Arrivez, arrivez, nourrice. Dieux comme y ressemble à Mosieu Come Come nurse. Good Good what a likeness, BAL 925(n), Entre 1828 et 1829

Arrivez, arrivez, nourrice. Dieux comme y ressemble à Mosieu Come Come nurse. Good Good what a likeness, BAL 925(n), Entre 1828 et 1829

Author(s): grandville (nancy, 15–09–1803 - vanves, 17–03–1847), designer bulla, joseph, editor langlumé, pierre (poitiers, 1790 - 1830), designer-lithographer other title: the metamorphoses of the day (title of the series) production date: between 1828 and 1829 type(s) of object(s): graphic arts, print name(s): print materials and techniques: lithography dimensions - artwork: height: 25. 8cm width: 34. 3cm dimensions - picture: height: 17. 2cm width: 19cm dimensions - mounting: height: 50cm width: 40cm marks, inscriptions, hallmarks: signature - granville letter - arrive, arrive nanny! gods, how mosieu looks! come come nurse. God god! what a likeness inscription - lith. By langlumé registration - at bulla, rue st jacques n°38, and at martinet, rue du coq. Registration concerning the title - the metamorphoses of the day n°11. Iconographic description: 2 women and a man with animal heads are in a room. To the right of the stage, a woman is lying in a bed at the foot of which is an empty bassinet. The newborn, with the head of a bird, is in the center of the scene, in the arms of a man with the head of a deer whose large horns suggest that he is not the natural father of the child. The hungry baby bird opens its beak towards the goat-headed nurse who is opposite the deer. The goat joins its hands in a sign of emotion. Extract from métamorphoses du jour (editions gustave havard libraire, paris, 1854): "happy ten-corner! [. . . ] for a long time he was only a husband, for a long time his happiness was poisoned by the unfulfilled desire to be a father, and now he is! [. . . ] the arrival of this good cauchois goat who comes to lavish the baby with the nourishing juices with which the normandy grasslands filled its udders [. . . ] the nasty tongues of the neighborhood were exercised on this scene of interior happiness. They claimed that the little one, being a bird, could not resemble its father, who is a real deer. Themes / subjects / places represented: subject of society, morals, deer or doe, bird, goat, cuckold, infant = baby, childbirth, nurse = governess mode of acquisition: purchase date of acquisition: 21–02–1986 institution: maison de balzac inventory number: bal 925(n). Date: Entre 1828 et 1829.
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Author: Grandville (Nancy, 15–09–1803 - Vanves, 17–03–1847), dessinateurSource: https://commons.wikimedia.org/

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symbolismcollections of maison de balzacgrandville (caricaturist)

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