Pendant qu’il plume son coq, le russe, l’autrichien et le prussien prennent des libertés avec françe oise sa femme, Paris Musées 20230707201249, En 1832

Pendant qu’il plume son coq, le russe, l’autrichien et le prussien prennent des libertés avec françe oise sa femme, Paris Musées 20230707201249, En 1832

Author(s): grandville (nancy, 15–09–1803 - vanves, 17–03–1847), designer attributed to alophe, marie-alexandre (adolphe marie alexandre menut, dit) (paris, 06–06–1812 - paris, 10–08–1883), designer-lithographer becquet (printing) (28–02–1796), printer aubert (printer, lithographer, editor), editor other title: the political, moral, literary and scenic caricature (title of the whole) production date: in 1832 type(s) of object(s): manuscripts, printed matter, binding name(s): periodical illustration materials and techniques: lithography dimensions - artwork: height: 27cm width: 35. 6cm dimensions - picture: height: 17. 9cm width: 26. 9cm description: ht plate published in the political, moral, literary and scenic caricature, volume 4, october 4, 1832 (plate no. 205) marks, inscriptions, hallmarks: inscription - title at bottom center: “while he plucks his rooster, the russian, the austrian and the prussian take liberties with // françe oise his wife. »; indications, above in the center: “caricature (journal) // no. 100. », ht to rt: “pl. 205” inscription - in the letter: “lith. De becquet, r. Childebert, n°9” [printer], “we subscribe to aubert, passage vero-dodat. »; in the image, bottom right, signature: “m. After j. J. Grandville” iconographic description: in a peasant interior, louis-philippe, depicted as a farmer, plucks a rooster for the benefit of the king of the united kingdom, william iv, in front of a fireplace. He does not see that france, represented by a young woman, is being attacked by three foreigners (the sovereigns of the holy alliance: nicholas i of russia, frederick william iii of prussia and francis i of austria). Next, the yoke of the “state of siege” dominating various small figures huddled in a bundle, above which the “guizotine” is placed. A pair of scissors bearing the inscription: “cutting of the // people”, a van containing the words: “mayors”, “prefects”, “sub-prefects”… like dirty laundry, newspapers favorable to governments are spread out (débats, constitutionnel…). Above the fireplace, a map showing the “fr. [france]” narrow facing the countries of the holy alliance “austria”, “prussia” and “russia” next to which sits the bust of napoleon. Presence of a salt shaker embodying the taxes weighing on the people. A “for rent” sign hangs on the left wall, above a soldier’s uniform. Below, a cane from which hangs the figure of a small national guard upside down (certainly a metaphor for the government's desire to win the opinion of this category). This pl. Is charles philipon's vision of the government, following his arrest: the king renounces republican principles and does not realize that foreign nations are flouting france and taking advantage of its weakness to expand. Person / character represented: louis-philippe i, king of the french mode of acquisition: retrospective registration date of acquisition: 20–02–2013 institution: maison de balzac. Date: En 1832.
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Author: Grandville (Nancy, 15–09–1803 - Vanves, 17–03–1847), dessinateurSource: https://commons.wikimedia.org/

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symbolismcollections of maison de balzacgrandville (caricaturist)

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