Author(s):
van dyck, anton (antwerp (antwerpen), 22–03–1599 - blackfriars, 09–12–1641), author of the model
de jode, petrus ii (known as de jonghe) (antwerp (antwerpen), 22–11–1606 - around 1674), etcher
van den enden, maarten (antwerp (antwerpen), 1605 - antwerp (antwerpen), 1673), print publisher
other titles:
debois collection (title of the set), l'iconographie (title of the series)
date of production: between 1634 and 1636
dating in century: 17th century
type(s) of object(s): print, graphic arts
name(s): original print
materials and techniques: etching, paper, chisel
dimensions - artwork:
height: 24cm
width: 17cm
description:
annotated page 71, attached sheet
marks, inscriptions, hallmarks:
inscription concerning the title - inscription concerning the title, in the lower margin: "adam de coster"
signature - signature lower left: "ant. Van dyck pinxit"
signature - signature of the engraving editor, lower right: "mart. Vanden enden excudit cum privilegio"
number - page number in pencil, upper right corner: "71"
iconographic description:
portrait of adam de coster, painter of genre and religious subjects, in the style of caravaggio. (1585-1643)
historical commentary:
this collection made from the engravings of van dyck's "iconography" bears the name of the last collector who owned the work before the acquisition by the dutuit brothers in 1844. Mode of acquisition: legacy
name of donor, testator, seller: dutuit, auguste and eugène
date of acquisition: 1902
institution: petit palais, museum of fine arts of the city of paris
part of:
collection of portraits of famous people in the 17th century. Date: between 1634 and 1636.
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