* admission is granted through application to the office of special collections. Collection presented to the new york public library in 1899 by s. P. Avery. Forms part of prints by felix bracquemond in samuel putnam avery collection. Holdings checked in departmental copy of henri beraldi, les graveurs du xixe siecle, v. 3. Most prints are undated. Reproductions after various works of art, mostly paintings by 19th-century french artists. Artists include albert de balleroy, henri baron, firmin hippolyte beaunier, francois edouard bertin, rosa bonheur, richard parkes bonington, charles chaplin, jean-baptiste-camille corot, gustave courbet, alfred de curzon, alexandre-gabriel decamps, eugene delacroix, honore fragonard, paul gavarni, jean-leon gerome, francois-marius granet, joseph guichard, jean-auguste-dominique ingres, alexandre lafond, rosalba laurens, hendrik leys, edouard manet, theodore rousseau, j. M. W. Turner, and horace vernet. Subjects include allegories, landscapes and animals, in particular cows, hares, sheep and swine. Several prints depict nude women looking in mirrors. This list includes only small reproductive prints. Oversize reproductive prints are listed separately in nypg95-f238. Double oversize reproductive prints are listed separately in nypg95-f242. Title from h. Beraldi, les graveurs du xixe siecle, v. 3, p. 87. Citation/reference: ae26(iii/iv)
citation/reference: b241([ia]/iv)
jean paul bouillon, in his félix bracquemond, le réalisme absolu: oeuvre gravé, 1849-1859, catalogue raisonné, asserts that this print follows state two, contrary to the nypl's placement of it between beraldi's states one and two. Date: 1854. Collection: Samuel Putnam Avery Collection. Un buveur, d'après Alexandre Lafond (NYPL b14504923-1130948)
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