Author(s):
van dyck, anton (antwerp (antwerpen), 22–03–1599 - blackfriars, 09–12–1641), author of the model
vorsterman, lucas emil (zaltbommel, in 1595 - antwerp (antwerpen), in 1675), etcher
van den enden, maarten (antwerp (antwerpen), 1605 - antwerp (antwerpen), 1673), print publisher
other titles:
debois collection (title of the set), l'iconographie (title of the series)
date of production: between 1634 and 1636
dating in century: 17th century
type(s) of object(s): print, graphic arts
name(s): original print
materials and techniques: etching, paper, chisel
dimensions - artwork:
height: 24cm
width: 15. 6cm
description:
annotated page 77
marks, inscriptions, hallmarks:
inscription concerning the title - inscription concerning the title, in the lower margin: "carolvs de mallery"
signature - signature lower left: "ant. Van dyck pinxcit. / lvorsterman sculp. "
signature - signature of the engraving editor, lower right: "mart. Vanden enden excudit cum privilegio"
number - page number in pencil, upper right corner: "77"
iconographic description:
portrait of charles van maeldery, or van maillery or de maillery mallery, designer, engraver, publisher and print dealer, collaborated with philippe galle whose frontispieces he engraved, and miniatures of devotional images (1571-circa 1636)
historical commentary:
this collection made from the engravings of van dyck's "iconography" bears the name of the last collector who owned the work before the acquisition by the dutuit brothers in 1844. Mode of acquisition: legacy
name of donor, testator, seller: dutuit, auguste and eugène
date of acquisition: 1902
institution: petit palais, museum of fine arts of the city of paris
part of:
collection of portraits of famous people in the 17th century. Date: Entre 1634 et 1636.
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