Author(s):
grandville (nancy, 15–09–1803 - vanves, 17–03–1847), designer
bulla, joseph, editor
langlumé, pierre (poitiers, 1790 - 1830), designer-lithographer
other title: the metamorphoses of the day (title of the series)
production date: between 1828 and 1829
type(s) of object(s): graphic arts, print
name(s): print
materials and techniques: lithography
dimensions - artwork:
height: 27. 6cm
width: 36. 1cm
dimensions - image:
height: 16cm
width: 22cm
dimensions - mounting:
height: 50cm
width: 40cm
marks, inscriptions, hallmarks:
signature - j. Grandville inv. Letter - the metamorphoses of the day n°33
letter - there are enough two-footed jays like him, // who often adorn themselves with the remains of others // and who are called plagiarists. (the fountain)
inscription - lith. By langlumé
registration - at bulla, rue st jacques n°38 and at martinet rue du coq
iconographic description:
this satirical scene has four protagonists, all of whom are adorned with animal heads. An artist with the head of a jay is seated in the center of the image, he is engraving a drawing on a wooden board. To do this, he draws inspiration from images hung on a small pole in front of him and towards which he looks up. At his feet lie a statuette of mercury (god of thieves), a cast of a hand, sketches, and image albums. Behind him, another jay is bent over his work, while one of his colleagues is himself seated in the back, a drawing board in his hands. On the far left, a last jay stands, a pouch under his arm. Extract from métamorphoses du jour (editions gustave havard libraire, paris, 1854): "grandville, it was he who was pillaged! [. . . ] see what he does with his thieves! here they are cleverly decked out with all the brilliant feathers that they had stolen from the rich fan of his peacock's tail! there they are!. . . Shh! hush!. And from whom did he borrow the jays that he represents working to enrich himself with his spoils?
themes / subjects / places represented:
subject of society, morals, bird, artist
mode of acquisition: purchase
date of acquisition: 21–02–1986
institution: maison de balzac
inventory number: bal925(ap). Date: Entre 1828 et 1829.
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