Zitat aus "Kunst und Rasse", Paul Schultze-Naumburg, circa 1930

Copy from an art magazine in the early 1930s. Schultze-naumburg (defender of the "blood and soil ideology") attacks the machine aesthetic of modernity by opposing it to the "aryan ideal of beauty". The steamer and car motif was used by le corbusier in 1923 in his magazine "l’esprit nouveau" and in the collection of essays "vers une architecture", 1927 (there in chapter iv. "eyes that do not see"). Date: circa 1930.