Author(s):
van dyck, anton (antwerp (antwerpen), 22–03–1599 - blackfriars, 09–12–1641), author of the model
delff, willem jacobsz. (said the young man) (delft, 15–09–1580 - delft, 11–04–1638), etcher
hondius, hendrick (the elder) (duffel, 09–06–1573 – in 1650), etcher
van den enden, maarten (antwerp (antwerpen), 1605 - antwerp (antwerpen), 1673), print publisher
other titles:
debois collection (title of the set), l'iconographie (title of the series)
date of production: between 1634 and 1636
dating in century: 17th century
type(s) of object(s): print, graphic arts
name(s): original print
materials and techniques: etching, paper, chisel
dimensions - artwork:
height: 26. 6cm
width: 19. 7cm
description:
annotated page 94
marks, inscriptions, hallmarks:
inscription concerning the title - inscriptions concerning the title, in the lower margin: "michael mirevelt"
signature - signature lower left: "henri. Hondius sculp [ ] ant. Van dyck pinxcit"
signature - signature of the publisher of engravings lower right: "mart. Vanden enden excudit [] cum privilegio"
number - page number in pencil, upper right corner: "94"
iconographic description:
portrait of michel van miereveld, from a family of prosperous merchants, active portraitist at the court of the hague (1567-1641)
historical commentary:
this collection made from the engravings of van dyck's "iconography" bears the name of the last collector who owned the work before the acquisition by the dutuit brothers in 1844. Mode of acquisition: legacy
name of donor, testator, seller: dutuit, auguste and eugène
date of acquisition: 1902
institution: petit palais, museum of fine arts of the city of paris
part of:
collection of portraits of famous people in the 17th century. Date: Entre 1634 et 1636.
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