Pierre Vidal, circa 1913
academic art,art nouveaupierre vidal
Osage Warrior, Charles Balthazar Julien Févret de Saint-Mémin, 1805–7
department of american paintings and sculpture, metropolitan museum of artcharles balthazar julien févret de saint-mémin
Illustration for a Book: Saint Luke with a Female Allegorical Figure, Giovanni Battista Tiepolo, between 1696 and 1770
drawings by giovanni battista tiepolo in the metropolitan museum of artrococo,baroque
Monument of Costume. Social Life in Paris. 70 watercolors (...) for Mr. Henri Béraldi, famous bibliophile., Pierre Vidal, circa 1913
academic art,art nouveaupierre vidal
Monument of Costume. Social Life in Paris. 70 watercolors (...) for Mr. Henri Béraldi, famous bibliophile., Pierre Vidal, circa 1913
academic art,art nouveaupierre vidal
Monument of Costume. Social Life in Paris. 70 watercolors (...) for Mr. Henri Béraldi, famous bibliophile., Pierre Vidal, circa 1913
academic art,art nouveaupierre vidal
Illustration for a Book: Saint Luke with a Female Allegorical Figure, Giovanni Battista Tiepolo, between 1696 and 1770
drawings by giovanni battista tiepolo in the metropolitan museum of artrococo,baroque
An Allegory of the Triumph over Heresy, with St. Domenic to the Fore, Abraham van Diepenbeeck, 1650–60
drawings by abraham van diepenbeeck in the metropolitan museum of artbaroque
Dawn: The Cock's Crow, Charles-François Daubigny, 1830–78
etchings by charles-françois daubignybarbizon school
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