The marriage of Cupid and Psyche., James Gillray, 1797

The marriage of Cupid and Psyche., James Gillray, 1797

Design in an oval. A travesty of the cameo known as the marlborough gem, now in the museum of fine arts at boston. The figures are light on a dark ground, as in the original. Miss farren, tall, thin, with butterfly wings, her dress approximating to contemporary fashion, walks (left to right) on lord derby's left. He has the wings of cupid, clipped, and is almost nude, with the fat limbs of a child together with a heavy paunch. He holds a dove, putting its beak to his lips. His scanty hair is in a small tail. Both are veiled. They are preceded by two winged boys, one with the torch of hymen. A third follows, wearing a fool's cap simulating a cap of liberty; he holds up an earl's coronet towards the bride, in place of the tray of fruit of the original. 3 may 1797 hand-coloured etching and aquatint. Date: 1797. Dimensions: Height: 266 mm; Width: 317 mm. Medium: paper. Depicted People: Edward Smith-Stanley, 12th Earl of Derby. Collection: British Museum. The marriage of Cupid and Psyche. (BM 1851,0901.864)
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Author: Print made by: James Gillray Published by: Hannah HumphreySource: commons.wikimedia.org

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satirical prints in the british museumprints by james gillray in the british museumpaperedward smith-stanley, 12th earl of derbybritish museumjames gillray

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