Author(s):
lesueur, jean-baptiste (paris, in 1749 - plailly, in 1826), designer
other titles:
commander of the parisian army giving orders to an aide-de-camp. Mounted gendarmerie (registered title (letter)), the marquis de la fayette gives orders to an aide de camp. (dummy title)
date of production: between 1789 and 1793
type(s) of object(s): drawing, graphic arts
name(s): drawing
dimensions - artwork:
height: 36cm
width: 53. 5cm
description:
set of 83 known revolutionary gouaches, including 73 preserved at the carnavalet museum. Marks, inscriptions, hallmarks:
legend - on the front of the old montage, under the left gouache, label with handwritten legend in ink: "commander of the parisian army. / giving orders to an aide de camp. ". \ inscription in ink
legend - on the front of the old montage, under the gouache on the right, handwritten label in ink: "horse mounted gendarmerie forming the cavalry / of the parisian army. This corps consisted of 1200 men. / but barely was it formed when it was sent to the armies. ". \ inscription in ink
inscription - on the front of the old montage, top right, handwritten label in ink: "4emefeuille" \ inscription in ink
stamp - front: "carnavalet"
iconographic description:
scene: national guard, du motier marie-joseph paul (1757-1824), marquis de la fayette, general / romeuf m. De, aide-de-camp, horse, cavalry / figure: gendarme, uniform, tricorn, cockade, saber; french revolution. Historical commentary:
this plate shows the different uniforms of the national guard - bourgeois parisian militia commanded by la fayette - lined up like toy soldiers. All of lesueur's gouaches preserved at the carnavalet museum constitute a unique testimony to the revolutionary period. A sort of diary in images, the technique in which it is produced, as well as its scale, suggest a public, theatrical or "museographic" function. These small paintings and - a little differently - the texts which accompany them, reflect the varied feelings, sometimes enthusiastic, sometimes reproachful, of the parisian petty bourgeoisie facing the revolutionary event and daily life. Historical scenes, more innocuous skits, or isolated characters like military figurines are captured with liveliness, accuracy of observation, sense of color and layout which give them great flavor. The undeniable documentary interest of the series is particularly clear with regard to sans-culottes, the army, women, costume; but also mentalities and their evolution in the political situation of the years 1789-1806, and this with all the more force as the gouaches were painted immediately after the event or the fact that they represent. Acquisition mode: dation
name of donor, testator, seller: bidault de l'isle, georges
date of acquisition: 17–10–1977
institution: carnavalet museum, history of paris
inventory number: d. 9058. Date: between 1789 and 1793.
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