Author(s):
van dyck, anton (antwerp (antwerpen), 22–03–1599 - blackfriars, 09–12–1641), author of the model
hondius, willem (the hague, around 1597 - danzig, in 1658), engraver
van den enden, maarten (antwerp (antwerpen), 1605 - antwerp (antwerpen), 1673), print publisher
other titles:
debois collection (title of the set), l'iconographie (title of the series)
date of production: between 1634 and 1636
dating in century: 17th century
type(s) of object(s): print, graphic arts
name(s): original print
materials and techniques: etching, paper, chisel
dimensions - artwork:
height: 25. 4cm
width: 17. 4cm
description:
annotated page 120
marks, inscriptions, hallmarks:
inscription concerning the title - inscriptions concerning the title, in the lower margin: "gvilielmvs hondivs"
signature - signature lower left: "guil. Hondius sculp. "
signature - signature, bottom center: "ant. Van dyck pinxit. "
signature - signature of the publisher of engravings lower right: "mart. Vanden enden excudit cum privilegio"
number - page number in pencil, upper right corner: "120"
iconographic description:
portrait of william hondius, engraver at the polish court (1597-1658)
historical commentary:
this collection made from the engravings of van dyck's "iconography" bears the name of the last collector who owned the work before the acquisition by the dutuit brothers in 1844. Themes / subjects / places represented:
portrait
mode of acquisition: legacy
name of donor, testator, seller: dutuit, auguste and eugène
date of acquisition: 1902
institution: petit palais, museum of fine arts of the city of paris
part of:
collection of portraits of famous people in the 17th century. Date: Entre 1634 et 1636.
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