"our portrait is part of the history of the artist's work, it is directly linked to the paintings that were painted during the same period, perfectly reflecting the issues of that time. Related works:
the princesses portrayed in similar poses seated in their armchairs with this singular hairstyle, absent in other painters:
- portrait of the family of the grand dauphin, 1687 (château de versailles, mv 1835)
- family portrait of james ii, deposed king of england, 1694 (modello, palace of holyroodhouse, united kingdom), we find an identical armchair which welcomes queen mary of modena in a very similar attitude. We also find this singular hairstyle:
- marquise de seignelay and her two sons, national gallery, london
- portrait of catherine-marguerite mignard, countess of feuquières, (château de versailles, mv 3677)
marie-louise d'orléans, known as "mademoiselle d'orléans" or simply "mademoiselle"1 was a french princess, born march 26, 1662 in paris and died february 12, 1689 in madrid. She was queen of spain, sicily and naples, duchess of burgundy, milan, brabant, luxembourg and limburg and countess of flanders and hainaut by her marriage to the last king from the spanish branch of the house. Of habsburg, charles ii. "[1]. Date: 17th century. Dimensions: height: 130.5 cm (51.3 in); width: 99 cm (38.9 in). Medium: oil on canvas. Collection: Unidentified location. Studio of Mignard - Portrait de femme assise en robe bleue tenat une fleur
Loading...
