Author(s):
waumans or woumans, conrad (antwerp (antwerpen), 19–06–1619), etcher
van dyck, anton (antwerp (antwerpen), 22–03–1599 - blackfriars, 09–12–1641), author of the model
meyssens, joannes (brussels, 17–05–1612 - antwerp (antwerpen), 18–09–1670), publisher of prints
other titles:
debois collection (title of the set), l'iconographie (title of the series)
date of production: before 1650
dating in century: mid-17th century
type(s) of object(s): print, graphic arts
name(s): original print
materials and techniques: etching, paper, chisel
dimensions - artwork:
height: 25. 4cm
width: 19. 5cm
description:
annotated page 151
marks, inscriptions, hallmarks:
inscription concerning the title - inscription concerning the title, in the lower margin: "emeliae de solms, d. G. Princeps aravsionensivm, comitissa nassaviae, etc. / marchionissa verae et flissingae, baronissa bredae gravae, diestae etc. . . "
signature - signature lower left: "antonius van dÿck pinxit. "
signature - signature lower center: "conraet waumans sculpsit. "
signature - signature lower right: "ioannes meyssens excudit"
number - page number in pencil, upper right corner: "151"
iconographic description:
portrait of amelie de solms, princess of orange, wife of frédéric-henri, prince of orange, (1602-1675)
historical commentary:
this collection made from the engravings of van dyck's "iconography" bears the name of the last collector who owned the work before the acquisition by the dutuit brothers in 1844. Themes / subjects / places represented:
portrait
mode of acquisition: legacy
name of donor, testator, seller: dutuit, auguste and eugène
date of acquisition: 1902
institution: petit palais, museum of fine arts of the city of paris
part of:
collection of portraits of famous people in the 17th century. Date: Avant 1650.
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