Invitation to present the work of rita rodrigues and paulo ladeira, são tiago menor: armed divine cherub. 500 years of devotion, history and heritage in madeira, funchal, partnership between the diocese of funchal, the regional secretariat of tourism and culture, through the regional directorate of culture, and the funchal city council, 2021, madeira island
presentation on july 15, 2021 by dr. Graça alves, director of the museums and cultural centers service, at the colégio church, funchal, madeira island. Detail of the ancient altarpiece of santiago maior, but later used in funchal as são tiago menor, oil on oak wood, 107 x 42 cm.;dieric bouts, the elder (atr. ), (c. 1415-1475), 1470 (c. ), from the cathedral of funchal, from where he moved to the chamber church of santiago menor, funchal, around 1530, today in the museu de arte sacra do funchal (masf 28), madeira island. Dirck bouts or dieric bouts (harlem, 1415 to 1420; louvain, 1475). A painter who would have frequented the studios of jan van eyck and rogier van der weyden, he worked in bruges and antwerp, later moving to louvain, where he was the city's painter from 1468. He married catherine van der brugghen, with whom he had two children, equally involved in painting, and was the first flemish painter to use the vanishing point for perspective, as evidenced in the last supper, from 1464 to , included in the altarpiece of the blessed sacrament of louvain. Bibliography: rui carita, história da madeira, 1st vol. , sre, funchal, 1989, reissue, 1998 and la peinture flamande dans l’île de madère à l’époque decouvertes and respective files, in feitorias, catalog europália-91, antwerp, 1991 and museu nacional de arte antiga, lisbon, 1992; and fernando antónio baptista pereira, o museu de arte sacra do funchal, edicarte, funchal and lisbon, 1997, pp. 24 to 27.
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