Le bénéfice et la charge. Un enfant d'Apollon, BAL91.81, Henry Monnier

Le bénéfice et la charge. Un enfant d'Apollon, BAL91.81, Henry Monnier

Author(s): monnier, henry bonaventure (paris, 07–06–1799 - paris, 03–01–1877 — 3–6–1877), designer-lithographer giraldon-bovinet, editor bernard, charles louis (paris, 29–06–1769 - paris, 11–09–1848), designer-lithographer other title: recreation (series title) dating in century: 19th century type(s) of object(s): graphic arts, print name(s): print materials and techniques: vellum paper, watercolor, lithography dimensions - artwork: height: 23. 1cm width: 31. 2cm dimensions - image: height: 13. 6cm width: 16. 7cm dimensions - mounting: height: 40cm width: 30cm description: colored print marks, inscriptions, hallmarks: title of the work - above the image: recreations legend - in the lower left image: the benefit and the burdenin the lower right image: a child of apollo inscription concerning the author - under the image on the left: henry monnier registration concerning the test - under the image on the right: lith by bernardunder the image in the center: published by giraldon bovinet, passage vivienne, n°26. Iconographic description: on the left of the composition: a young man wearing a top hat and holding his umbrella like a parade rifle, gives his arm to an elegant young woman as well as to a pot-bellied man. On the right of the composition: a violinist, with wild hair and a prominent stomach, stands in front of his score. Actor, playwright and designer, henry monnier helped illustrate la comédie humaine. His engravings of administrative morals, and especially his play scenes from bureaucratic life, clearly inspired balzac for his novel la femme supérieure, renamed les employés. The same references to the customs of their time often inspired the two artists in parallel on numerous subjects as we can see in the following extract: "the solution to this terrible problem can only be found in constant, sustained work, because the material difficulties must be so overcome, the hand must be so chastened, so ready and obedient, that the sculptor can fight soul to soul with this elusive moral nature which must be transfigured by materializing it. If paganini, who did telling his soul through the strings of his violin, had he spent three days without studying, he would have lost, according to his expression, the register of his instrument; he thus designated the marriage existing between the wood, the bow, the strings and this dissolved chord, he would have suddenly become an ordinary violinist. " [excerpt from la cousine bette, by honoré de balzac] themes / subjects / places represented: subject of society, morals, violin, umbrella institution: maison de balzac inventory number: bal91. 81. Date: Unknown.
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Author: Monnier, Henry Bonaventure (Paris, 07–06–1799 - Paris, 03–01–1877 — 3–6–1877), dessinateur-lithographeSource: https://commons.wikimedia.org/

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