Monsieur n'avait rien. Les cochers des morts et des vivants, BAL91.71, Henry Monnier

Monsieur n'avait rien. Les cochers des morts et des vivants, BAL91.71, Henry Monnier

Author(s): monnier, henry bonaventure (paris, 07–06–1799 - paris, 03–01–1877 — 3–6–1877), designer-lithographer bernard, charles louis (paris, 29–06–1769 - paris, 11–09–1848), designer-lithographer giraldon and bovinet, editor other title: recreation (series title) dating in century: 19th century type(s) of object(s): graphic arts, print name(s): print materials and techniques: ink, vellum paper, lithography, gouache dimensions - artwork: height: 23. 2cm width: 31. 4cm dimensions - picture: height: 14. 3cm width: 20cm description: engraving printed in black and white on paper enhanced with gouache. Marks, inscriptions, hallmarks: wet stamp - t. H. : ​​monogram a m and 2 r next to each other? title of the work - above the image: recreations number - above image: pl. 27 legend - in the image, bottom right: the coachmen of the dead and the livingin the image, bottom left: monsieur had nothing. Inscription concerning the author - under the image on the left: henry monnier under the image on the right: lith de bernard registration concerning the test - under the image: published by giraldon bovinet, passage vivienne, n°26. Iconographic description: composition in two sketches. On the left: a couple seen from behind, the wife is stout while the husband is slender. The contrast very accentuated by their clothes (dark and fitted for the husband and frilly white for the wife) is meant to be ridiculous. On the right: another couple playing on contrasts, these are two coachmen. The first drives hearses, he is thin and dressed all in black. The second is the coachman of a rich family, dressed in colorful livery and very overweight. Actor, playwright and designer, henry monnier helped illustrate la comédie humaine. His engravings of administrative morals, and especially his play scenes from bureaucratic life, clearly inspired balzac for his novel la femme supérieure, renamed les employés. The same references to the customs of their time often inspired the two artists in parallel on numerous subjects as we can see in the following extract: "really, for a romantic woman, there would have been burlesque in the sharp contrast which was noticed between the captain and the count, between this little pole with a narrow face and this handsome soldier, between this paladin and this palatine. " [excerpt from la falsse mistress, by honoré de balzac] themes / subjects / places represented: social subject, morals, carriage, mourning institution: maison de balzac inventory number: bal91. 71. Date: Unknown.
Edit image
Author: Monnier, Henry Bonaventure (Paris, 07–06–1799 - Paris, 03–01–1877 — 3–6–1877), dessinateur-lithographeSource: https://commons.wikimedia.org/

Loading...

0 downloads
Loading...
henry monnier

MORE LIKE THIS

Creazilla logo
Over 10 million free graphic resources for content creators and designers.
© 2018 - 2025 Creazilla
Our resourcesAll imagesPhotosDigital illustrationsClipartIconsPNG ImagesEmojisSilhouettesTraditional Art3D ModelsVectorsFontsColor namesColor palettesGradientsAudioAnimationVideosTemplates
InformationAbout CreazillaTerms of useTech teamPrivacy policyLicence Information
FeedbackContact Us