1,385 Free Images of Portfolio

the aboriginal portfolio lithographs in the smithsonian american art museum hand-colored lithograph on paper smithsonian american art museum james otto lewis metropolitan museum of art department of drawings and prints, metropolitan museum of art paper ojibwa people symbolism

Intermezzi, Max Klinger

intermezzi by max klinger symbolism

Intermezzi, Max Klinger

intermezzi by max klinger symbolism

Intermezzi, Max Klinger

intermezzi by max klinger symbolism

Self-portrait, Nathaniel Hone the Elder, circa 1760

18th-century portrait paintings in the national portrait gallery, london nathaniel hone the elder

Words of Comfort (from "The Portfolio"), Hubert von Herkomer, March 1879

engravings by hubert von herkomer e. delarue

Ludwig Otto, A Girl of Hydra, Ludwig Otto, 2 January 1883

ludwig otto etchings

A Life, Max Klinger, 1884–98

a life by max klinger symbolism

Marie Burroughs Art Portfolio 062 - Joseph Jefferson, Joseph Jefferson, by 1894

the marie burroughs art portfolio of stage celebrities joseph jefferson

KEE-ME-ONE or Rain; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-SCHICK-EE; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WADT-HE-DOO-KAANA; Chief of the Winnebagoes, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MAUCK-COOMAUN; A Celebrated Ioway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NA-SHE-MUNG-GA, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

AT-TE-CONSE or the Young Rein Deer; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

FRANCIS GODFROY; A Celebrated Chief Among the Miamis, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KE-WA-DIN or the North Wind; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CHAT-O-MIS-SEE; Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KER-O-MENEE; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHOUNK-CHUNK the Black Wolf; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHE-SHEBA or The Little Duck; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

RICHARDVILLE; The Head Chief of the Miami Tribe of the Indians, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MISH-SHA-QUAT or the Clear Sky; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-TOP-E-NOT or the Eagle’s Bed; A Fox Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PEN-NOW-WE-TA; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-EM-BOESH-KAA; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MEN-DOW-MIN or The Corn; A Chippewa Dwarf, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BA-SHAW; A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WEESH-CUB or the Sweet; A Noted Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MO-WAN-ZA or The Little Wolf; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SUN-A-GET or Hard Times; A Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-O-TUCK-KEE; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

JACK-O-PA or the Six; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Marie Burroughs Art Portfolio 146 - Sarah Bernhardt, Napoleon Sarony, by 1894

the marie burroughs art portfolio of stage celebrities photographs of sarah bernhardt

WAA-NA-TAA or the Foremost in Battle; Chief of the Sioux Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAA-TAA-KE MUNG-GA or the Speckle’d Loon, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NAH-SHAW-A-GAA The White Dog’s Son, Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TOO-SHA-NA-GAN-KA or The Little Otter; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-KAUN-SEE-KAA or the Rattle Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MA-CHE-KA-KAT or the Bad Hawk; A Monomonie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TSHU-GU-GA; A Celebrated Chief half Winnebago and half French, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KITCH-EE-I-AA-BA or the Big Buck; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAW-TAA-WAA-BE-TA or the Snagle’d Tooth; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MA-KO-ME-TA or the Bear’s Oil; A Monomonie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CUT-TAA-TAS-TIA; A Celebrated Chief of the Fox Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BIN-DE-BA or the White Headed Eagle; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

the aboriginal portfolio ojibwa people

SHING-GAA-BA-W’OSIN or the Figure’s Stone; Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-PA-LAA or the Playing Fox; Prince of the Fox Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑WAN-ICH-KOH or the Little Elk; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

ASH-E-TAA-NA-QUET; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Winnebago Woman; Wife of O’-CHECK-KA or Four Legs, from the Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Portfolio For Portraits, George Washington Wilson

manuscripts in aberdeen archives, gallery and museums george washington wilson

Woman at the Tub from the Portfolio Elles (Femme au Tub ), Henri de Toulouse-Lautrec, circa 1896

filling a tub by henri de toulouse-lautrec post-impressionism

NABU-NAA-KEE-SHICK or The One Side of the Sky, A Chippewa Chief, from The Aboriginal Portfolio - SAAM - 1973.167.20, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O’-CHECK-KA or Four Legs; Head Chief of the Winnebagoes of Winnebago Lake Michigan, from the Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑CHE-NA-SHINK-KAD or the Man that Stands and Strikes; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑HYA-WA-NIM-CE-KEE or the Yellow Thunder; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KAA-NUN-DER-WAAGUINSE-ZOO or the Berry Picker; A Famous Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Perth Bridge, David Young Cameron, 1889

prints in the cleveland museum of art the portfolio (1870)

Portfolio cover to the First Venice Set., 1879

nypl the miriam and ira d. wallach division of art, prints and photographs: print collection samuel putnam avery collection

View from Fishkill Looking To West-Point (No. 15 of The Hudson River Portfolio), William Guy Wall, 1825

works after william guy wall john hill (artist)

The engraver Simon Charles Miger, Marie-Gabrielle Capet, 1806

marie-gabrielle capet classicism

The Red Portfolio, Jehan Georges Vibert

paintings in the haggin museum anti-clerical art

Russian Palaces and Gardens, Mikhail Makhayev, 1761

department of drawings and prints, metropolitan museum of art mikhail makhaev

Russian Palaces and Gardens, Mikhail Makhayev, 1761

department of drawings and prints, metropolitan museum of art mikhail makhaev

Russian Palaces and Gardens, Mikhail Makhayev, 1761

department of drawings and prints, metropolitan museum of art mikhail makhaev

Russian Palaces and Gardens, Mikhail Makhayev, 1761

department of drawings and prints, metropolitan museum of art mikhail makhaev

Russian Palaces and Gardens, Mikhail Makhayev, 1761

department of drawings and prints, metropolitan museum of art mikhail makhaev

Russian Palaces and Gardens, Mikhail Makhayev, 1761

department of drawings and prints, metropolitan museum of art mikhail makhaev

Russian Palaces and Gardens, Mikhail Makhayev, 1761

department of drawings and prints, metropolitan museum of art mikhail makhaev

Russian Palaces and Gardens, Mikhail Makhayev, 1761

department of drawings and prints, metropolitan museum of art mikhail makhaev

Portfolio cover and text for The Raven by Edgar Allan Poe, Édouard Manet, 1875

le corbeau (metropolitan museum of art)impressionism

Portfolio cover and text for The Raven by Edgar Allan Poe, Édouard Manet, 1875

le corbeau (metropolitan museum of art)impressionism

Portfolio cover and text for The Raven by Edgar Allan Poe, Édouard Manet, 1875

le corbeau (metropolitan museum of art)impressionism

Portfolio cover and text for The Raven by Edgar Allan Poe, Stéphane Mallarmé, 1875

le corbeau (metropolitan museum of art)richard lesclide

Portfolio cover and text for The Raven by Edgar Allan Poe, Stéphane Mallarmé, 1875

le corbeau (metropolitan museum of art)richard lesclide

Portfolio cover and text for The Raven by Edgar Allan Poe, Édouard Manet, 1875

le corbeau (metropolitan museum of art)impressionism

Portfolio cover and text for The Raven by Edgar Allan Poe, Stéphane Mallarmé, 1875

le corbeau (metropolitan museum of art)richard lesclide

Portfolio cover and text for The Raven by Edgar Allan Poe, Édouard Manet, 1875

le corbeau (metropolitan museum of art)impressionism

Portfolio cover and text for The Raven by Edgar Allan Poe, Stéphane Mallarmé, 1875

le corbeau (metropolitan museum of art)richard lesclide

Portfolio cover and text for The Raven by Edgar Allan Poe, Édouard Manet, 1875

le corbeau (metropolitan museum of art)impressionism

TENS-QUA-TA-WA or The One Who Opens the Door; Shawnese Prophet (Brother of Tecumthe), from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-O-KUCK or The Watching Fox; The present Chief of the Sauli Tribe and the Successor to Black Hawk, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MAC-CUT-I-MISH-E-CA-CU-CAC or Black Hawk; A Celebrated Sac Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Portrait of the artist with his son Astyanax Scaevola, Jean François Bozio, circa 1801

astyanax scaevola bosio jean-françois bosio

Gauguin - Suite Volpini K01Aa portfolio, Paul Gauguin, 1889

post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivism suite volpini

A Life, Max Klinger, 1884–98

a life by max klinger symbolism

A Life, Max Klinger, 1884–98

a life by max klinger symbolism

A Life, Max Klinger, 1884–98

a life by max klinger symbolism

A Life, Max Klinger, 1884–98

a life by max klinger symbolism

A Life, Max Klinger, 1884–98

a life by max klinger symbolism

A Life, Max Klinger, 1884–98

a life by max klinger symbolism

A Life, Max Klinger, 1884–98

a life by max klinger symbolism

Jerusalem, Study and photographic reproduction of the monuments of the holy city from the Jewish era to the present day 1856, Auguste Salzmann, 1854

imprimerie photographique blanquart-evrard jerusalem, by auguste salzmann, met

Jerusalem, Study and photographic reproduction of the monuments of the holy city from the Jewish era to the present day 1856, Auguste Salzmann, 1854

imprimerie photographique blanquart-evrard jerusalem, by auguste salzmann, met

Jerusalem, Study and photographic reproduction of the monuments of the holy city from the Jewish era to the present day 1856, Auguste Salzmann, 1854

imprimerie photographique blanquart-evrard jerusalem, by auguste salzmann, met

Jerusalem, Study and photographic reproduction of the monuments of the holy city from the Jewish era to the present day 1856, Auguste Salzmann, 1854

imprimerie photographique blanquart-evrard jerusalem, by auguste salzmann, met

Jerusalem, Study and photographic reproduction of the monuments of the holy city from the Jewish era to the present day 1856, Auguste Salzmann, 1854

imprimerie photographique blanquart-evrard jerusalem, by auguste salzmann, met

Jerusalem, Study and photographic reproduction of the monuments of the holy city from the Jewish era to the present day 1856, Auguste Salzmann, 1854

imprimerie photographique blanquart-evrard jerusalem, by auguste salzmann, met

Jerusalem, Study and photographic reproduction of the monuments of the holy city from the Jewish era to the present day 1856, Auguste Salzmann, 1854

imprimerie photographique blanquart-evrard jerusalem, by auguste salzmann, met

Jerusalem, Study and photographic reproduction of the monuments of the holy city from the Jewish era to the present day 1856, Auguste Salzmann, 1854

imprimerie photographique blanquart-evrard jerusalem, by auguste salzmann, met

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