Detail of the the last supper by en:leonardo da vinci. As explained by leigh teabing to sophie neveu, the figure at the right hand of en:jesus is supposedly not the apostle john, but en:mary magdalene, who was his wife and pregnant with his child. The absence of a chalice in the painting supposedly indicates that da vinci knew that mary magdalene was actually the en:holy grail (the bearer of jesus' blood). This is reinforced by the letter "m" that is created with the bodily positions of jesus, mary, and the male apostle (en:saint peter) upon whom she is leaning. En:saint peter is also positioned with the blade of his hand next to mary magdalene's throat in a threatening gesture. This is supposedly because peter is jealous of jesus' greater love for en:mary magdalene than for his disciples. Mary magdalene and jesus also create a 'v' shape - the female symbol, for feminity, womanhood and fertility. They are also mirror images of each other - jesus in red robe and blue cloak, mary magdalene in a blue robe and red cloak. I lel. Based on a scan by mark harden. Zadnja večerja, delo l. Da vincija; uporabljeno kot tema v knjigi da vincijeva šifra: (leigh teabing je razložil sophie neveu, da lik desno od jezusa ni apostol janez, temveč marija magdalena, ki naj bi bila njegova žena in v nosečem stanju. Slika naj bi to podkrepila z latentno prisotno črko m, ki jo tvorita omenjena lika. Prostor med magdaleno in jezusom naj bi tudi tvoril obliko črke v - kar indicira na simbol ženskosti in plodnosti. Lika imata tudi inverzno preslikane barve oblačil.
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