47 Free Images of Photographs In The National Gallery Of Art (washington, D.C.)

albumen printmécanisme de la physionomie humainesalted paper printphotographs by jean-baptiste frénetnegativephotogravureprints in the national gallery of art (washington, d.c.)
Près du Bodmer, 1860s
photographs in the national gallery of art (washington, d.c.)barbizon school
Untitled, Bertha Jaques, circa 1900
photographs in the national gallery of art (washington, d.c.)bertha jaques
A Vanitas, circa 1856
photographs in the national gallery of art (washington, d.c.)photographs by jean-baptiste frénet
Hermann Struck in Uniform, Lovis Corinth, 1914
portrait paintings by lovis corinthexpressionism,impressionism
Portrait of Woman and Child, 1855
photographs in the national gallery of art (washington, d.c.)photographs by jean-baptiste frénet
Portrait of Woman and Child, 1855
photographs in the national gallery of art (washington, d.c.)photographs by jean-baptiste frénet
Portrait of Woman and Child, 1855
photographs in the national gallery of art (washington, d.c.)photographs by jean-baptiste frénet
Rodin's Eve, Auguste Rodin
department of image collections, national gallery of art library, washington, dcmodern art,symbolism
Cloud Study, Roman Campagna, circa 1860
photographs in the national gallery of art (washington, d.c.)carlo baldassare simelli
Don Quixote in his Study, 1855
photographs in the national gallery of art (washington, d.c.)william lake price
Nib or the Amateur Photographer (Nib ou le photographe-amateur) [right recto], Henri de Toulouse-Lautrec, 1895
lithographs by henri de toulouse-lautrec in the national gallery of art (washington, d.c.)post-impressionism
The Elm Tree, 1840
prints in the national gallery of art (washington, d.c.)eugène bléry
Surprise, between 1854 and 1855
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Face in repose, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
The Hermit's Woods, or the Banks of Lake Trasimène (Le Bois de l'Hermite, ou les Bords du Lac Trasimène), 1858
photographs in the national gallery of art (washington, d.c.)realism,barbizon school
Expression of severity, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Pain and despair, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Aggression, wickedness, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Attention, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Face in repose, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Bad humor, malcontentment, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Painful memories, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Discontent, bad humor, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Aerial View of Castle
smithsonian institution building1983 in washington, d.c.
Spasm of m. corrugator supercilii under very strong light (left); A relaxed face (photographed in full sunshine) (right), between 1854 and 1855
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
George Henry Smillie (1840-1921), Napoleon Sarony, circa 1890
prints in the national gallery of art (washington, d.c.)photographs by napoleon sarony
Gaiety expressed by the ideas of lustfulness, cynicism and lewdness, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Terror mixed with pain, torture, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Attention (left); Reflection (right), between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Painful recollection or painful thoughts, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
A relaxed expression (left); Disgust (right), between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Astonishment, stupefaction, amazement, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Weeping, tears of pity (left); Relaxed face (right), between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
A relaxed face (left); False joy or laughter (right), between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Attention, attentive gaze (left); Painful attention (right), between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Slight lowering of the angle of the mouth due to depression (left); False laughter (right), between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Scornful disgust (left); Scornful laughter (right), between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Dissatisfaction, somber thoughts (left); Reflection (right), between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
The attention attracted by an object that provokes lascivious ideas and desires, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Extreme pain, the head of Christ (left); Memory of love or ecstatic gaze (right), between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
A relaxed face (left); Profound attention (right), between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Attention (left); Severity, aggression (right), between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
This contraction of m. platysma alone lacks expression, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
A portrait, seen in profile, of a man 42 years old, stupefied by the abuse of alcohol; his nose is aquiline, between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
The muscle of attention (left); Eyebrow contraction due to bright light (right), between 1854 and 1856
photographs in the national gallery of art (washington, d.c.)mécanisme de la physionomie humaine
Salon of the Caryatides, Louvre, circa 1851
photographs in the national gallery of art (washington, d.c.)salle des caryatides (louvre)
Steam Engine near the Grand Transept, Crystal Palace, Philip Henry Delamotte, 1851
photographs in the national gallery of art (washington, d.c.)philip henry delamotte
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