During a brief career woodville produced a number of paintings that serve as key documents of urban life in pre-civil war america. After training in his native baltimore, woodville traveled to düsseldorf to enroll in the town's renowned art academy. He remained in germany for six years and then briefly visited paris and london before his early death at the age of thirty. While an expatriate, woodville painted small, anecdotal genre scenes recalling life in baltimore. Portrayed here is a typical scene in mid 19th-century baltimore as described by charles dickens: "[of] all eaters of fish, or flesh, or fowl, in these latitudes, the swallowers of oysters are not gregarious. And copying the coyness of the thing they eat, do sit apart in curtained boxes, and consort by twos, not by two hundreds. " the humor woodville usually imparted to his subjects is illustrated in this typical baltimore scene showing local individuals, seated in the booth of an oyster house, engaged in conversation. This work was executed in düsseldorf for the baltimore lawyer john h. B. Latrobe (1803-1891). Object Type: painting. Date: 1848. Place of creation: Dusseldorf, Germany. Dimensions: height: 40.6 cm (15.9 in); width: 33 cm (12.9 in); Framed height: 54.2 cm (21.3 in); width: 43.9 cm (17.3 in); depth: 7.9 cm (3.1 in). Medium: oil on fabric. Collection: Walters Art Museum. Richard Caton Woodville - Politics in an Oyster House - Walters 371994
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