The metropolitan museum of art states:
the nine songs are lyrical, shamanistic incantations dedicated to nine classes of deities worshipped by the chu people of south china during the first millennium b. C. The original text consists of eleven songs, ten of which are transcribed and illustrated here. The illustrations are preceded by a portrait of the poet qu yuan (343–277 b. C. ), which is accompanied by an essay entitled "the fisherman," recounting the poet's state of mind toward the end of his life. Zhao mengfu's paintings for the nine songs in the baimiao, or "white-drawing" style, are based on compositions by li gonglin (ca. 1041–1106) and were a primary source for later fourteenth-century paintings of this theme by zhang wu (active 1333–65) and others. Because the calligraphy in the album does not compare with the best of zhao mengfu's writing, it is probable that these leaves represent close, reliable copies of zhao's important work, executed during the fourteenth century. One leaf, "the lord of clouds," is a later replacement (no earlier than the seventeenth century). Date: The album is dated to the 14th century (?). This specific album leaf (depicted in the image file) is a later replacement from no earlier than the 17th century. The colophon inscribed on the right side of the leaf is undated. See also the "Inscriptions" field below.. Dimensions: 10 3/8 x 6 1/4 in. (26.4 x 15.9 cm). Medium: ink on paper, painting. Collection: Metropolitan Museum of Art. 元 佚名 倣趙孟頫 九歌圖 冊-Nine Songs MET DP375121
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