648 Free Artworks of Acts 3

metropolitan museum of artprints in the metropolitan museum of artartworks without wikidata itemartworks with known accession numbercc-zeroimages from metropolitan museum of artthe artsgwtoolset batch uploadcharles-antoine cambontheatre
Charles-Antoine Cambon - Set design for the première of Rossini's Robert Bruce, Act III, Scene 3, Charles-Antoine Cambon, 1846
adam cuerden's restorationsrobert bruce (opera)
Map of the Netherlands in the shape of a lion (Leo Belgicus), 1650
claes jansz. visscher (i)joannes van doetecum (i)
John Rutledge, John Trumbull, circa 1888
john rutledgeromanticism
Luigi Verardi after Dominico Ferri - Vincenzo Bellini - Théatre Royal Italien. Salle d'armes dans l'Opéra I Puritani, Vittore Pedretti, 1835
adam cuerden's restorationsvittore pedretti
Portrait of John Jay, Gilbert Stuart, 1794
john jay by gilbert stuartneoclassicism
Charles-Antoine Cambon - La Esmeralda, Act 3, Scene 2 set, Charles-Antoine Cambon, 1836
adam cuerden's restorationsla esmeralda (opera)
Voor het plakboek (3)-Catchpenny print-SMC K 0134
frogs acting as humans in artcats acting as humans in art
Scribner's Magazine - Josef Hoffmann's Götterdämmerung, act 3, scene 1
götterdämmerungsiegfried
Füssli - 'Macbeth', Act I, Scene 3, the Weird Sisters, c.1783
johann heinrich füssli
Viktor Angerer - Josef Hoffmann's Götterdämmerung, act 3, scene 1
götterdämmerungsiegfried
Gounod - Philémon et Baucis - Théatre-Lyrique, decoration of act 3 no 3, palais de Philémon et Baucis, 1861 - btv1b53117256q
scenic designs by charles-antoine cambonjoseph thierry
Twin saints the new comedy in 3 acts - by Frank J. Hallo & Marie Madison. LCCN2014636262
theatre posters of the united states1897
Twin saints the new comedy in 3 acts - by Frank J. Hallo & Marie Madison. LCCN2014636262
theatre posters of the united states1897
Charles-Antoine Cambon - Set design for the première of Rossini's Robert Bruce, Act III, Scene 3 - Original
charles-antoine cambonrobert bruce (opera)
16. Old Russian Easter Postcard
swimming birdseaster chick
Patrie! 1886 opera, design for Act 3 by Philippe Chaperon – Gallica 2008
scenic designs for the 1886 premiere of the opera patrie!scenic designs by philippe chaperon (opéra de paris)
Tedlet's soliloquy Thus the tariff does make cowards of us all. Hamlet, Act 3, scene 1 (Revised). LCCN2010645513
puck1907
Tedlet's soliloquy Thus the tariff does make cowards of us all. Hamlet, Act 3, scene 1 (Revised). LCCN2010645513
puck1907
Charles Robert Leslie (1794-1859) - Sketch for 'Twelfth Night', Act I, Scene 3 - N01805 - National Gallery
british paintings in tate britaintwelfth night
V&A - Raphael, The Healing of the Lame Man (1515)
raphael cartoon1515 paintings
Scènes de la vie privée et publique des animaux, tome 2 0345
birds acting as humans in artbirch
Richard Carle in The tenderfoot an operatic comedy in 3 acts - book by Richard Carle ; music by H.L. Heartz. LCCN2014635752
strobridge lithographing co.1903
Richard Carle in The tenderfoot an operatic comedy in 3 acts - book by Richard Carle ; music by H.L. Heartz. LCCN2014635752
strobridge lithographing co.1903
Jules Massenet - Le Cid 2e Acte, 3e Tableau - L'Illustration, Auguste Tilly, 5 December 1885
l'illustration, 1885auguste tilly
Ermiona, Act 2 scene 4 (Padua 1636), set design by Chenda – NGO vol. 3 p. 1356
giovanni felice sancesalfonso rivarola
Charles-Antoine Cambon - Set design for the première of Rossini's Robert Bruce, Act III, Scene 3
saxophonebackdrop
Scene e machine preparate alle nozze di Teti Balletto reale – INHA NUM 4 RES 1152 vue 30 Act II 3
scene e machine preparate alle nozze di teti balletto reale – inha num 4 res 1152
Scene e machine preparate alle nozze di Teti Balletto reale – INHA NUM 4 RES 1152 vue 23 Act I 3
zeus and thetiszeus and hera
Engraving from 'Scene e machine preparate alle nozze di Teti Balletto reale' – INHA NUM 4 RES 1152 vue 30 Act II 3
engravings from 'scene e machine preparate alle nozze di teti balletto reale – inha num 4 res 1152
Mr. Fleming as Edgar- "Away! the foul fiend follows me" (King Lear, Act 3, Scene 4) MET DP873686
artworks with known accession numberartworks without wikidata item
George Dandin, Act 3, last scene Met DP884584
pages using occupation template with incorrect parametersartworks without wikidata item
Scene e machine preparate alle nozze di Teti Balletto reale – INHA NUM 4 RES 1152 vue 37 Act III 3
hercules (heracles) in post-antique artmarriage of peleus and thetis
Friar Lawrence and Juliet Discover the Bodies of Romeo and Paris (Romeo and Juliet, Act 5, scene 3) MET DP800753
19th-century unidentified artists in franceartworks without wikidata item
Friar Lawrence and Juliet Discover the Bodies of Romeo and Paris (Romeo and Juliet, Act 5, scene 3) MET DP800754
19th-century unidentified artists in franceartworks without wikidata item
Engraving from 'Scene e machine preparate alle nozze di Teti Balletto reale' – INHA NUM 4 RES 1152 vue 23 Act I 3
engravings from 'scene e machine preparate alle nozze di teti balletto reale – inha num 4 res 1152zeus and hera
Friar Lawrence and Juliet Discover the Bodies of Romeo and Paris (Romeo and Juliet, Act 5, scene 3) MET DP812397
19th-century unidentified artists in franceartworks without wikidata item
Engraving from 'Scene e machine preparate alle nozze di Teti Balletto reale' – INHA NUM 4 RES 1152 vue 37 Act III 3
hercules (heracles) in post-antique artmarriage of peleus and thetis
Scene e machine preparate alle nozze di Teti Balletto reale – INHA NUM 4 RES 1152 vue 42 'La finta pazza' Act I 3 – II 7
1645) from 'scene e machine preparate alle nozze di teti balletto reale' – inha num 4 res 1152set designs for sacrati's 'la finta pazza' (paris
Set design for Sacrati's 'La finta pazza' (Paris, 1645) from 'Scene e machine preparate alle nozze di Teti Balletto reale' – INHA NUM 4 RES 1152 vue 42 Act I 3 – II 7
1645) from 'scene e machine preparate alle nozze di teti balletto reale' – inha num 4 res 1152set designs for sacrati's 'la finta pazza' (paris
Jules Massenet - Le Cid 3e Acte, 6e Tableau - L'Illustration, Auguste Tilly, 5 December 1885
l'illustration, 1885auguste tilly
Miranda (Shakespeare, The Tempest, Act 1, Scene 2), John Boydell, 1784
works after robert edge pinecaroline watson
Verdi-Otello-Act-3-1887-photo Carlo Ferrario
1887 in theatreotello
The Monster's Chūshingura (Bakemono Chūshingura), Utagawa Kuniyoshi, between 1839 and 1842
prints from japan in the princeton university art museumukiyo-e
Luigi Verardi after Dominico Ferri - Gaetano Donizetti - Carrefour de St Jean et Paul. Dans l'Opéra Marino Faliero, Domenico Ferri, 1835
adam cuerden's restorationsmarino faliero
Romolo ed Ersilia, final scene, Act 3, Giovanni Battista Cipriani, 1781
opere del signor abate pietro metastasio – herissant edition, paris 1780–1782romolo ed ersilia
Repeal of the Test Act, Samuel William Fores, 20 February 1790
johann friedrich, count of struenseecharles stanhope, 3rd earl stanhope
Familien Waagepetersen, Wilhelm Bendz, 7 April 1830
familien waagepetersendanish golden age
The Banquet (Shakespeare, Macbeth, Act 3, Scene 3), William Dickinson, 10 October 1786
william dickinsonjohn baldrey
"Love's Labour's Lost", Act IV, Scene 3, Thomas Stothard, circa 1800
love's labour's lost in artthomas stothard
Sketch for ‘Twelfth Night’, Act I, Scene 3, Charles Robert Leslie, 1841
paintings by charles robert lesliebritish paintings in tate britain
"She Stoops to Conquer" Act 3, Act 5, Alfred Parsons
drawings in the yale center for british artalfred parsons
Beatrice di Tenda set designs-Act 1 scene 3, Francesco Bagnara
francesco bagnarabeatrice di tenda
Press illustration of Act3 (scene3) of 'La fiancée d'Abydos' by Barthe at the Théâtre Lyrique 1865 - Gallica, Philippe Chaperon
la fiancée d'abydospierre-auguste lamy
Halévy - La tempesta - illustrated libretto, London 1850 - act 3, scene 3
la tempesta (halévy)1850 opera libretti
La mort de Robespierre, comédie en 3 actes, 1801, Joséphine de Beauharnais
maximilien de robespierre1801 books from france
Suffolk and Margaret (Shakespeare, King Henry VI, Part I, Act 5, Scene 3), John Masey Wright, 1825–40
henry vi, part 1 in artcharles heath
Variety Act 3: 132nd Day of Fasting, A. Lucci the Famous Hunger Artist (Varietenummer 3: 132 Hungertag, A. Lucci der Berühmte Hungerkünstler), Moriz Jung, 1907
132 (number)moriz jung
Winter's Tale, Act 3, Scene 3, John Neagle, 1803
engravings in the yale center for british artjohn neagle
Joseph Ferdinand Keppler - The Pirate Publisher - Puck Magazine - Restoration by Adam Cuerden, Joseph Keppler, 1886
copyright lawpuck, 1886
Gioachino Rossini - Guillaume Tell - Acte 2 scène 3 - Cicéri - 1829
guillaume tell (cicéri)
Senora Yorba's Lamenation, Act 3, Mission Play (NBY 21263)
backs of postcards in curt teich postcard archives
Gioachino Rossini - Guillaume Tell - Cicéri - act 3 scene 4, 1829
guillaume tell (cicéri)
Lully - Alceste - score, Paris 1708, second edition - act 3, Louis Desplaces
jacques vigoureux duplessisalceste (lully)
Ferdinand and Miranda (Shakespeare, The Tempest, Act 3, Scene 1), Peltro William Tomkins, 1786
engravings after angelica kauffmannpeltro william tomkins
Theatre Guild, R U R, Act 3, 1923
francis bruguièretheatre guild
Titania and Bottom (Shakespeare, Midsummer Night's Dream, Act 3, Scene 1), Charles Heath, 1825–40
a midsummer night's dream in artphilip francis stephanoff
Moritz Retzsch The Tempest act III scene 3, Moritz Retzsch, 1853
the tempest in artmoritz retzsch
Halévy - La tempesta - illustrated libretto, London 1850 - act 2, scene 3
la tempesta (halévy)1850 opera libretti
Halévy - La tempesta - illustrated libretto, London 1850 - act 3, scene 5
la tempesta (halévy)1850 opera libretti
"Therefore, be merry Cassio": plate 6 from Othello (Act 3, Scene 3), Théodore Chassériau, 1844
artworks with known accession numberartworks without wikidata item
Finding the Jeweled Chalice, Act 3, Mission Play (NBY 22630)
curt teich postcard archives, detroit publishing companynative americans of california
David Garrick as King Lear (Shakespeare, King Lear, Act 3, Scene 1), Benjamin Wilson, 1761
david garrick by roleking lear in art
Timon (Shakespeare, Timon of Athens, Act 4, Scene 3), John Hayter, 1827
robert jennings (printer)hurst, robinson & co.
Falstaff in the Buck Basket (Shakespeare, Merry Wives of Windsor, Act 3, Scene 3), William Peters, 1793
william peters (painter)john & josiah boydell
Tempest, Miss Brown and Mr. Mattocks in the characters of Miranda and Ferdinand ... act II [i.e. act 3, scene 1] [graphic] / Dighton ad viv del.; Grignion sculp., Charles Grignion the Elder
collections of the folger shakespeare libraryann cargill
Füssli - 'Macbeth', Act I, Scene 3, the Weird Sisters, c.1783, Henry Fuseli, circa 1783
romanticism,fairy painting,neoclassicismpaintings by johann heinrich füssli
WPA Federal Theater Project Created Equal Boston MA 1935, Taken in 1935
1935 photographs of the united states1935 in boston
The Invisibles, Act III, Scene 3, Christian August Lorentzen, between 1761 and 1828
paintings by christian august lorentzen in the statens museum for kunstneoclassicism
Jane Shore: "Give gentle mistress Shore one gentle kiss the more (Shakespeare, Richard III, Act 3, scene 1), Francesco Bartolozzi, 1 February 1790
francesco bartolozziedward harding
Aaron and Tamora (Shakespeare, Titus Andronicus, Act 2, Scene 3), Henry Corbould, 1825–40
titus andronicushenry corbould
Lully - Amadis - score (2. edition), Paris 1711 - act 3 (btv1b9062747d f106), Claude Gillot
gérard scotin (1643-1715)amadis (lully)
Sir Toby Belch and Sir Andrew Aguecheek (Shakespeare, Twelfth Night, Act 2, Scene 3), Thomas Uwins, 1825–27
henry chawner shenton, the elderhurst, robinson & co.
Troilus and Crssida, Act 3, Scene II, Francesco Bartolozzi, 1794
engravings in the yale center for british artfrancesco bartolozzi
André Messager - Fortunio - act 3 - Paris 1907, Lucien Jusseaume
hector dufrannefortunio
Erasmus Montanus, Act III, Scene 3, Christian August Lorentzen, between 1761 and 1828
paintings by christian august lorentzen in the statens museum for kunstneoclassicism
Scene 3, John Gilbert, before 1873
romeo and juliet in artjohn gilbert
Lyric Theatre, Palace of Philemon and Baucis, Act 3. No. 3: [print] / L. Jaugey; after MM. Cambon and Thieri, Charles-Antoine Cambon, 1861
philémon et baucis (gounod)joseph thierry
Faust by Gounod Act 4 scene 3 design by Cambon - Essai sur l'histoire du theatre p553, Charles-Antoine Cambon, 1893 (publication)
charles-antoine cambonfaust (opera)
Act IV, The Relapse or Virtue in Danger, Scene 3, James Roberts
engravings in the yale center for british artjames roberts (painter)
Salanio, Salerio and Shylock (Shakespeare, Merchant of Venice, Act 3, Scene 1), Frederick Bacon, 1825–40
the merchant of venice in artjohn masey wright
Massenet - Le Cid - 1885 - act 2, scene 3 - La mort du comte de Gormas, Auguste Tilly
le cid (massenet)henri robecchi
Queen Margaret and Suffolk (Shakespeare, Henry VI, Part II, Act 3, Scene 2), John Masey Wright, 1825–40
john masey wrighthenry vi, part 2
Pisano and Imogen (Shakespeare, Cymbeline, Act 3, Scene 4), Josiah Boydell, 1801
works after john hoppnercymbeline in art
"Honest Iago, my Desdemona must I leave to thee": plate 4 from Othello (Act 1, Scene 3), Théodore Chassériau
artworks with known accession numberartworks without wikidata item
Imogen Found in the Cave of Belarius, George Dawe, circa 1809
cymbeline in art1809 paintings
Scene from Hamlet. Act 3, Scene 1, Erling Eckersberg
prints by erling eckersberg in the statens museum for kunststatens museum for kunst
Jules Massenet - Le Cid - Le grand duo du 4e acte - Chimène (Mme Fidès-Devriés), Rodrigue (Jean de Reszké), Émile Bayard, 1885
le cid (massenet)academic art
"Away!": plate 7 from Othello (Act 3, Scene 4), Théodore Chassériau
artworks with known accession numberartworks without wikidata item
Miranda (Shakespeare, The Tempest, Act 1, Scene 1), Caroline Watson, 14 April 1809
literary prints in the metropolitan museum of artcaroline watson
Ernest Reyer - Sigurd - 3.acte 2.tableau - terrasse devant le château, Henri Paillard, 1885
sigurd (reyer)henri paillard
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