Author(s):
lesueur, jean-baptiste (paris, in 1749 - plailly, in 1826), designer
date of production: around 1793 — 1794
type(s) of object(s): drawing, graphic arts
name(s): drawing
dimensions - artwork:
height: 36cm
width: 53. 5cm
dimensions - mounting:
height: 50cm
width: 65cm
description:
set of 83 known revolutionary gouaches, including 73 preserved at the carnavalet museum. Marks, inscriptions, hallmarks:
inscription - on the front of the old montage, handwritten label in ink: "78th sheet"
legend - on the front of the old montage, under gouache, label with handwritten legend in ink: "the heroine of milhier. In the vendée. / brigands came to pillage this woman's house and do violence to her; they found her [sic] surrounded by her / children, having two pistols, one aimed at them, and the other at a barrel of powder on which she was sitting, / she challenged them to advance! this intrepid resolution frightened them so much that they fled, and never returned. ”. Iconographic description:
scene: woman, peasant, child, vendée, "whites", pistol, barrel of powder, heroism, vendée war; french revolution. Historical commentary:
an episode which had a certain impact at the time, particularly in iconography. The stoic heroism of a patriot resisting counter-revolutionaries could only seduce a revolution which would soon exalt the sacrifice of young bara. All of lesueur's gouaches preserved at the carnavalet museum constitute a unique testimony to the revolutionary period. A sort of diary in images, the technique in which it is produced, as well as its scale, suggest a public, theatrical or "museographic" function. These small paintings and - a little differently - the texts which accompany them, reflect the varied feelings, sometimes enthusiastic, sometimes reproachful, of the parisian petty bourgeoisie facing the revolutionary event and daily life. Historical scenes, more innocuous skits, or isolated characters like military figurines are captured with liveliness, accuracy of observation, sense of color and layout which give them great flavor. The undeniable documentary interest of the series is particularly clear with regard to sans-culottes, the army, women, costume; but also mentalities and their evolution in the political situation of the years 1789-1806, and this with all the more force as the gouaches were painted immediately after the event or the fact that they represent. Acquisition mode: dation
name of donor, testator, seller: bidault de l'isle, georges
date of acquisition: 17–10–1977
institution: carnavalet museum, history of paris
inventory number: d. 9100. Date: Vers 1793 — 1794.
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